ASU Symphony Orchestra with Cathal Breslin
Tempe Center for the Arts
Friday, September 18, 2026
7:30pm
ASU Symphony Orchestra with Cathal Breslin
Tempe Center for the Arts
Friday, September 18, 2026
7:30pm
ASU Symphony Orchestra
Overture, Grażyna Bacewicz
Piano Concerto No. 2 in G Minor, Op. 16, Sergei Prokofiev
I. Andantino - Allegretto
II. Scherzo: Vivace
III. Intermezzo: Allegro moderato
IV. Finale: Allegro tempestoso
Cathal Breslin, piano
INTERMISSION
Strum, Jessie Montgomery
Variations on a Theme by Haydn, Op. 56a, Johannes Brahms
I. Theme. Chorale St. Antoni. Andante
II. Variation I. Poco più animato
III. Variation II. Più vivace
IV. Variation III. Con moto
V. Variation IV. Andante con moto
VI. Variation V. Vivace (Poco presto)
VII. Variation VI. Vivace
VIII. Variation VII. Grazioso
IX. Variation VIII. Presto non troppo
X. Finale. Andante
Alejandro Gómez Guillén, conductor
Overture (1943)
Grażyna Bacewicz
Grażyna Bacewicz’s Overture is a short but wonderfully energetic piece. From its opening bars, the music is full of motion, with lively rhythms and bright orchestral colors constantly passing from one section to another. A brief, more lyrical middle section gives us a chance to breathe before the energy returns. Written during the German occupation of Poland, the Overture is an especially remarkable example of Bacewicz’s ability to create music that feels vibrant, confident, and full of life even in extraordinarily difficult circumstances.
Piano Concerto No. 2 in G Minor, Op. 16 (1913)
Sergei Prokofiev
Prokofiev’s Piano Concerto No. 2 is one of his most dramatic and demanding works, both for the pianist and the orchestra. Written during 1912–13, the concerto tears between extremes: the opening movement moves from dark, brooding themes to a massive cadenza before reaching an explosive conclusion, while the second movement takes the form of a playful, relentless scherzo. The quieter third movement brings a more mysterious and lyrical character, leading into a wild, energetic finale. Throughout the concerto, Prokofiev balances moments of beauty with sharp rhythms, unexpected turns, and an almost unapologetic intensity.
Read more about soloist Cathal Breslin below!
Performing / Soloist
Dr. Cathal Breslin has been praised internationally as one of the most compelling pianists of his generation. Critics have described the “superb intensity and passion” of his playing (Cleveland Plain Dealer), his “energized and energizing” performances (Belfast Telegraph), and his “deep connection to the music” (Tampa Oracle). His interpretations have been admired for their “noble poetry and perfumed pianissimo” (The Independent, London), as well as a recent CD review by critic Bryce Morrison, which stated that “Breslin’s unfaltering musical commitment and technical strength means that his re-creation is all-powerful”….“unleashing an elemental fury where every note comes at you with weight and significance”….and “The familiar made unfamiliar not through idiosyncrasy but through an unfaltering sense of vision” (The Art of Pianists).
Born in Derry, Northern Ireland, Dr. Breslin has performed solo recitals in major concert halls throughout Europe, North and South America, and Asia, including Carnegie Hall in New York, Wigmore Hall in London, Kumho Art Hall in Seoul, and the National Centre for the Performing Arts in Beijing.
In Europe, recent performances have taken place in leading venues in Dublin, Belfast, London, Madrid, Málaga, Valencia, Milan, Lisbon, Sofia, and Warsaw. In Asia, he has appeared extensively throughout China—including Hong Kong, Shanghai, Beijing, Tianjin, Nanjing, Wuhan, Qingdao, Ningbo, Suzhou, Chengdu, and Chongqing—as well as in Seoul and Busan in South Korea, Taipei in Taiwan, and Tokyo in Japan. In South America, recent recitals have included performances in Medellín, Colombia, and São Paulo, Brazil.
