Author Report: Bob Fosse
Beddow, Margery, and Roy Scheider. Bob Fosse's Broadway. Heinemann USA, 1997.
"Bob Fosse." Newsmakers, Gale, 1988. Gale In Context: Biography, link.gale.com.16 Dec. 2019.
Cutcher, Jenai, and Jenai Cutcher. “Introduction.” Bob Fosse, The Rosen Publishing Group, 2006, pp. 1–8.
Grubb, Kevin Boyd. Razzle Dazzle: The Life and Work of Bob Fosse. St. Martin's Press, 1989.
Mcquiston, John T. “A Veteran at 13.” The New York Times, The New York Times, 24 Sept. 1987, nytimes.com.
Mizejewski, Linda. Divine Decadence. Princeton University Press, 2016.
Author Report: Harold Prince
Wilson, Carol. Harold Prince: from Pajama Game to Phantom of the Opera, and Beyond. Limelight Editions, 1992.
Production History: Broadway 1998 Revival
Feingold, Michael. “Eurotrappings.” The Village Voice, vol. 43, no. 13, 1998, p. 129.
Rothstein, Mervyn. “In Three Revivals, the Goose Stepping Is Louder.” New York Times, March 8, 1998
Johnson, Malcolm. “Intimate Cabaret Is Sharp, Wicked, Chilling Dull ‘Macbeth’; Upbeat O’Neill.” Hartford Courant, March 22, 1998 https://www.courant.com/news/connecticut/hc-xpm-1998-03-22-9803200028-story.html
“Commercial Real Estate: Regional Market - - Manhattan; As ‘Cabaret’ Nears End, Cabaret Still Has a Place.” New York Times, October 1, 2003.
Weber, Bruce. “Critic’s Notebook; Kit Kat Kick Endures, Old Chum.” New York Times, September 3, 2003.
https://www.nytimes.com/2003/09/03/theater/critic-s-notebook-kit-kat-kick-endures-old-chum.html
“On Stage and Off; When Playbill Breaks a Mood: On Stage and Off.” New York Times, April 3, 1998. https://www.nytimes.com/1998/04/03/movies/on-stage-and-off-when-playbill-breaks-a-mood.html
Brantley, Ben. “Theater Review; Desperate Dance at Oblivion’s Brink.” New York Times, March 20, 1998.
https://www.nytimes.com/1998/03/20/movies/theater-review-desperate-dance-at-oblivion-s-brink.html
Production History: London 2012 Revival
Brown, Peter. “Cabaret Review 2012.” London Theatre Guide, London Theatre Guide, 31 Aug. 2017.
“Détails De Cette Production .” Musical's World, musicalsworld.net.
Hitchings, Henry. “Cabaret, Savoy Theatre - Review.” Evening Standard, 26 Aug. 2013. Shenton, Mark. “Theatre Review: Cabaret, American Idiot, Lungs and This House.”
Express.co.uk, 13 Oct. 2012.
Spencer, Charles. “Will Young in Cabaret, Savoy Theatre, Review.” The Telegraph, Telegraph Media Group, 10 Oct. 2012.
Taylor, Paul. “Cabaret, Savoy Theatre, London.” The Independent, Independent Digital News and Media, 10 Oct. 2012.
Tim. “Kander and Ebb's Classic Survives This Trivial Production, but Just Barely.” Cheap Theatre Tickets, 9 Oct. 2012.
Walker, Tim. “Cabaret, at Savoy Theatre, Seven Magazine Review.” The Telegraph, Telegraph Media Group, 12 Oct. 2012.
Cabaret & The Concept Musical
Hischak, Thomas (2008). The Oxford Companion to the American Musical: Theatre, Film, and Television. Oxford University Press.
Jones, John B. Our Musicals, Ourselves : A Social History of the American Musical Theatre. Brandeis University Press, 2011.
Jones, Tom (2004). Making Musicals: An Informal Introduction to the World of Musical Theater. Hal Leonard Corporation.
Young-Gerber, C. (2010), ‘‘Attention must be paid’, cried the balladeer: The concept musical defined’, Studies in Musical Theatre 4: 3, pp. 331–342,
doi: 10.1386/smt.4.3.331_1
Sexuality in the Weimar Republic
Bridenthal, Renate, et al. When Biology Became Destiny: Women in Weimar and Nazi
Germany. Monthly Review Press, 1984.
Kennedy, Hubert C. Institut fur Sexualwissenschaft (1919-1933). Journal of the History
of Sexuality 12 pg 122-126, 2002.
Marhoefer, Laurie. Sex and the Weimar Republic : German Homosexual Emancipation
and the Rise of the Nazis. University of Toronto Press, Scholarly Publishing
Division, 2015.
Ritter, Gerhard A., and Merith Niehuss. 1980. “Wahlgeschichtliche Materialien Zur
Statistik Des Kaiserreiches 1871-1918 (ZA8348)”. GESIS.
Snitow, Ann Barr, et al. Powers of Desire: the Politics of Sexuality. Aakar Books, 2009.
Mullen, Matt. The Pink Triangle: From Nazi Label to Symbol of Gay Pride. History.com,
A&E Television Networks, 3 June 2019
Gender in the Weimar Republic
Snitow, Ann Barr, et al. Powers of Desire: the Politics of Sexuality. Aakar Books, 2009.
Bridenthal, Renate, et al. When Biology Became Destiny: Women in Weimar and Nazi Germany. Monthly Review Press, 1984.
Beyond Kinder, Kuche, Kirche: Weimar Women in Politics and Work
Abortion and Economic Crisis: The 1931 Campaign Against Paragraph 218
Ankum, Katharina von. Women in the Metropolis : Gender and Modernity in Weimar Culture. University of California Press, 1997.
Kabarett
Lareau, Alan. The German Cabaret Movement during the Weimar Republic. Theatre Journal, vol. 43, no. 4, 1991, pp. 471–490.
Connolly, Kate. A Kabarett Interpretation of the Teletubbies. The Guardian, Guardian News and Media, 14 Feb. 2001
Tucholsky. Berlin! Berlin! Dispatches from the Weimar Republic. Translated by Opitz, Berlinica Pub Llc, 2013.
Jelavich, Peter. Berlin Cabaret. Harvard Univ. Press, 1993.
Appignanesi, Lisa. The Cabaret/ Lisa Appignanesi. Studio Vista, 1975.
Expressionism
Bassie, Ashley. Expressionism, Parkstone International, 2008. ProQuest Ebook Central,
Berland, R. “The Early Portraits of Oskar Kokoschka: A Narrative of Inner Life.” Image and
Narrative, Sept. 2007, www.imageandnarrative.be
Ernst Ludwig Kirchner (1880-1938). Nude under a Japanese Umbrella. 1909. Artstor,
library.artstor.org
Figura, Starr. “German Expressionism .” Museum of Modern Art, MoMA.org.
“German Expressionist Prints .” National Gallery of Art, nga.gov.
Grubb, Kevin Boyd. Razzle Dazzle: The Life and Work of Bob Fosse. St. Martin's Press, 1989.
Miall, Nina. “Kirchner: Expressionism and the City; Dresden and Berlin 1905 –1918.” WayBack Machine Internet Archive, Royal Academy of Arts, 2003, web.archive.org.
Oskar Kokoschka (1886-1980). In the Garden I (The Visit). 1934. Artstor,
library.artstor.org