Dean Adams - Art and Commerce: How to Succeed in Musical Theatre Business Sources
Danielle Birkett - They Almost Picked a Daisy: Richard Rodgers & Alan Jay Lerner’s Brief Collaboration
Nathan Blustein - Playwriting in Song: “Reprise Types” in Stephen Sondheim’s Sweeney Todd
Andrew Buchman - The Early Scripts and the Genesis of Hair (1967-68)
George Burrows - Where’s the work? Exploring archival scholarship via the manuscripts of Raymond Scott’s Lute Song
Robert Gordon - ‘Why Can’t the English?’: the significance of audio-visual sources for musical theatre research
John Graziano - Conferring With Oneself: Frank Loesser as Adaptor, Composer, and Lyricist of The Most Happy Fella
Olaf Jubin - “Didn’t You Once Sing to Me in German?” – Tracking the Dubbing and Subtitling of Film Musicals for the German-language Market
Paul R. Laird - “The Sid Ramin Collection at Columbia University Archive and the Study of Broadway Orchestrations”
Julianne Lindberg - Alliances, Aggravations, and Sources in Musical Theater Research
Lisa Lobdell - “Strange Bedfellows, or, what happens when a small archives and large university work together”
Matthew Malone - Subways are for Sleeping: Creating and Performing a new Critical Edition
Sean Mayes - Musical Director as Production Dramaturg
Emilo Méndez - “Something appealing, Something appalling”: stalking the Sondheim Musical through the Mexican Archive
Marcus Mota - Musical Dramaturgy Online: Using Digital Archiving for Musical Theatre Research
Ashley Pribyl - Gypsy, June, and the Lawyers: Collaboration as Negotiation
Ben Redmayne - Billion Dollar Baby: seeking perspective on the Comden-Green-Robbins collaboration
Hannah Robbins - ‘Dear Doctor’: Sources for the collaboration between Cole Porter and Albert Sirmay
Adam Rush - Everything’s Coming Up Twitter: Social Media as Research Tool and ‘Text’
Eleonora Sammartino - Curating YouTube: The Use of Promotional Materials in the Remakes of Fame and Footloose
Scott Warfield - Reclaiming a Forgotten Musical : The case of A Joyful Noise
Jonas Westover - Expect the Unexpected: Expanding the Tools for Mining Digital Resources
Megan Woller - Why Did They Change That?: Analyzing Film Musical Adaptations
Other contributors: Stephen Banfield, Mark Eden Horowitz, Dominic McHugh.