Your script should be meticulously edited and formatted to industry standards. This means ensuring that your character names, stage directions, and dialogue are clearly and consistently presented. Use standard formatting guidelines – for example, character names should be centered and in uppercase, stage directions in parentheses and italics, and dialogue aligned to the left.
A comprehensive guide to format can be found at this link:
Dramatist's Guild Stage Play Format Guidelines
Proofreading is equally important. Grammatical and typographical errors can distract readers and undermine your credibility. Consider having a trusted friend or colleague review your script, or even hiring a professional editor.
Along with your script, you'll need a compelling synopsis and a professional cover letter. Your synopsis should be a brief summary that highlights the key themes and plot points of your play. Think of it as a way to hook your reader and make them want to read the full script.*
*Your cover letter is your introduction. It should include a brief overview of your play, why you're submitting it to the particular publisher or competition, and a bit about your background and experience. Be concise and professional.
(The photo example is a comedic demonstration of what not to do.)
Once your script is polished, it's time to think about how to get it published. There are two main routes you can take: traditional publishing and self-publishing.
Traditional publishing involves submitting your play to established publishing houses. Some well-known publishers that specialize in plays include Samuel French, Dramatists Play Service, and Broadway Play Publishing. Each publisher has its own submission guidelines, so be sure to research these carefully and follow them to the letter.*
*The pros of traditional publishing include wider distribution and the credibility that comes with being published by a recognized name. However, it can be a competitive process with long timelines. Be prepared for rejections and stay persistent.
Self-publishing is an increasingly viable option, thanks to platforms like Amazon Kindle Direct Publishing. This route offers you more control over your work and potentially faster timelines. However, it also requires more effort on your part, particularly in marketing and distribution.*
*When self-publishing, it's crucial to have a marketing plan in place. Utilize social media, build an author website, and network with other writers to promote your work. The more proactive you are, the more successful you'll be.
Competitions and festivals can be fantastic opportunities for exposure, feedback, and potential production. They also help build your resume and gain credibility in the industry.
Entering your play into competitions and festivals can open doors to new opportunities. These platforms often provide feedback from industry professionals, which can be invaluable for your development as a playwright. Winning or even placing in a competition can significantly boost your profile.
(This image is one of a million that come up when searching the words "Austin" and "Festival" together.)
There are numerous resources available to help you find competitions and festivals to enter. Websites like the Playwrights’ Center and NYCPlaywrights are great places to start. Consider both local and international options – sometimes smaller, local competitions can be less competitive and a good starting point.
A good place to start would be right here:
When preparing your submission, it's essential to meet all guidelines and deadlines. Tailor your submission to the specific competition or festival. This means understanding their preferences and requirements and adjusting your materials accordingly. Pay close attention to details – a well-prepared submission can make all the difference. Polish leads to publish.
Getting your play produced is a significant milestone. There are various avenues you can explore, from community theaters to fringe festivals.
Starting locally can be a great way to gain experience and exposure. Community theaters and university drama departments are often more accessible and supportive environments for new playwrights. Approach these venues with a professional proposal and be open to collaboration.
You may want to keep an eye on our own ACC events in case faculty are currently working on ideas for play festivals and workshops...
Once you have some experience, you might consider larger stages such as Off-Off-Broadway or fringe festivals. Off-Off-Broadway refers to theaters in New York that have fewer than 100 seats, but really they can be anywhere. These venues are known for showcasing new and experimental work. Participating in events like the Edinburgh Fringe Festival or the New York International Fringe Festival can provide significant exposure.
Again, a good place to start would be right here:
In the theater community, networking is crucial. Attend theater events, workshops, and networking sessions to build relationships with directors, producers, and other playwrights. These connections can lead to opportunities and collaborations that might not otherwise be available.
Even with a production lined up, marketing is essential to ensure your play reaches its audience.
Develop a comprehensive marketing plan that includes press releases, social media strategies, and promotional materials like posters and flyers. A well-thought-out marketing plan can significantly impact your play's success.
Social media is a powerful tool for promoting your play. Build an online presence, engage with potential audiences, and share updates and behind-the-scenes content to generate interest. Platforms like Instagram, Twitter, and Facebook can help you reach a broader audience.
Work closely with the venue's marketing team to promote your play. They often have established channels and audiences that you can tap into. Collaborative efforts can amplify your reach and ensure a successful run.