.journal publications.
(under review). Duarte, M., Bernardes, G., Reis, L.P. ACM Computing Survey.
2024. Pereira, S., Bernardes, G., Martins, J.O. Music Theory Spectrum.
2024. Aly, L., Godinho, L., Bota, P., Bernardes, B., Plácido da Silva, H. Acting emotions: a comprehensive dataset of elicited emotions. Scientific Data 11, 147. Springer Nature. https://doi.org/10.1038/s41597-024-02957-2.
2023. Bernades, G., Carvalho, N., Pereira, S. FluidHarmony: Defining an Equal-tempered and Hierarchical Harmonic Lexicon in the Fourier Space. Journal of New Music Research. http://dx.doi.org/10.1080/09298215.2023.2202641.
2023. Clemente, M., Bernardes, G. Van Twillert, H., Ferreira, A., Amarante, J., Mendes, J. Oral Rehabilitation of a Saxophone Player with Orofacial Pain. Journal of International Medical Research. SAGE. http://dx.doi.org/10.1177/03000605231161285.
2022. Bernardo, G., Bernardes, G. Leveraging Compatibility and Diversity in Computer-aided Music Mashup Creation. Personal and Ubiquitous Computing. Springer Nature. http://dx.doi.org/10.1007/s00779-022-01702-z
2022. Clement, A. and Bernardes, G. Assessing the influence of multimodal feedback in Mobile-based musical task performance. Multimodal Technologies and Interaction. MDPI. http://dx.doi.org/10.3390/mti6080068
2021. Clément, A., Moreira, L., Rosa, M., Bernardes, G. Musical Interaction Control in Handheld Devices: Towards Design Guidelines informed by Daily User Experience. Multimodal Technologies and Interaction 5(7). Special Issue: Musical Interactions. https://doi.org/10.3390/mti5070032.
2021. Aly, L., Silva, H., Bernardes, G. Penha, R. Appropriating Biosensors As Embodied Control Structures in Interactive Music Systems. Journal Human Technology 17(1), 45—80. https://doi.org/10.17011/ht/urn.202106223978.
2021. Salselas, I., Penha, R., Bernardes, G. Sound design inducing attention in the context of audiovisual immersive environments. Personal and Ubiquitous Computing 25(4), 737–748. Springer. http://doi.org/10.1007/s00779-020-01386-3.
2020. Clemente, M., Moreira, A., Carvalho, N., Bernardes, G., Ferreira, A., Amarante, J., Mendes, J. Orofacial trauma on the anterior zone of a trumpet’s player maxilla: concept of the oral rehabilitation. International Journal of Environmental Research and Public Health 17(24), 9423. Special Issue: A Multidisciplinary Approach on the Diagnosis and Treatment of Orofacial Pain Associated to Temporomandibular Disorders. https://doi.org/10.3390/ijerph17249423.
2020. Navarro-Cáceres, M., Caetano, M., Bernardes, G. Sánchez-Barba, M., Merchán, J. A Computational Model of Tonal Tension Profile of Chord Progressions in the Tonal Interval Space. Entropy 22(11), 129. Special Issue Artificial Intelligence and Complexity in Art, Music, Games and Design. https://doi.org/10.3390/e22111291.
2019. Maças, C., Rodrigues, A., Bernardes, G., Machado, P. MixMash: An Assistive Tool for Music Mashup Creation from Large Music Collections. International Journal of Art, Culture and Design Technologies, 8(2), 20-40. http://doi.org/10.4018/IJACDT.2019070102.
2019. Clemente, M., Mendes, J., Moreira, A., Bernandes, G., Twillert, H., Ferreira, A., Amarante, J. A new classification of wind instruments: Orofacial considerations. Journal of Oral Biology and Craniofacial Research, 9(3): 268-276. https://doi.org/10.1016/j.jobcr.2019.06.010.
2019. Navarro-Cáceres, M., Caetano, M., Bernardes, G., Castro, L. ChordAIS: An Assistive System for the Generation of Chord Progressions with an Artificial Immune System. Swarm and Evolutionary Computation Journal. http://dx.doi.org/10.1016/j.swevo.2019.05.012 pdf of the preprint version.
