This presentation covers the subject matter and writing elements that you will see in Kurt Vonnegut's short story. Terms to focus on are:
Visit English 10B Google Group Page and respond to the following prompt:
What examples of equality or inequality exist in your life right now? How do you feel about them? Furthermore, how do you show the concept of equality in your daily lives?
Visit English 10B Google Group Page and respond to the following prompt:
Given the information that you have just learned about Julius Caesar today, make an inference (an educated speculation) about what kind of leader Julius Caesar will turn out to be. Would you follow such a leader?
Act I Focus
As you begin reading Act I of The Tragedy of Julius Caesar, (or you can read it in the text book as well) please don't overlook the importance of the Plebeian class in Rome. The Plebeians are the lower class of Rome and hold the position of a majority in the city. Although they don't speak much, the role of the Plebeian class is indispensable. The support of the Plebeian class in this republic is what the politicians need most. The play opens with two tribunes, Flavius and Murellus, catching and reprimanding a couple of Plebeians for celebrating the return of Julius Caesar instead of working. The tribunes are straight triggered due to the fact that these same individuals were, not too long ago, cheering for Pompey (the successful military leader and politician) when he was in line for Dictatorship. Ah the fickleness! This won't be the only time the Plebians act fickle though. Their favor tends to sway with power.
On the other side of things... this Act shows us the origin of the assassination plot. The conversation helps us understand the personalities and motives of the two central characters in the play. It lays the foundations for an important question the play poses: is the assassination of Julius Caesar justifiable?
Visit English 10B Google Group Page and respond to the following prompt:
There have been some supernatural references in the play so far with the “Beware the Ides of March” being uttered by that mystic soothsayer and the bad storm that Casca is trippin’ about. Trust me, there are many more supernatural occurrences to come.
What are your thoughts about the supernatural? Do you believe in ESP, premonitions, horoscopes, and/or superstitions? What about all of the natural disasters that have occurred in the past few years alone – tsunamis, tornadoes, hurricanes, etc. Do you believe, like Casca, that natural occurrences like these are “portentous things” (full of unspecified meaning)?
Act II Focus
Act II of The Tragedy of Julius Caesar (or you can choose to read it in the textbook) is when Brutus steps up to lead the conspirators. Cassius is super pleased with himself; Brutus is the face but Cassius is the brains. Do they have the same noble intentions? When it comes to the spilling of blood, they have an elaborate plan of deception and betrayal in place, and everyone will play a part. We see yet again the role supernatural elements and superstition plays in daily Roman life. Calpurnia has a terrible premonition about Caesar's death but he doesn't take her "foolish fears" seriously. He considers himself more dangerous than...well, danger itself {ahem *tragic flaw* ahem}.
Matter of fact, both wives are concerned for their husbands' well-being. The ladies are not treated as equals in this play. Both love their husbands but don't seem to be respected enough to be listened to. Gender roles are all whacked out!
Visit English 10B Google Group Page and respond to the following prompt:
Most of the characters in The Tragedy of Julius Caesar neglect their personal feelings that are brought about in their private lives and instead follow the interests of the public. This decision usually leads to disaster. The first example of this would be with Brutus. Brutus does not tell his wife, Portia, what he is struggling with when she asks him to confide in her. He puts aside his personal loyalties to Caesar and decides to act on what he thinks is the public’s will. Caesar also struggles when determining whether or not he should stick with his private life or public life. Calpurnia urges him to stay home when she has a dream that he will be murdered. Caesar chooses his public self-image over his private life and his wife’s wishes.
Do you have a private self and a public self? Explain. Why do you choose to be something else in public that you’re not in private?
Act III Focus
Act III of The Tragedy of Julius Caesar (or you can choose to read it in the textbook) is when Caesar's greatest flaw, his refusal to acknowledge his mortality, bites him in the butt, or rather, his back (and chest, and stomach, etc.). Often referring to himself in the third person, he develops a sense of greatness and godliness that distracts him from taking appropriate precautions. Artemidorus tries to hand him a note warning him about the dangers of the conspirators, but Caesar refuses because Artemidorus informs him that the note is personal. "What touches us ourself shall be last served" (III.i.7). Be sure to focus on his exclamations of himself. They are rather egotistical.
The moments immediately following Caesar's death are highly ironic, as the murderers cry out, "Liberty! Freedom! Tyranny is dead!" (III.i.78). They have committed an extralegal (beyond the authority of the law) act and yet now cry out in the name of liberty. ***FUN FACT*** These lines were even used during the French Revolution, due to their simultaneous expression of grotesque death and the rallying cry of "peace, freedom, and liberty!" Brutus and the other conspirators fail to grasp the hypocrisy of their actions.
Mark Antony does not believe the conspirators are justified in crying "peace," and is the first to condemn their actions. When Antony states, "Let each man render me his bloody hand" (3.1.185), he is marking them for revenge rather than celebrating their actions. Even Trebonius, who did not stab Caesar, but prevented Antony from protecting him, is marked by Antony. Antony shakes hands with Trebonius last, transferring Caesar's blood, collected from his previous handshakes, to his clean hands.======> cool symbolism
At this moment, Antony symbolizes anarchy, blaming the conspirators and marking them for revenge. He shows his taste for chaos when finally left alone with Caesar, saying, "O pardon me, thou bleeding piece of earth / That I am meek and gentle with these butchers" (III.i.257-258). His final words indicate his goals, stating, "Cry 'Havoc,' and Let slip the dogs of war." (III.i.273). Meaning "oh ya, it's on like Donkey Kong!"
Visit English 10B Google Group Page and respond to the following prompt:
This is the second time that we see Shakespeare depict the plebeian class (lower class of Rome) as fickle; they are very quick to change their minds. Apply this attribute to modern society. Do you think that this is an accurate representation of people in general? If so, why do you think it’s so natural for people to be like this? What examples, if any, have you seen of the public mind being fickle these days?