Performance and Japanese Literature
PAJLS Vol. 15 - Summer 2014
Michael Bourdaghs, Hoyt Long, and Reginald Jackson, Editors
Front Matter, including an Introduction by Michael Bourdaghs, Hoyt Long, and Reginald Jackson
Michael Bourdaghs, Hoyt Long, Reginald Jackson
The Kirishitan expulsion as ritual performance in early-modern Japanese texts
Jan Leuchtenberger
Performative writing: Kōtoku Shūsui and revolutionary community
Robert Tierney
Emanations of power: preachers and the performance of homiletic tales in early medieval Japan
Ethan Bushelle
Wei Yu Wayne Tan
Kyle Ikeda
Noh, Shakespeare, and pedagogy in Kurosawa’s Kumonosujō (Throne of Blood)
Susan Blakeley Klein
Reading The Tale of Genji through word clouds: a digital approach to literary criticism and pedagogy
Catherine Ryu
Performing a reading of Konjiki yasha
Ken K. Ito
Performing the sexuality of the flaneur in Nagai Kafū’s translations of Baudelaire
Marianne Tarcov
Envisioning difference: social typology and exhaustive listing in Fujiwara no Akihira’s An Account of the New Monkey Music
Ashton Lazarus
And the angel spake unto Harunobu: a Japanese Christian miracle story of 1591
Patrick Schwemmer
How to do things with poems: a reassessment of the wondrous powers of waka
Ariel Stilerman
The gold standard: performing genius in the early fiction of Tanizaki Jun’ichirō
Pau Pitarch Fernandez
Re-inventing the audience: towards an aesthetics of the spectator in Meiji Japan
Andreas Regelsberger
Performance as text: the legacy of post-1960s Japanese theatre
Cody Poulton
Justine Wiesinger
Symbiotic cycles and the parodic performance of mother-daughter in Ōhara Mariko’s Hybrid Child
Kazue Harada
Celebrity, media, and shame: A Linked Heart Comedy, Life of an Artist (Or, an Operetta, Life and Heart of an Artist) by Murayama Tomoyoshi (1923)
Diane Wei Lewis
Andrea Mendoza
From deconstructing Genji to deep ecology: remembering Richard Okada
James Fujii
In lieu of eulogies: post-mortem on the Hideki Richard Okada critical pedagogies panel
Reginald Jackson