2017. Bernardes, G. David Huron, Voice Leading: The Science Behind a Musical Art (Book Review). Portuguese Jounal of Musicology, 4(1):219-226. pdf link
2016. Bernardes, G., Cocharro, D., Guedes, C., Davies, M.E.P. Harmony Generation Driven by a Perceptually Motivated Tonal Interval Space. ACM Computers in Entertainment - Special Issue on Musical Metacreation, 14(2). http://dx.doi.org/10.1145/2991145. pdf of the preprint version.
2016. Bernardes, G., Cocharro, D., Caetano, M., Guedes, C., Davies, M.E.P. A Multi-Level Tonal Interval Space for Modelling Pitch Relatedness and Musical Dissonance. Journal of New Music Research, 45(4): 281-294 . http://dx.doi.org/10.1080/09298215.2016.1182192. pdf of the preprint version.
2015. Beyls, P., Bernardes, G., Caetano, M. earGram Actors: An Interactive Audiovisual System Based on Social Behaviour. Journal of Science and Technology of the Arts (CITARJournal), 7(1):43-54. http://dx.doi.org/10.7559/citarj.v7i1.142. pdf
.chapters in books.
____. Bernardes, G. & Carvalho, N. A Computação Sonora e Musical. Introdução à Programação Criativa em Python. U.Porto Edições.
2023. Peixoto de Pinho, N. & Bernardes, G. Complex Quotation in the Portuguese Experimental Music of Peixinho and Peixoto de Pinho. UA Editora.
2021. Cocharro, D., Bernardes, G., Gonçalo, B., & Lemos, C. A Review of Musical Rhythm Representation and (Dis)similarity in Symbolic and Audio Domains. In Luísa Castilho et al. (Eds.) Perspectives on music and musicology. Current Research in Systematic Musicology, vol 7. Springer, Cham. https://doi.org/10.1007/978-3-030-78451-5_10.
2020. Corintha, I., Outeiro, L., Dias, R., Bernardes, G. AM-I-BLUES: An Interactive Digital Music Instrument for Guiding Novice Pianist in the Improvisation of Jazz Melodies. In: Raposo D., Neves J., Silva J., Correia Castilho L., Dias R. (eds) Advances in Design, Music and Arts. EIMAD 2020. Springer Series in Design and Innovation, vol 9. Springer, Cham. https://doi.org/10.1007/978-3-030-55700-3_48.
2020. Teixeira, P., Bernardes, G., & Davies, M. Fostering the database in Audio Production Environments by Affect Soundscape Retrieval. In Hidden archives, hidden practices: debates about music-making. UA Editora. pdf
2020. Navarro-Cáceres, M., Caetano, M., Bernardes, G. Objective Evaluation of Tonal Fitness for Chord Progressions Using the Tonal Interval Space. In Evolutionary and Biologically Inspired Music, Sound, Art and Design. Springer International Publishing. https://doi.org/10.1007/978-3-030-43859-3_11 pdf
2019. Bernardes, G. Um novo virtuosismo no saxofone. In A. Martingo & A. Telles (Eds.), Musica Intrumentalis: Experimentação e Técnicas não convencionais nos séculos XX e XXI. Húmus. pdf
2018. Aly, L., Penha, R. Bernardes, G. DIGIT: A Digital Foley System to Generate Footstep Sounds. In M. Aramaki et al. (Eds.) Music technology with swing (pp. 151-170). Lecture Notes in Computer Sciences, vol. 11265. Springer Nature Switzerland. http://dx.doi.org/10.1007/978-3-030-01692-0_28 pdf
2018. Bernardes, G., Davies, M., Guedes, C. A hierarchical harmonic mixing method. In M. Aramaki et al. (Eds.) Music technology with Swing (pp. 151-170). Lecture Notes in Computer Sciences, vol. 11265. Springer Nature Switzerland. http://dx.doi.org/10.1007/978-3-030-01692-0_11 pdf
