You might have already seen them on a winding drive through lush green pastureland, or at a local downtown business. A square bursting with colors, a pattern that reminds you of your grandmother’s quilt, and the flash of surprise and pleasure as you experience a rapidly emerging phenomenon known as the quilt trail.

Magnolia Bud Quilt Block on Van Buren County Trail.

A quilt trail is comprised of a series of quilt squares painted among varying locations within a county or region. The first quilt trail was established in Ohio in the early 2000s, but the idea has captured the imagination of many around the country. Quilt trails now exist in at least forty-three states.

When Renee Carr ran across a quilt trail on a trip to North Carolina, she immediately thought the idea was perfect for Arkansas. She tucked that idea away until 2016, when she and friend Glenda Osten began to envision a quilt trail in Stone County. Carr works with Rural Community Alliance (RCA), an organization committed to empowering rural communities through educational opportunities, economic development and improving quality of life. RCA is the sponsor of the Arkansas Quilt Trails and Carr is the state coordinator.

Once Carr and Osten decided to move forward on their idea, things came together rapidly. Glenda researched how to set up the trail and started constructing the quilt blocks while Renee searched for locations within Stone County to host squares. She discovered Don and Carol Adams already had four quilt squares hanging on their property near Mountain View. These four squares became the launching point for the Stone County Trail. The Ozark Folk Center joined in the effort by creating a square, along with local business owners, the historical museum and rural residents wishing to honor relatives.

Each square in Stone County is accompanied by its story, which Renee helped capture. Besides the beauty of the squares, participants cite many reasons for deciding to hang the quilt squares on their barn doors, homes or store walls. The small square hanging on Turkey Creek School honors the one-room schoolhouse that welcomed students from 1925 to 1947. The two squares adorning Rodney and Angalee Rushing’s red barn honor Rushing’s great-grandparents who fought on different sides in the Civil War. Though the squares are beautiful, “the stories are equally important,” Carr states. With each square, a little more of Arkansas history has been preserved for those willing to seek out the trail.

By 2017, Stone County had 12 squares up and Carr began to think about reproducing the idea in other counties. Searcy County quickly jumped in and the Greater Searcy County Chamber covered the costs of materials for the blocks while local artists volunteered to create them. The county currently has 19 quilt squares.

Van Buren County also rose to the challenge, quickly creating a 12-block trail this past summer that takes trail seekers “along winding roads with interesting places to see around Fairfield Bay and Greers Ferry Lake, downtown Shirley, Clinton, Bee Branch and even remote Crabtree!”

Trinity Neeley is the coordinator for Perry County’s quilt trail. She first found out about the trail through a Facebook post. To form a quilt trail, a local chapter of the RCA must exist in the county, so Neeley took the initiative to form Perry County’s chapter. The county now has fifteen quilt blocks and she is working to secure landowner agreements and gather the stories of each block. Like the quilt trails in the other counties, Perry County’s trail is a community effort.

Local quilters from the Diane Wilson Senior Center are available to advise anyone who would like to host a square on a pattern, which will eventually need to be approved by Carr and the RCA. Once approved, the Perry County Writers Group can assist people in writing the stories behind the quilt blocks. The Hidden Gallery, a local non-profit store in Perryville that promotes local artists, is teaching people how to make their blocks. The Perry County Area Chamber of Commerce is also helping to establish the trail through the donation of funds for area businesses to make blocks.

Quilt trails are also in the development stage in Baxter, Boone, Newton and Pike counties. “The goal is for each county to have its own trail,” Neeley says. “The whole idea of the quilt trail is for each county to draw in tourists. Positive tourism for each county is a great thing.”

While the trails are created with the purpose of drawing tourists to the area, they have the benefit of bringing people together over the creation of each square, similar to the way families and friends once gathered to stitch quilts, swap stories and enjoy time together. With each square adorning a barn, home or business, history is being preserved one story at a time.


Today's feature is the first on the developing Montgomery County Quilt Trail. The pattern, "Four Tulips" is found on the Exhibit Barn at the Heritage House Museum of Montgomery County at 819 Luzerne St., Mt. Ida, AR.

The quilt block is, appropriately, a painted reproduction of a quilt that is on display in the museum, that was donated by Alice Widener and Viola Widener Payte. Betty Wheeler compiled the history. The quilt was made by my Great-grandmother, Sarah Standridge Wheeler. She and several of her older daughters made quilts by this pattern at the same time. My grandmother, Ada Wheeler Widener, was one of those daughters. These quilts were made prior to my grandmother's marriage in 1900. My grandmother's quilt was lost in a house fire in 1925 when my mother Viola Widener Payte was five years old. Granny Wheeler's quilt went to her youngest daughter, Rosie Wheeler, at her death. Later she gave Granny's quilt to my Grandmother. My Grandmother has been gone for over 40 years and Granny's quilt has belonged to my youngest Aunt, Alice Widener. Aunt Alice felt it belonged in a museum. So when she heard we would have a museum here, she was pleased to send it home to display.

The cloth from which it was made came from the carefully saved remnants of cloth used to make the clothing various family members wore. The cotton batting was cotton raised here on the Wheeler Homestead. The seeds would have been picked out by hand and the cotton carefully smoothed out on tightly stretched quilt lining until it was completely covered. The top would be carefully placed over the batting and basted into place. A "reach" would be quilted along the edges of the quilt. The the sidebars of the frame would be rolled to where another "reach" could be quilted. (A "reach" was the distance once could reach to make the quilting stitches.) The large quilt frames would be hung by cords from the ceiling. When the room was needed for some other activity. the cords would be wrapped around and around the ends of the end bars until it was above head height. For a quilt with smaller pieces, the cotton would have been very carefully carded to comb the fiber smoother and flatter than was possible to do by hand alone.

For more info Contact:

Amy Monk
UAEX Montgomery County, Agent & Staff Chair
870-867-2311
amonk@uaex.edu