Written by Drew Daywalt, Illustrated by Adam Rex
Approx. Grade Level: K-3
Lexile: 670
Fountas and Pinnell: P
Summary: "Rock is the invincible champion of the Kingdom of Backyard, but winning comes too easily. “Smooshing you has brought me no joy,” he tells a flattened apricot. Meanwhile, two other hardcore competitors are having similar crises: Paper has vanquished all comers in the Empire of Mom’s Home Office (“Taste my fury, giant box-monster!” says Paper before jamming the computer printer), while Scissors is the undisputed victor of the Kitchen Realm. Their yearning for worthy opponents is finally answered by a meet-up in the garage. After three exhilarating rounds, they realize that their epic battles can go on forever: “Finally, they had each met their matches.” This exuberant collaboration between Daywalt (The Day the Crayons Quit) and Rex (How This Book Was Made) is similarly felicitous. Daywalt’s text, set in a range of expressive fonts, combines the heightened verbosity of vintage action comics with the swagger of backyard scuffles (“I hope you’re wearing your battle pants, rock warrior,” warns Scissors), and Rex composes wildly dramatic battle scenes against backdrops of thunderstorms, erupting volcanoes, and missile launches. Forget reading aloud—this story demands bombastic, full-volume performances." —Publishers Weekly
Illustration Style: Mixed Media
"Daywalt’s silly tale unfolds in hilariously overblown text that is further melodramatized with ample and emphatic use of various display types. It is deliciously illustrated in true Rex style with wackily anthropomorphic inanimate objects and action-packed scenes." —Kirkus Review
Author and Illustrator Background:
Drew Daywalt is an award-winning, New York Times #1 bestselling children's author and horror screenwriter whose books include The Day the Crayons Quit and Star Wars: BB-8 on the Run. He lives in Los Angeles, California, with his wife and two children. Drew loves to play Rock Paper Scissors, but most of the time he can’t decide fast enough which one to pick and ends up making some bizarre shape with his hand that looks like a weird octopus with a hat. He’ll claim Weird Octopus with Hat beats everything, but don’t let him pull that nonsense on you.
Adam Rex grew up in Phoenix, Arizona, the middle of three children. He was neither the smart one (older brother) or the cute one (younger sister), but he was the one who could draw. He took a lot of art classes as a kid, trying to learn to draw better, and started painting when he was 11. Later he got a BFA from the University of Arizona, and met his physicist wife Marie (who is both the smart and cute one). Adam and Marie live in Tucson, where Adam draws, paints, writes, spends too much time on the internet, and listens to public radio. He likes animals, spacemen, Mexican food, Ethiopian food, monsters, puppets, comic books, 19th century art, skeletons, bugs, and robots.
Links to:
Meet the Characters with Drew Daywalt (1 min video, at right)
Readaloud video by Allie Lamb (7 min, 30 sec)
Read Daywalt's other books The Day the Crayons Quit and latest release (soon to be in MEMS Library) The Epic Adventures of Huggie & Stick, or Adam Rex's written and illustrated book Nothing Rhymes with Orange (similar illustration style) or his illustrated School's First Day of School or How This Book was Made by Mac Barnett (highly recommend this one!)
Event Kit from HarperCollins with scorekeeping for the game, a writing prompt about legends, inventing a new related game and readers theater potential by assigning roles as the main characters and supporting characters (I may work on a complete Readers Theater Script for use, but don't have it ready quite yet! -EM)
Adam Rex suggests how to publish a book as it relates to his Nothing Rhymes with Orange (it's cheeky) (video, 2min)
Lesson plan from VT art educator M. C. Baker about cartooning with ordinary objects beginning with simply googly eyes (to humanizing the objects)
Ms. McCall's Readers Theater Script (4.5 pages, 4 scenes, with enough roles for 18 students with narration broken up among "scenes")