2018. Cerqueira, J., Clemente, M., Bernardes, G., Van Twillert, H., Portela, A., Gabriel, J., Vasconcelos, M. Thermographic evaluation of the saxophonists embouchure. In: J. Tavares & Jorge R. Natal. (eds) VipIMAGE 2017. ECCOMAS 2017 (pp 1069-1078). Lecture Notes in Computational Vision and Biomechanics, vol 27. Springer. http://dx.doi.org/10.1007/978-3-319-68195-5_119. pdf link
2015. Navarro, M., Caetano, M., Bernardes, G., de Castro, L. N., & Corchado, J. M. Automatic Generation of Chord Progressions with an Artificial Immune System. In Evolutionary and Biologically Inspired Music, Sound, Art and Design (pp. 175-186). Springer International Publishing. pdf link
2014. Bernardes, G. & Davies, M. E. P. Beyond Music Information Retrieval: A Proposed Model for Automatic Generation of Dialogic Music. In Zagalo, N., Oliveira, S., (Eds) (2014), Abordagens da Narrativa nos Media, CECS/UM, Braga. ISBN: 978-989-8600-31-8. pdf link
2013. Bernardes, G., Guedes, C., & Pennycook, B. (2013). EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data. In M. Aramaki, M. Barthet, R. Kronland-Martinet, & S. Ystad (Eds.), From Sounds to Music and Emotions (pp. 110-129). Lecture Notes in Computer Sciences, vol. 7900. Berlin-Heidelberg: Springer-Verlag. http://dx.doi.org/10.1007/978-3-642-41248-6_7. pdf
.encyclopaedia articles.
2019. Bernardes, G. & Cocharro, D. Dynamic Music Generation, Audio Analysis-Synthesis Methods. Encyclopedia of Computer Graphics and Games. Springer International Publishing. https://doi.org/10.1007/978-3-319-08234-9_211-1.
2018. Aly, L. Penha, R. & Bernardes, G. Bio-Sensing in Interactive Art: A User Centered Taxonomy. Encyclopedia of Computer Graphics and Games. Springer International Publishing. https://doi.org/10.1007/978-3-319-08234-9_210-1.
.conference proceedings.
2024. Pereira, S., Affatato, G., Bernardes, G., Moss, F. Fourier Qualia Wavescapes: Hierarchical Analyses of Set Class Quality and Ambiguity. Mathematics and Computation in Music. MCM 2024. Lecture Notes in Computer Science. Springer, Cham.
2024. Carvalho, N., Bernardes, G. Fourier (Common-tone) Phase Spaces are in Tune with Variational Autoencoders’ Latent Space. Mathematics and Computation in Music. MCM 2024. Lecture Notes in Computer Science. Springer, Cham.
2024. Bernardes, G., Carvalho, N. Modal Pitch Space: A Computational Model of Melodic Pitch Attraction in Folk Music. Mathematics and Computation in Music. MCM 2024. Lecture Notes in Computer Science. Springer, Cham.
2023. Carvalho, N., Diogo, D., Bernardes, G. Computational Similarity of Portuguese Folk Melodies Using Hierarchical Reduction. 10th International Conference on Digital Libraries for Musicology. Milano, Italy. http://doi.org/10.1145/3625135.3625152.
2023. Forero, J. Mendes, M., Bernardes, G. En Train D'oublier: Toward Affective Virtual Environments. XX International Conference on Culture and Computer Science (KUI). Lisbon, Portugal. https://doi.org/10.1145/3623462.3623469
2023. Lopes, A., Barbosa, J., Bernardes, G. Instrument position in Immersive Audio: An empirical review of award-winning practices. International Conference on Immersive and 3D Audio (I3DA). Bologna, Italy. http://doi.org/10.1109/I3DA57090.2023.10289431.
2023. ZiJing, C., Magalhães, E., Bernardes, G. Sound Design Impacts User Experience and Attention in Serious Game. Joint Conference Serious Games (JCSG). http://dx.doi.org/10.1007/978-3-031-44751-8_7.
2023. Pinto, A.S., Bernardes, G. Bridging the Rhythmic Gap: A User-Centric Approach to Beat Tracking in Challenging Music Signals. 16th International Symposium on Computer Music Multidisciplinary Research. Tokyo, Japan.