As a concerto soloist, his repertoire spans from the Classical era to the modern day, including works by Mozart, Beethoven, Liszt, Grieg, Tchaikovsky, Rachmaninov, Prokofiev, Poulenc, Ó Riada, Shostakovich, and Takemitsu. He has appeared with orchestras such as the National Symphony Orchestra of Ireland, BBC Ulster Orchestra, RTÉ Concert Orchestra, Turin Philharmonic, Camerata Ireland, Memphis Symphony, Greensboro Symphony, Jackson Symphony, and the Arizona MusicFest Orchestra, collaborating with distinguished conductors including Vladimir Altschuler, Giovanni Battista Rigon, David Brophy, Matthew Coorey, Barry Douglas, Christian Gansch, Gearóid Grant, Robert Houlihan, Courtney Lewis, Robert Moody, Peter Shannon, Dmitry Sitkovetsky, and Niklas Willén.
Collaborative Pianist / Chamber Musician
An active and versatile collaborator, Dr. Breslin performs regularly as a member of Trio Festivale, an internationally touring flute–cello–piano ensemble that commissions and performs new works. He has appeared extensively in duo and chamber recitals with flutists Sir James Galway and Lady Jeanne Galway; sopranos Measha Brueggergosman and Ailish Tynan; violinists Augustin Dumay, Anne Akiko Meyers, Dmitry Sitkovetsky, Kirill Troussov, and Ye-Eun Choi; oboist Nicholas Daniel; cellists Jan Vogler, Raphael Wallfisch, Jeffrey Zeigler, and Arto Noras; pianists Awadagin Pratt and Barry Douglas; clarinetist Michel Lethiec; hornist Richard Watkins; and percussionists/composer Andy Akiho and Ian Rosenbaum..
Additional chamber music collaborations have included performances with the Brodsky Quartet, Fitzwilliam Quartet, Coull Quartet, Ceruti Quartet, and Houston Symphony Winds. Recent highlights include major concert tours of the United States and Canada with Sir James Galway and Lady Jeanne Galway, recitals with Dmitry Sitkovetsky and Measha Brueggergosman, and performances of landmark concerto works including Tchaikovsky Concerto No. 1, Rachmaninov Concerto No. 2, Liszt Totentanz, Beethoven Concerto No. 3, and Poulenc’s Double Piano Concerto.
Competitions, Recordings, and Broadcasts
Dr. Breslin was awarded the Bronze Medal at the Viotti International Piano Competition in Vercelli/Milan, Italy, a World Federation of International Music Competitions event. Additional international competition successes include top prizes at Carlet (Valencia), Grand Konzerteum (Athens), and Iowa in the United States. He has broadcast regularly for BBC Radio 3, RTÉ, BBC Radio Ulster, and RTVE Spain, and has appeared frequently on television in the United States, Japan, China, Spain, and Ireland. His recordings of works by Mozart and Takemitsu for the European Broadcasting Union (EBU) network have been broadcast in over 30 countries worldwide, including on NPR, BBC, and ABC.
In 2020, he released the critically acclaimed solo piano album Mirage and in 2026 the solo piano album Stories & Soundscapes, which received rave reviews including “Even when blessed with many classic recordings whether from the past (Cortot, Rubinstein, Moiseiwitsch etc) or present (Ashkenazy, Zimmerman, Perahia etc), Breslin makes you re-think the Ballades in all their rhetorical grandeur and audacity.” (Bryce Morrison)
Education and Training
Dr. Breslin began his conservatory studies at the Royal College of Music in London with John Barstow, continuing at the Royal Northern College of Music in Manchester with Kathryn Stott, Benjamin Frith, and Alexander Melnikov. He then lived in Madrid, studying with Joaquín Soriano at the Real Conservatorio Superior de Música. In 2008, he earned his Doctor of Musical Arts degree in Piano Performance from the University of Michigan, where he studied with Arthur Greene as a Fulbright Scholar and Teaching Assistant.
