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Michael Dylan Welch was named after Dylan Thomas, and this gave him an awareness of poetry from a very young age. Originally from England, he grew up there and in Ghana, Australia, and Canada, and now lives in Sammamish with his wife and two children. He has an MA in English and works as an editor and publications manager. Michael is a board member of the Washington Poets Association (WPA) and the Redmond Association of Spokenword (RASP), and was vice president of the Eastside Writers Association and a longtime vice president of the Haiku Society of America. Michael founded and directed the Poets in the Park conference in Marymoor Park in 2004 and 2005, helped to run the Burning Word poetry festival from 2004 to 2008, and directed the Seabeck Haiku Getaway in 2008. He is currently coordinator of the Haiku Northwest group (which celebrated its 20th anniversary in 2008), curates the Haiku Garden reading series at Seattle’s Japanese Garden, and is editor/publisher of Tundra: The Journal of the Short Poem and of award-winning haiku and tanka books with his press, Press Here. He is a cofounder (1991) and director of the biennial Haiku North America conference, cofounder (1996) and webmaster of the American Haiku Archives, and founder (2000) and past president (2000–2004) of the Tanka Society of America. He is also a contributing editor to Spring: The Journal of the E. E. Cummings Society, and has presented papers on E. E. Cummings, Lewis Carroll, haiku, tanka, and other poetry at academic conferences in the United States, Canada, and Japan. Michael was formerly a senior editor at IDG Books Worldwide (publisher of the For Dummies computer books) and has edited 200+ trade books on subjects ranging from 3D animation to Microsoft Office to soldering to memoir to forestry management. Michael has published several chapbooks of his own poetry, edited dozens of poetry anthologies and books, published an art book of translated Japanese poetry, and has judged or won first prize in numerous national and international poetry contests. His haiku, tanka, and longer poetry, as well as essays and book reviews, have appeared in hundreds of journals and anthologies (including two Norton anthologies) and have been translated into more than a dozen languages. Selections of Michael's poetry, essays, book reviews, and other writing appears at his site, Graceguts. Lana Hechtman Ayers, originally from New York, made her way to the Pacific Northwest after a dozen-year sojourn in New Hampshire. She runs Night Rain Poetry, which offers poetry editing, a manuscript organization service, and writing and publishing workshops. She publishes the Concrete Wolf Poetry Chapbook Series, Late Blooms Poetry Postcards, and is poetry editor of Crab Creek Review. Visit her online at http://lanaayers.com/. Lana fell in love with language at an early age, but her passion for poetry fully ignited in the third grade when her teacher, Mrs. Sarfaty, began reading to the class from Stephen Dunning’s Reflections on a Gift of Watermelon Pickle . . . and Other Modern Verse. This book contained the work of such luminaries as Theodore Roethke, Maxine Kumin, Donald Hall, John Ciardi, and Dorothy Parker. Although, she’d been writing poems for many years, it was not until the spring of 1987 that her life as a poet began. It was then she attended a poetry workshop led by Ottone “Ricky” Riccio at the Boston Center for Adult Education. She entered the classroom with a two-page “masterpiece” and left with about five salvageable lines. She studied with Ricky for more than a decade and considers him a mentor in the purest sense: He is able to greet each poet on the threshold of the poem and welcome them in. After Ricky, Lana was fortunate enough to study with an equally gifted mentor, Patricia Fargnoli, whose faith in her gave her the courage to pursue an MFA. Lana also credits poet Kate Gleason’s workshops with opening her inner voice. Lana holds a BA in mathematics from City University of New York, an MA in counseling psychology from Antioch New England Graduate School, and an MFA in poetry from New England College. She hopes someday to return to school to study astrophysics. Lana’s poetry appears in national journals, including Bitter Oleander, Cider Press Review, Feminist Studies Quarterly, Lynx Eye, Natural Bridge, Poetica, Rhino, Slant, and Stringtown. She is a Hedgebrook alumna, a Pushcart nominee, and has been awarded honors from the Discovery/The Nation competition and the Rita Dove Poetry Prize. Her first full-length book, Dance from Inside My Bones, won the 2006 Violet Reed Haas Award, was published in 2007 by Snake Nation Press, and is nominated for the National Book Award. Her second full-length collection, Chicken Farmer I Still Love You, winner of D-N Publishing’s national manuscript contest, was also published in 2007. Lana enjoys the rain, black-and-white cats, and anything Miles Davis. We both look forward to meeting you at a future reading! If you’re interested in being a featured reader, visit the Interested in Reading? page for more information. To contact us, send an e-mail message to either Michael Dylan Welch (WelchM@aol.com) or Lana Hechtman Ayers (lana.ayers@yahoo.com). |