2023. Forero, J., Bernardes, G., Mendes, M. Are Words Enough? On the semantic conditioning of affective music generation. The International Conference on AI and Musical Creativity (AIMC). http://dx.doi.org/10.5281/zenodo.8328584.
2023. Carvalho, N. & Bernardes, G. Exploring Latent Spaces of Tonal Music using Variational Autoencoders. The International Conference on AI and Musical Creativity (AIMC). http://dx.doi.org/10.5281/zenodo.8328559.
2023. Forero, J., Bernardes, G., Mendes, M. Emotional Machines: Toward Affective Virtual Environments. Proceedings of the ArtsIT. Springer. https://doi.org/10.1007/978-3-031-28993-4_28.
2023. Torresan, C., Bernardes, G., Caetano, E., Restivo, T. The singing bridge: sonification of a stress-ribbon footbridge. Proceedings of the ArtsIT. Springer. https://doi.org/10.1007/978-3-031-28993-4_25.
2022. Almeida, F., Bernardes, G., Weiss, C. Mid-level Harmonic Audio Features for Musical Style Classification. Proceedings of the ISMIR. Bengaluru, India, pp. 210-217. https://doi.org/10.5281/zenodo.7316632.
2022. Forero, J., Bernardes, G., Mendes, M. Emotional Machines: Toward an Affective Virtual Environment. Proceedings of the 30th ACM International Conference on Multimedia. Lisbon, Portugal. https://doi.org/10.1145/3503161.3549973.
2022. Aly, L., Bota, P., Godinho, L., Bernardes, G., Silva, H. Acting emotions: physiological correlates of emotional valence and arousal dynamics in theatre. ACM Interactive Media Experiences. Aveiro, Portugal. https://doi.org/10.1145/3505284.3532985.
2021. Barboza, J., Magalhães, E., & Bernardes, G. Towards Best Practices in Spatial Audio Post Production: A Case Study of Brazilian Popular Music. International Conference on Immersive and 3D Audio. Bologna, Italy. https://doi.org/10.1109/I3DA48870.2021.9610908.
2021. Gonçalo Bernardo and Gilberto Bernardes. Leveraging Compatibility and Diversity in Computational Music Mashup Creation. Audio Mostly. Trento, Italy. https://doi.org/10.1145/3478384.3478424.
2021. Cláudio Lemos, Diogo Cocharro and Gilberto Bernardes. Understanding Cross-Genre Rhythmic Audio Compatibility: A Computational Approach. Audio Mostly. Trento, Italy. https://doi.org/10.1145/3478384.3478418.
2021. Pereira, S., Bernardes, G. The Atonal Harmonic Syntax in Fourier's Space. Proceedings of the Encontro Nacional de Investigação em Música, Coimbra, Portugal.
2021. Animashaun, A. & Bernardes, G. Noise promotes disengagement in dementia patients during non-invasive neurorehabilitation treatment. Conference: Doctoral Congress in Engineering: Symposium on Occupational Safety and Health, Porto, Portugal. https://doi.org/10.24840/978-972-752-279-8_0009-0014.
2021. Lopes, D., Bernardes, G., Aly, L., & Forero, J. Tumaracatu: An Embodied Digital Musical Experience of Maracatu. Proceedings of the 11th Workshop on Ubiquitous Music. Matosinhos, Porto, Portugal. http://dx.doi.org/10.5281/zenodo.5564751.
2021. Carvalho, N., Gonzalez-Gutierrez, S., Sanchez-Jara, J., Bernardes, G., & Navarro-Cáceres, M. Encoding, Analysing and Modeling I-Folk: A New Database of Iberian Folk Music. 8th International Conference on Digital Libraries for Musicology. https://doi.org/10.1145/3469013.3469023.
2021. Bernardes, G., Ramoneda, P., & Miron, M. Unveiling High-level Discriminant Harmonic Descriptors of Musical Style in the Tonal Interval Space. Proceedings of 16th International Conference on Music Perception and Cognition.
