Japanese Theatricality and Performance
PMAJLS Vol. 1 - 1995
Eiji Sekine, Editor
Eiji Sekine
Japan: the Presentational Urge
Donald Richie
Japanese Classical Drama as Viable English playscript
Andrew Tsubaki
Critical perspectives on the Noh play Izutsu
Shelley Fenno Quinn
Commedia dell’arte and Kyōgen: two popular theatres on opposite sides of the Silk Road
Fabio Mangolini
Zeami’s Riken and Gadamer’s Spiel: A Comparative Analysis of the Bodily-Performative Subjectivity
Takeyoshi Nishiuchi
Signs of performance: Benten Kozō by Kawatake Mokuami
Harue Tsutsumi
High Metabolism: Manga circa Shōwa 50
Charles Quinn
Liquid Cinema: Topologies of Emulsion in Two Japanese films
Akira Mizuta Lippit
Santō Kyōden’s The Merchandise You All Know as Merchandise: Self-reflexive promotion across two media
Adam Kern
Roger Thomas
Tōno monogatari as Performance: Literary Representation of Tōno Legends by Yanagita Kunio
Kiyo Sakamoto
Festival Performance: What Light can it Shed on Literary Performance?
Elaine Gerbert
Report on Round table discussion: The teaching of Japanese theater and film.
James O’Brien, William Matheson, Marvin Marcus, Phyllis Lyons, and Sumie Jones