ASU Symphony Orchestra: American Mosaic featuring Catalin Rotaru
Tempe Center for the Arts
Tuesday, November 17, 2026
7:30pm
ASU Symphony Orchestra: American Mosaic featuring Catalin Rotaru
Tempe Center for the Arts
Tuesday, November 17, 2026
7:30pm
ASU Symphony Orchestra
Amber Alley, Alexander Skelton
"Legacy" Double Bass Concerto, Martin Wind
Catalin Rotaru, double bass
INTERMISSION
American Mosaic, Peter Boyer
I. Prologue
II. The New World
III. American Roots
IV. Rails, Rivers, and Roads
V. West of the Continental Divide
VI. Cities Arising
VII. Faces of America
VIII. The North Star
IX. The American Spirit
X. In Defense of Freedom
XI. 250 and Counting
Amber Alley (2026)
Alexander Skelton
The story behind Ariadne auf Naxos begins with an unusual predicament: a wealthy host has arranged an evening of entertainment featuring both a serious opera and a comedy. When time runs short, he insists that the two be performed simultaneously, much to the horror of the young composer, who fears his carefully crafted work will be overshadowed by the comedians.
Strauss’s Prelude introduces the world behind this chaotic evening, with music that shifts between playful, energetic passages and sweeping, heartfelt melodies. The contrasting moods hint at the tension between the composer’s artistic ambitions and the demands of putting on a show. Full of character and rich orchestral color, the Prelude offers a glimpse into Strauss’s ability to balance humor with genuine musical expression.
"Legacy" Double Bass Concerto (2018, rev 2025)
Martin Wind
Written in 1834 by French composer Louise Farrenc, Overture No. 2 is a lively piece full of sweeping melodies, dramatic contrasts, and vibrant musical exchanges, almost Mozartian in nature. Throughout the overture, the orchestra moves between bold, powerful moments and lighter, more lyrical passages, with the woodwinds, strings, and brass each adding their own character.
Farrenc builds the music toward an exciting finish, leaving the listener with a sense of momentum and celebration. Her overture is a wonderful reminder that there is still plenty of remarkable music waiting to be discovered beyond the familiar names of the classical repertoire.
Catalin Rotaru, double bass, joined the School of Music at Arizona State University, in 2005. Mr. Rotaru is in demand as a performer and clinician throughout the world. He is a graduate of the National
University of Music from Bucharest, Romania and holds a Master’s degree in music performance from the University of Illinois at Urbana-Champaign. Previously he was Associate Professor of Double Bass and Jazz Studies at the University of Wisconsin-Stevens Point, taught at Millikin University and at the University of Illinois at Urbana–Champaign. He served as associate principal bass in the Romanian National Radio Orchestra, principal bass in the Sibiu Philharmonic Orchestra, Virtuosi Chamber Orchestra of Bucharest, associate principal and principal bass in Sinfonia Da Camera, and principal bass of the Orchestra Sinfonica Europea.
He received the second prize at the 1997 International Society of Bassists Solo Division Competition and the Jury's Special Award for the best performance of the required piece at that competition. He was the winner of the Krannert Center for the Performing Arts Debut Recital Award in 1997, the Central Illinois Chapter of the National Society of Arts and Letters Award in 1996 and in 2013, was honored with the “Recognition award for Solo Performance” by the International Society of Bassists.
Mr. Rotaru’s debut solo CD, entitled “Bass*ic Cello Notes” was released by Summit Records in March 2007 and in 2010 released his second CD entitled “Juliana D’Agostini + Catalin Rotaru” which was recorded in Sao Paulo, Brazil. In 2012 Mr. Rotaru recorded his third CD, in collaboration with the National Symphony Orchestra of Paraguay, which includes the world premiere of a double bass performance of the famous violin concerto no. 5 by W.A. Mozart and in 2014 he released a special CD/DVD package with works by Frank Proto which includes the world premiere recording of Proto’s Sonata no. 2 dedicated to him.
In 2017 Mr. Rotaru had the great honor of recording a world premiere historical CD entitled “The Lord of the Basses – Bottesini’s Testore” performing on Bottesini’s double bass made by Testore in 1716 and in the same year he released another CD album entitled “Sonic Bridges vol. II” recorded with the National Symphony Orchestra of Paraguay. This album includes a few world premiere works dedicated to him as well as the first rendition of Mozart’s “Sinfonia Concertante” where the solo viola part is played on double bass. More recently, in 2018, he released his 7th CD album recorded in Italy featuring two prominent sonatas from the violin and cello repertoire.