2021. Carvalho, N., Bernardes, G. SyVMO: Synchronous Variable Markov Oracle for modeling and predicting multi-part musical structures dependencies. 10th International Conference on Artificial Intelligence in Music, Sound, Art and Design. Seville, Spain. https://doi.org/10.1007/978-3-030-72914-1_3.
2021. Sousa, D., Bernardes, G., Correia, N. Ninja Turtles Race: A Reaction Time Test to study and assess the focus of attention, motor and cognitive skills in children's learning processes. Proceedings of the International Technology, Education and Development Conference. Valencia, Spain. https://doi.org/10.21125/inted.2021.0983.
2020. Pereira, S., Bernardes, G. The Fourier phase sphere: a method for computer-assisted atonal composition. Proceedings of the International Congress of Music and Mathematics (MusMat).
2000. Cruz, C., Magalhães, E., Bernardes, G. AcouRe: Streamlining the generation of immersive soundscapes from monophonic sources. Proceedings of the Sound, Image and Interaction Design Symposium. Funchal, Portugal.
2020. Ramoneda, P. & Bernardes, G. Revisiting Harmonic Change Detection. Proceedings of the 149th Audio Engineering Society Convention. Audio Engineering Society. http://www.aes.org/e-lib/browse.cfm?elib=20945.
2020. Ramires, A., Bernardes, G., Davies, M.E.P., & Serra, X. TIV.Lib: An Open-Sounce Library for the Tonal Description of Musical Audio. International Conference on Digital Audio Effects. Vienna, Austria.
2020. Arandas, L., Carvalhais, M., Grierson, M., Bernardes, G., Penha, R. Facing a Middle-Ground of Symbolic Importance in Artificial Co-Creative Systems. International Conference on Computational Creativity. Coimbra, Portugal.
2020. Carvalho, N. & Bernardes, G. Towards balanced tunes: A review of symbolic music representations and their hierarchical modeling. International Conference on Computational Creativity. Coimbra, Portugal.
2020. Bernardes, G. Interfacing Sounds: Hierarchical Audio-Content Morphologies for Creative Re-purposing in earGram. Proceedings of the International Conference on New Interfaces for Musical Expression. Birmingham, UK. pdf
2020. Pessoa, M., Parauta, C., Luís, P., Corintha, I., Bernardes, G. Examining Temporal Trends and Design Goals of Digital Music Instruments for Education in NIME: A Proposed Taxonomy. Proceedings of the International Conference on New Interfaces for Musical Expression. Birmingham, UK. pdf
2020. Magalhães, E., Jacob, J., Nilsson, N. Nordahl, R., Bernardes, G. Physics-based Concatenative Sound Synthesis of Photogrammetric models for Aural and Haptic Feedback in Virtual Environments. Proceedings of the IEEE VR Workshop on Sonic Interaction in Virtual Environments. http://dx.doi.org/10.1109/VRW50115.2020.00081 pdf
2019. Arandas, L., Gomes, J., Bernardes, G., & Penha, R. Never The Less: A Performance on Networked Art. Procedings of the xCoAx - Conference on Computation, Communication, Aesthetics & X, Milan, Italy.
2019. Aly, L., Penha, R., & Bernardes, G. Performative Sound Design: a bio-signal control metaphor for theatre sound design. Proceedings of the Doctoral Congress in Engineering (DCE). FEUP, Porto.