Throughout his career, he has been grateful for the generous support of the Arts Council of Northern Ireland, BBC Young Artists Programme, Culture Ireland, Diageo Ireland, Fulbright U.S. and Ireland, and the Bank of Ireland Millennium Scholars Programme.
Artistic Director
In 2008, Dr. Breslin and his wife, American flutist Dr. Sabrina Hu, became Founding Artistic Directors of the Walled City Music Festival in Derry, Northern Ireland. The festival was created to foster a brighter future for young musicians in Northern Ireland through bold programming, artistic excellence, and deep community engagement. Walled City Music has featured artists such as Sir James Galway, Kronos Quartet, Katia and Marielle Labèque, Jeremy Denk, Augustin Dumay, Anne Akiko Meyers, Dmitry Sitkovetsky, Jan Vogler, Raphael Wallfisch, Li-Wei Qin, Jeffrey Zeigler, Nicholas Daniel, Andy Akiho, Tine Thing Helseth, Emma Johnson, Colin Currie, Jonathan Fa’afetai Lemalu, Houston Symphony Winds, and many others.
He also founded the WCM International Piano Festival and Competition, an annual event attracting hundreds of young musicians from over 20 countries.
Teaching / Professor
Dr. Breslin is currently Associate Professor of Piano at Arizona State University in the School of Music, Herberger Institute for Design and the Arts. From 2013–2019, he served as Assistant Professor of Piano and Coordinator of Piano Studies at the University of Memphis. Previous faculty appointments include Bucknell University, Bloomsburg University of Pennsylvania, the National University of Ireland, Maynooth, and Queen’s University Belfast.
He has given masterclasses and lectures at universities and conservatories throughout the United States, Canada, China, Taiwan, Korea, Hong Kong, Portugal, Bulgaria, Spain, United Kingdom, Ireland, Colombia, Brazil, and has served as a jury member for major national and international competitions, including the Valencia International Piano Competition “José Iturbi” in Spain and others.
In 2020, he initiated the first historic four-city simultaneous teaching project using Yamaha Disklavier technology, receiving international media coverage including PBS Television. He has been an exclusive Yamaha Artist since 2019.
Strum (2006)
Jessie Montgomery
Strum is a vibrant celebration of movement, rhythm, and the energy of string playing. Originally written for string quartet and later expanded for string orchestra, the piece draws on the sounds of American folk traditions, African American musical styles, and contemporary classical music. The title comes from the physical gesture at the heart of the music: the strings’ repeated, rhythmic strumming that drives the piece forward. Beneath its lively surface, Strum explores the ways individual musical lines can come together to create something bigger than themselves—a fitting reflection of Montgomery’s interest in community and collective expression.
Variations on a Theme by Haydn, Op. 56a (1873)
Johannes Brahms
Brahms’s Variations on a Theme by Haydn begins with a graceful melody called the "St. Antoni Chorale" that Brahms transforms through eight contrasting variations. Each one highlights a different quality of the theme, shifting between playful rhythms, warm lyricism, and increasingly rich and dramatic textures. The final Passacaglia builds on a repeating bass line, gradually gathering the energy of the entire work before arriving at a grand conclusion. The piece demonstrates Brahms’s remarkable ability to take a seemingly simple melody and uncover an entirely new world of musical ideas within it.
