This presentation will focus on chola homegirl photography by Madeline Alvizo. Alvizo photographs homegirls through a technique she calls “g-angle” that emerges from the bodily vernaculars of chola homegirls including post-ups, style, and facial accentuations. Photographs will be approached through close reading analysis drawing on queer of color critique and Chicane/Latine feminism to explore the asymmetrical relationship between working-class homegirls and state racial capitalist logics of normative gender. Alvizo’s photographs draw our attention to the ways lines, boundaries, and borders are embodied and refused so that we might consider racialized gendered discourses migration, displacement, and impermanence through the cultural politics of Latine/Chicane vernaculars, aesthetics, and style.
DEBORAH R. VARGAS is Associate Professor of Women's, Gender, and Sexuality Studies and Ethnicity, Race, and Migration at Yale University. As an interdisciplinary scholar, Vargas' work engages the fields of queer studies, feminist studies, Chicana/x Latina/x Studies, and American Studies with an emphasis on the cultural politics of the U.S.-Mexico borderlands. Vargas is the author of Dissonant Divas in Chicana Music: The Limits of La Onda IUniversity of Minnesota Press, 2012), awarded Best Book in Chicana/o Studies, The Woody Guthrie Prize for Best Book in Popular Music Studies, and an honorable mention for Outstanding Book in Latino Studies. She is also co-editor with Nancy Raquel Mirabal and Lawrence LaFountain-Stokes of Keywords for Latina/o Studies (New York University Press, 2017). Vargas is currently working on two manuscripts. "Toward a Sucialogy of Culture," (under contract with Duke University Press) explores Chicana/x working-class aesthetic fors and queer gender performances deemed as "cultures of poverty" in relation to normative Latino citizenship. And in "The Lower Frequencies of Brown Soul," Vargas assembles an archive of Black and brown music and art to explore alternate geographies, queer intimacies, and sonic ecologies. Vargas has conducted oral histories with Chicana singers for the Smithsonian Institute's Latino Music Oral HIstory Program and written for NPR's "Turning the Tables" music series. Vargas' research has been recognized and awarded by The UCLA Chicano Studies Research Center, The University of California Humanities Research Institute, The Ford Foundation, and the Institute for Advanced Study, School of Social Science.