2019. Almeida, I., Cabral, G. & Bernardes, G. AMIGO: An Assistive Musical Instrument to Engage, Create and Learn Music. Proceedings of International Conference on New Interfaces for Musical Expression, pp. 168-169, Porto Alegre, Brazil. pdf
2019. Magalhães, E., Bernardes, G., Høeg, E., Pedersen, J., Serafin, S., & Nordhal, R. Combining Texture-Derived Vibrotactile Feedback, Concatenative Synthesis and Photogrammetry for Virtual Reality Rendering. Proceedings of the Sound and Music Computing Conference, pp. 348-355, Málaga, Spain. pdf
2018. Pereira, J., Bernardes, G., Penha, R. MusikVerb: A harmonically adaptive audio reverberation. Proceedings of the Digital Audio Effects (DAFx) Conference, Aveiro, Portugal. pdf
2018. Maçãs, C., Rodrigues, A., Bernardes, G., & Machado, P.. Mixmash: A visualisation system for musical mashup creation. 22nd International Conference Information Visualisation. pdf
2017. Bernardes, G., Davies, M.E.P., & Guedes, C. A Perceptually-Motivated Harmonic Compatibility Method for Music Mixing. International Symposium on Computer Music Multidisciplinary Research (CMMR), pp. 104-115, Matosinhos, Portugal. pdf
2017. Caetano, G., Bernardes, G., Twillert, H., Clemente, M., Gabriel, J. A Sensor-Augmented Saxophone Mouthpiece for Unveiling the Mechanics of Saxophone Tone Formation. International Symposium on Computer Music Multidisciplinary Research (CMMR), pp. 459-469, Matosinhos, Portugal. pdf
2017. Aly, L., Penha, R., Bernardes, G. DIGIT: An Assistive System for the Generation of Footstep Sounds in Audio Post Production. International Symposium on Computer Music Multidisciplinary Research (CMMR), pp. 295-306, Matosinhos, Portugal. pdf
2017. Brásio, M., Lopes, F., Bernardes, G., & Penha, R. Qualia - A Software for Guided Meta-Improvisation Performance. Proceedings of the Sound and Music Computing Conference, pp.58-62, Helsinki, Finland. pdf
2017. Bernardes, G., Davies, M., & Guedes, C. Automatic Musical Key Estimation with mode Bias. Proceedings of the International Conference on Acoustics, Speech, and Signal Processing (ICASSP), New Orleans, USA, pp. 316-320. http://dx.doi.org/10.1109/ICASSP.2017.7952169. pdf
2017. Pereira, J, Bernardes, G., & Penha, R. Musically-Informed Adaptive Audio Reverberation. Book of Abstracts of the 2nd Symposium on Electrical and Computers Engineering, pp. 22-23, Porto, Portugal. (Best oral communication award). pdf
2016. Bernardes, G. & Davies, M. Audio Key Finding in the Tonal Interval Space. Submission to the Music Information Retrieval Evaluation eXchange (MIREX) — Audio Key Detection. pdf
2016. Bernardes, G., Aly, L., Davies, M. SEED: Resynthesizing Environmental Sounds from Examples. Proceedings of the Sound and Music Computing Conference, pp. 55-62, Hamburg, Germany. pdf
2016. Penha, R., Bernardes, G. Beatings: A Web Application to Foster the Renaissance of the Art of Musical Temperaments, Proceedings of the Sound and Music Computing Conference, pp. 402-406. Hamburg, Germany. pdf
2016. Cabrita, N. & Bernardes, G. Relational interactive art: a framework for interaction in a social context. Expressive 2016, Computational Aesthetics—(bridging papers). http://dx.doi.org/10.2312/exp.20161264 pdf
2015. Bernardes, G., Davies, M., & Guedes, C. A Pure Data Spectro-Morphological Toolkit for Sound-Based Composition. Proceedings of the Electroacoustic Winds, pp. 31-38. Aveiro, PT. pdf
2015. Bernardes, G., Cocharro, D., Guedes, C., & Davies, M.E.P. Conchord: An Application for Generating Musical Harmony by Navigating in a Perceptually Motivated Tonal Interval Space. Proceedings of the 11th International Symposium on Computer Music Modeling and Retrieval (CMMR), (pp. 71-86). Plymouth, UK.