Professor Rotaru has been a frequent solo performer as recitalist or guest soloist with numerous symphony orchestras and gave master classes at many prestigious institutions and festivals in United States, Asia, Europe and South America. Mr. Rotaru performs on a modern instrument made in Italy by Luciano Golia and a bow made by Marco Pasquino, and is a Pirastro Strings endorsing artist.
American Mosaic (2026)
Peter Boyer
Originally composed in 2026, this version of Torke's October was reorchestrated for this performance by the ASU Symphony Orchestra. October captures the mixed emotions of autumn: the beauty of changing leaves, the arrival of cooler weather, and the quiet melancholy of watching one season give way to another.
Built around a simple musical idea that gradually unfolds and transforms, the work balances rhythmic energy with more tender, nostalgic moments. Familiar patterns return in new forms, much like the changing seasons themselves. For Torke, autumn is not simply a time of endings, but also one of comfort, beauty, and anticipation for what comes next.
Conductor & Music Director
Alejandro Gómez Guillén
Assistant Conductors
Hayoung Jeong, Serena Fornay, Lauren Burchell
Violin I
Yun Hao+^*
Isaiah O'Mack
Bonnie Burgess-Gay
Yijun Wu
Mia Kraker
Andrew Nix
Mingyang Yuan
Chih-Lin Chen
Kate Gregory
Joshua Thai
Xuanyu Chen
Evelyn Park
Violin II
Shuqing Yuan+^*
Daimien Benally
Carlos Cid
Manxi Xu
Zoe Chen
Seoin Kim
Choimei Lao
Susan Dunn
Sadie Christie
Bella Giauque
Qi Gao
Evan Whipple
Viola
Guangyu Shan+^*
Steffan Gregan
Julia Chen
Ruth Wu
Hannah Bradshaw
Kyla Guzman
Cello
Dayoung Park+^*
Dat Pham
Rea Drewett
Miriam Samanta Rodriguez
Yun-de Tsai
Ryan Ellsworth
Tzu Yi Yeh
Bolin Ye
Double Bass
Lauren Burchell+^*
Macee Lopez
Sila Kuvanci
Meghan Crane
Siqing Zhang
Camden Eaton
Flute
Emily Paul*
Allison Acevedo+^
Blake Allen
Oboe
Adelaide Martinez+^*
Joshua Hayes
Shukun Song
English Horn
Shukun Song
Clarinet
Carl Balvanz^*
Kat Wilcox+
Milo Pomerance
Bb Bass Clarinet
Kat Wilcox
Bassoon
Kaitlyn Beasley-Zeitler^*
Caroline Sanders
Evelyn Andresen-Chen+
Trumpet
Calvin Godfrey^*
Diego Enriquez+
Aidan Garcia
Horn
Emily Martin*
Daniel Bryce+
Elaina McEntee^
Chrisopher Helfer
Ean Meloch
Trombone
Garrett Parnaby+^
Alexander Skelton*
Kate Jensen
Bass Trombone
Carlos Castañeda
Tuba
Max Godfrey
Tenor Saxophone
Dan Dauber+
Timpani
?
Percussion
?
Maria Julia-Petropoulos
Piano
Shao-Ling Lien
Concertmaster/ Principal
+Skelton
^Wind
*Boyer
The ASU Symphony Orchestra provides its members with intensive orchestral training and professional level artistic performance experience. The ASUSO performs challenging and diverse repertoire chosen to help emerging professional musicians develop a wide range of skills and aptitudes. Rich concert programming offers audiences and the greater arts community opportunities to engage with major works of the orchestral canon as well as cutting-edge works of our time. Exploring the full creative range of the contemporary symphony orchestra, the ASUSO seeks to perform canonical works with technical excellence and artistry while also pushing musical boundaries through innovative multi-disciplinary collaborations.
The ASU Symphony Orchestra aims to extend student learning through rich interactions with professional artists. ASU faculty are closely involved with their students’ orchestral experience and regularly lead orchestral sectionals. The ASU orchestras also maintain a vibrant relationship with the Phoenix Symphony with frequent guest artist visits in both sectional rehearsals and side-by-side rehearsal contexts.
Learn more about our program at musicdancetheatre.asu.edu/ensembles/orchestras.
The Herberger Institute for Design and the Arts acknowledges the twenty-two Native Nations that have inhabited this land for centuries. Arizona State University’s four campuses are located in the Salt River Valley on ancestral territories of Indigenous peoples, including the Akimel O’odham (Pima) and Pee Posh (Maricopa) Indian Communities, whose care and keeping of these lands allows us to be here today.