materials funded: spinning wheel, drum carder
Carnival Boa
I created the Art Yarn with pre-dyed wool fleece and curly parts called locks. I wanted to weave chunky textured yarn. Thanks to the MNG I purchased the spinning wheel which has a bigger orifice and it allowed me to spin and make extremely textured yarn. I have learned how to set the handspun yarn well by steaming and washing. Since I wanted to feature the yarn as much as possible in the work, I used the yarn for both warp and weft and created wild fringes. It was very challenging to use the extremely textured yarn on a loom because I have to thread them in a reed and harness. I sewed three panels together to make the long boa, which has the joyful, playful, and rich perspective of wool. It is a practical and wearable item.
Indigo Poncho
My interest in indigo dye grew over a decade. I have been growing indigo plants in a community garden for dyeing my yarn for several years. To get darker colors I used pre-reduced indigo pigments that I purchase because it is difficult to make the proper dye bath from fresh leaves. I have dyed my handspun yarn with indigo along with mill spun yarn. I embrace all shades of blues that indigo dye creates in variety of wool, alpaca, mohair, and cotton. Lighter colors were created with dye from fresh leaves. I wove all those yarns together. My weaving style is improvising. Sometimes I created loops and used my handspun yarn to make it textured. Sometimes I wove spaced dye yarn which has white undyed spots. I wanted to show the warmth and the subtle changes of color well which came to a poncho. Adding the loopy collar with my handspun Art Yarn makes it unique and special.
Untitled
I simply wanted to show the beauty of my hand spun chunky yarn which were hand dyed in two tones of blue. The warp was mill spun yarn which was hand dyed with indigo fresh leaves. If they were woven tightly, I cannot show the look of yarn. That’s why I pulled the yarn to a long stretch between panels. I could not control which part of yarn to weave in a specific place and the appearance of them. It took a while to think the composition as a decorative art. I feel I succeeded in showing the gentle colors and shapes in the movement. The plain panels and the hanging textured yarn show a contrast and create depth as one piece.
Mihoko Wakabayashi was born and grew up in Japan. She learned weaving by working with young people (K-12) who had difficulties in school in Japan. Although her majored in college was in education, she has always loved working with hands especially in art. She has learned weaving in 1992-1999 in various classes. Since she opened her studio “SAORI Worcester” in 2000 as the first SAORI Weaving studio in US, she has taught many people including people with various disabilities, got involved in the community, and lead the movement of SAORI Weaving in Canada-US while pursuing her own creativity. It is a contemporary improvisational weaving style. She has recently made an art installation SAORI Bridge Project at Elm Park in Worcester, Aug,.-Sep. 2021 working with many organizations and people with all ages and all abilities which was funded by Greater Worcester Community Foundation.
wool, 80" by 12", 2021, $250
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wool, alpaca, 36" x 48", 2021, $500
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wool, 34" x 63", 2021, $300
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