2015. Beyls, P., Bernardes, G., & Caetano, M. The Emergence of Complex Behavior as an Organizational Paradigm for Concatenative Sound Synthesis. Proceedings of the xCoAx Conference, Glasgow, Scotland, UK. pdf
2014. Bernardes, G., Davies, M. E. P., Guedes, C., & Pennycook, B. Considering Roughness to Describe and Generate Vertical Musical Structure in Content-Based Algorithmic-Assisted Audio Composition. Proceedings of the Joint International Computer Music and Sound and Music Computing Conference, 318-324. pdf
2012. Bernardes, G., Peixoto de Pinho, N., Lourenço, S., Guedes, C., Pennycook, B., & Oña, E. The Creative Process Behind Dialogismos I: Theoretical and Technical Considerations. Proceedings of the ARTECH 2012 - 6th International Conference on Digital Arts. Algarve, Portugal. pdf
2012. Bernardes, G., Guedes, C., & Pennycook, B. EarGram: an Application for Interactive Exploration of Large Databases of Audio Snippets for Creative Purposes. Proceedings of the 9th International Symposium on Computer Music Modeling and Retrieval (CMMR), London, UK. pdf
2010. Bernardes, G., Guedes, C., & Pennycook, B. Style Emulation of Drum Patterns by Means of Evolutionary Methods and Statistical Analysis, Proceedings of the Sound and Music Computing Conference, Barcelona, Spain. pdf
.dissertations.
2014. Bernardes, G. Composing Music by Selection: Content-Based Algorithmic-Assisted Audio Composition. PhD dissertation, University of Porto — Faculty of Engineering. pdf
2008. Mapping Musical Gestures: The Intersection Between Improvisation and Interactive Music Systems. Master thesis, Conservatory of Amsterdam.
.talks & Demos.
2019. Gilberto Bernardes. O novo virtuosismo no saxofone do séc. XX. Colóquio A música dos instrumentos - Experimentação e inovação na escrita do século XX. Universidade do Minho.
2019. Gilberto Bernardes. Defining a Harmonic Grammar in the Fourier Space. Música Analítica: Porto International Symposium on the Analysis and Theory of Music.
2019. Alonso Torres, Gilberto Bernardes, and Rui Penha. motiVar: A Computational Exploration of Post-Tonal Theory through Aural Feedback. Música Analítica: Porto International Symposium on the Analysis and Theory of Music.
2018. Bernardes, G., Lopes, F., & Cardoso, C. Spaces sing are you listening? RESONATE Conference: Thinking Sound and Space, MAAT Museum and reSITE, Lisbon, Portugal. pdf
2017. Cocharro, D. & Bernardes, G. HarT: Smart Tool for Harmonic Content Transformations. pp. International Symposium on Computer Music Multidisciplinary Research (CMMR), pp. 560-563, Matosinhos, Portugal. pdf (Best demo award).
2016. Sioros, G. & Bernardes, G. The Sostenante Pedal: A Novel Pedal for MIDI Keyboards. Porto International Conference on Musical Gesture as Creative Interface. abstract
2015. Bernardes, G. earGram: Content-based Algorithmic-assisted Audio Composition. General Meeting of the International Confederation for Electroacoustic Music CIME/ICEM. Lisbon, Portugal.
2015. Bernardes, G. Spectro-Morphological Analysis for Sound-Based Composition. Invited talk. Electroacoustic Winds (EAW), Aveiro, PT.
2014. Bernardes, G. & Davies, M. E. P. EarGram: An Application for Interactive Exploration of Large Databases of Audio Snippets. Talk presented at the INForum, Porto, Portugal.
2009. The Gesangkunstwerk in the 21st Century. Talk presented at the MaM (Music and Media Conference).
.other publications.
2015. Quatro extrapolações sobre a linguagem ou os lugares de fronteira. Boletim INESC Porto, 158. link
I wrote a monthly article for the Portuguese online magazine Da Capo. The collection of articles can be found here.
2007. Overriding Actuality: On Musical Improvisation. Composer's Notebook Quaterly, Issue no. 1. The Netherlands - Amsterdam, pp. 34-39. pdf
.list of my past and current research students.
----. Aly, L. Performative Sound Design. Ph.D. in Digital Media. University of Porto.
----. Cocharro, D. Diálogos Musicais: O arquivo Sonoro como Base para um Novo Modelo de Meta-Composição. Ph.D. in Digital Media. University of Porto.
