This is just a short list of the terminology you may find in this website, much of which you will need to accurately discuss comic art in a critical manner.
Artist/Penciler – draws the original images
Bleed - images that are drawn to be outside of panels
Captions - small boxes of text overlaid on panels, containing either descriptive or narrative information, or internal monologue
Colourist – colours the art
Gutters - the space between panels
Implied motion - additional lines to suggest movement such as shaking, running, etc.
Inker – renders original art into an inked final
Juxtaposition - placing two ideas next to one another for comparison or contrast purposes
Letterer – Places speech bubbles and writes dialogue and narration
Lettering - the written words on the page
Metonymy - representing the whole with a term related to that whole
(eg, 'the crown' when referring to the Commonwealth of Australia, 'The White House' when referring to the Government of the USA)
Onomatopoeia - sound effects written as words
Pace - the quickness (or slowness) of a story
Decompressed - shows as much detail as possible
Compressed - quicker stories, generally more of a focus on action
Panel - the boxes in which images are drawn
Speech/thought bubbles - shapes that contain dialogue, different shapes may have different connotations
Speed lines - lines drawn to suggest motion (see 'Implied motion')
Spread - images that are drawn over two side-by-side pages
Tier - a row of panels
Vector - the line the eyes take when travelling across the page
Writer – writes the script
Ready for revision?
Play this 30 question Kahoot with your class and friends and see who comes out on top!
Activity
Highlight each of the core aspects of comic book design using this activity.
Best printed in A3 and displayed on the wall!
(Spider-Man comic source provided by author via Twitter!)
This structured activity designed by Julia Szabo.
Use this as an example for how to annotate a page:
Example of Vector
The relationship between Vision and his wife is on display just through the way the artist depicts the directions which they are looking. The direction of these characters' eyes also manipulates the reader and the way their eyes are likely to travel across the page.
(Source unknown - apologies!)