Conductor & Music Director
Alejandro Gómez Guillén
Assistant Conductors
Hayoung Jeong, Serena Fornay, Lauren Burchell
Violin I
Manxi Xu+*
Mia Kraker
Zoe Chen
Andrew Nix
Mingyang Yuan
Yun Hao
Evan Whipple
Bonnie Burgess-Gay
Chih-Lin Chen
Kate Gregory
Seoin Kim
Qi Gao
Violin II
Josh Thai+*
Isaiah O'Mack
Xuanyu Chen
Yijun Wu
Shuqing Yuan
Evelyn Park
Bella Giauque
Choimei Lao
Daimien Benally
Susan Dunn
Sadie Christie
Carlos Cid
Viola
Julia Chen+*
Steffen Gregan
Guangyu Shen
Kyla Guzman
Hannah Bradshaw
Ruth Wu
Iris Yang
Cello
Dayoung Park*+
Miriam Rodriguez
Yun-De Tsai
Dat Pham
Tzu Yi Yeh
Ryan Ellsworth
Bolin Ye
Rea Drewett
Double Bass
Camden Eaton+
Sila Kuvanci
Siqing Zhang*
Macee Lopez
Lauren Burchell
Meghan Crane
Flute
Aurora Han+
Ya-Yun Chiang*
Anika Gray
Oboe
Adelle Rodkey+*
Margaret Dultz
Clarinet
Aiden Millsap+
Alanna Benoit+
Koby Slavin*
Adrianna Valenzuela
Bass Clarinet
Koby Slavin
Bassoon
Cooper Taylor+
Kate Muehring*
Lucas Lyum
Contrabassoon
Lucas Lyum
Trumpet
Davey Aguilera*
Taoyang Zhang+
Horn
Jake Wadsworth+
Hayden Clark
Isabella de Lima
Daphne Anderson*
Lucy Alwin
Trombone
Garrett Parnaby+
Mac Dishman*
Charles Brantley
Dan Iverson
Tuba
Alex Stanbridge+*
Timpani
Caleb Hupp
Percussion
Ella Gregory
Michael Duran
Maria Julia-Petropoulos
Concertmaster/ Principal
+Bacewicz/Brahms
*Prokofiev/Montgomery
The ASU Symphony Orchestra provides its members with intensive orchestral training and professional level artistic performance experience. The ASUSO performs challenging and diverse repertoire chosen to help emerging professional musicians develop a wide range of skills and aptitudes. Rich concert programming offers audiences and the greater arts community opportunities to engage with major works of the orchestral canon as well as cutting-edge works of our time. Exploring the full creative range of the contemporary symphony orchestra, the ASUSO seeks to perform canonical works with technical excellence and artistry while also pushing musical boundaries through innovative multi-disciplinary collaborations.
The ASU Symphony Orchestra aims to extend student learning through rich interactions with professional artists. ASU faculty are closely involved with their students’ orchestral experience and regularly lead orchestral sectionals. The ASU orchestras also maintain a vibrant relationship with the Phoenix Symphony with frequent guest artist visits in both sectional rehearsals and side-by-side rehearsal contexts.
Learn more about our program at musicdancetheatre.asu.edu/ensembles/orchestras.
The ASU Wind Ensemble, made up of the finest woodwind, brass and percussion players on campus, has the flexibility to perform the highest quality wind band works, as well as chamber music of all kinds.
The students share in this commitment, aspiring to the highest possible standards of musical excellence and maximizing their own trajectory by setting personal goals for the productive use of ensemble rehearsal time. Balancing the needs of the community with those of the individual, the ensembles study and perform a range of wind band repertory on campus and throughout the Valley.
ASU Wind Bands, located in the School of Music, Dance and Theatre at Arizona State University, honors its rich history while reflecting the “state of the art” through dynamic and innovative performances. They have performed multiple times at national conventions of the College Band Directors National Association (CBDNA), the American Bandmasters Association (ABA), the Music Educators’ National Conference (MENC), and at the Midwest International Clinic.
Learn more about our program at musicdancetheatre.asu.edu/ensembles/wind-bands.
The Herberger Institute for Design and the Arts acknowledges the twenty-two Native Nations that have inhabited this land for centuries. Arizona State University’s four campuses are located in the Salt River Valley on ancestral territories of Indigenous peoples, including the Akimel O’odham (Pima) and Pee Posh (Maricopa) Indian Communities, whose care and keeping of these lands allows us to be here today.