2018. Goleminov, H. Between Saxophone Worlds. Interpreting the / Improvising on the Bach Cello Suites. Master of Music. Superior School of Music and Performing Arts—Polytechnic Institute of Porto. link
2018. Pereira, L. Numerofonía de Aschero na iniciação ao saxofone: Um estudo de caso. Mestrado em Ensino de Música. Instituto Politécnico do Porto, Escola Superior de Música e das Artes do Espetáculo. 17. link
2018. Oliveira, J. Transcrição como Ferramenta Pedagógica: Um Contributo para Ensemble de Saxofones. Mestrado em Ensino de Música. Instituto Politécnico do Porto, Escola Superior de Música e das Artes do Espetáculo. link
2018. Torres, A. Aural exploration of post-tonal music theory: an automatic musical variations generator in MAX. Master of Multimedia. University of Porto, Faculty of Engineering. link
2018. Almeida, I. Aprendizagem Musical Através de Composição Assistida por Computador. Master of Multimedia. University of Porto, Faculty of Engineering. link
2018. Oliveira, N. Live Interface for Generative Rhythm Sequencing. Master of Multimedia. University of Porto, Faculty of Engineering. link
2017. Neves, J. Musically-Informed Adaptive Audio Reverberation. Master in Electrical and Computers Engineering. University of Porto, Faculty of Engineering. link
2017. Pires, N. Computer Sound Transformations Guided by Perceptually Motivated Features. Mestrado Integrado em Engenharia Electrotécnica e de Computadores. Universidade do Porto, Faculdade de Engenharia. hlink
2017. Correia, A. Repertório para Saxofone Tenor Solo em Portugal em Início do Século XXI: Da Criação à Performance. Master of Music. Superior School of Music and Performing Arts—Polytechnic Institute of Porto. link
2017. Lopes, H. A improvisação em prol da autonomia na interpretação e expressão musical. Master in Music Education. Superior School of Music and Performing Arts—Polytechnic Institute of Porto. link
2017. Marinheiro, H. Estratégias de Aprendizagem na Iniciação do Estudo do Saxofone. Master of Music Education, Portuguesa Catholic University. link
2016. Pandeirada, J. Otimização Automática para o Controlo Intuitivo de Parâmetros de Síntese Sonora. Master in Multimedia, University of Porto. link
2016. Brásio, M. Qualia – Aplicação Digital de orientação para Meta-improvisação. Master in Multimedia, University of Porto. link
2016. Aly, L. DIGIT – DIGItal sTeps. Master in Multimedia, University of Porto. link
2016. Oliveira, J. Metamorfoses Musicais em Concerto. Master of Music. Master of Music. Superior School of Music and Performing Arts—Polytechnic Institute of Porto. link
2016. Baschera, V. Ação e Reação: A Catalogação de uma Nova Técnica de Mãos, Suas Vertentes e Possibilidades. Master of Music. Superior School of Music and Performing Arts—Polytechnic Institute of Porto. link
2016. Smallenbroek, M. Harmonic textures: Rhythmical-driven Multi-layer Patterns for Baritone Saxophone. Master of Music. Superior School of Music and Performing Arts—Polytechnic Institute of Porto. link
2015. Cabrita, N. Closer/Farther: A Study on Relational Dynamics in Interactive Installations. Master in Technology and Digital Art, University of Minho. link
2013. Geest, T. A Linguistic Approach to Music. Master of Music. Superior School of Music and Performing Arts—Polytechnic Institute of Porto. link
.magazine articles.
Notas sobre um Festival ou M(a)us(ul)eum — May 8, 2013
A Identidade Artística ou A Manufactura dos Sonhos — Apr 27, 2013
Duas Perspectivas, Uma Necessidade e Uma Revista — Apr 27, 2013
.grants.
Horizon Europe MCSE. EA-DIGIFOLK
ERASMUS+ Open Minds
PROSECCO grant for a Short-Term Mission: Collaborative research visit to the Queen Mary University London (Computational Creativity Group, leaded by Prof. Geraint Wiggins). Funding from the European Commission Framework Programme 7. July, 2016.
FCT Post-Doctoral Grant SFRH/BPD/109457/2015
FCT Doctoral Grant SFRH/BD/46205/2008