“When you speak with full presence your words live, inspire, provoke and prevail.” —Patsy Rodenburg
“Don't Envy a Good Voice. . . You Have One!”
—Arthur Lessac
What is (my) "vocal life"?
How can I give myself permission to feel, sense and play with all the colors, textures, and potential of my vocal life?
How can exploring consonants, resonance, and sound shaping help me to feel my way into dialects and accents?
How do we manage, honor, and maintain vocal health?
The Use and Training of the Human Voice by Arthur Lessac; 2nd ed., 1996
Permission to Speak: How to Change What Power Sounds Like, Starting with You by Samara Bay, 2023
Arthur Lessac
Samara Bay
This course will introduce methods to develop the Advanced Voice Techniques necessary to perform in classical theatre productions and in plays with dialect roles. Text analysis skills will be studied for the purpose of bringing “vocal life” to classical texts and audition pieces. Exercises to improve the resonance and agility of the speaking voice will be utilized. The International Phonetic Alphabet will be used in conjunction with specific work to develop consistent dialects and neutral stage speech. Work with vocal timing and delivery of comedic material will be explored.
Employ a centered, expressive, easily produced voice in stage work.
Find imagery and strong personal connections within a text.
Develop healthy voice habits.
Use clearly articulated speech in all stage work.
Develop a working familiarity with the symbols of the International Phonetic Alphabet.
Create steps to approach a dialect role.
Performing in a classical play or dialect play requires a great deal of vocal skill and sophistication. This class will explore those demands in classical texts, dialect plays and classical comedies, with the purpose of further developing the actor’s voice and speech skills, including precise articulation, dialects, effective comedic delivery and timing.