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GREAT STUPA AT SANCHI. MADHYA PRADESH, INDIA. BUDDHIST; MAURYA, LATE SUNGA DYNASTY. C. 300 B.C.E.–100 C.E. STONE MASONRY, SANDSTONE ON DOME.
GREAT STUPA AT SANCHI. MADHYA PRADESH, INDIA. BUDDHIST; MAURYA, LATE SUNGA DYNASTY. C. 300 B.C.E.–100 C.E. STONE MASONRY, SANDSTONE ON DOME.
great_stupa_at_sanchi.pdf
TERRA COTTA WARRIORS FROM MAUSOLEUM OF THE FIRST QIN EMPEROR OF CHINA. QIN DYNASTY. C. 221–209 B.C.E. PAINTED TERRA COTTA.
TERRA COTTA WARRIORS FROM MAUSOLEUM OF THE FIRST QIN EMPEROR OF CHINA. QIN DYNASTY. C. 221–209 B.C.E. PAINTED TERRA COTTA.
terracotta_army.pdf
FUNERAL BANNER OF LADY DAI (XIN ZHUI). HAN DYNASTY, CHINA. C. 180 B.C.E. PAINTED SILK.
FUNERAL BANNER OF LADY DAI (XIN ZHUI). HAN DYNASTY, CHINA. C. 180 B.C.E. PAINTED SILK.
funeral_banner_of_lady_dai.pdf
LONGMEN CAVES. LUOYANG, CHINA. TANG DYNASTY. 493–1127 C.E. LIMESTONE.
LONGMEN CAVES. LUOYANG, CHINA. TANG DYNASTY. 493–1127 C.E. LIMESTONE.
longmen_caves.pdf
GOLD AND JADE CROWN. THREE KINGDOMS PERIOD, SILLA KINGDOM, KOREA. FIFTH TO SIXTH CENTURY C.E. METALWORK.
GOLD AND JADE CROWN. THREE KINGDOMS PERIOD, SILLA KINGDOM, KOREA. FIFTH TO SIXTH CENTURY C.E. METALWORK.
gold_and_jade_silla_crown.pdf
TODAI-JI. NARA, JAPAN. VARIOUS ARTISTS, INCLUDING SCULPTORS UNKEI AND KEIKEI, AS WELL AS THE KEI SCHOOL. 743 C.E.; REBUILT C. 1700. BRONZE AND WOOD (SCULPTURE); WOOD WITH CERAMIC-TILE ROOFING (ARCHITECTURE).
TODAI-JI. NARA, JAPAN. VARIOUS ARTISTS, INCLUDING SCULPTORS UNKEI AND KEIKEI, AS WELL AS THE KEI SCHOOL. 743 C.E.; REBUILT C. 1700. BRONZE AND WOOD (SCULPTURE); WOOD WITH CERAMIC-TILE ROOFING (ARCHITECTURE).
todaiji.pdf
BOROBUDUR TEMPLE. CENTRAL JAVA, INDONESIA. SAILENDRA DYNASTY. C. 750–842 C.E. VOLCANIC-STONE MASONRY.
BOROBUDUR TEMPLE. CENTRAL JAVA, INDONESIA. SAILENDRA DYNASTY. C. 750–842 C.E. VOLCANIC-STONE MASONRY.
borobudur.pdf
ANGKOR, THE TEMPLE OF ANGKOR WAT, AND THE CITY OF ANGKOR THOM, CAMBODIA. HINDU, ANGKOR DYNASTY. C. 800–1400 C.E. STONE MASONRY, SANDSTONE.
ANGKOR, THE TEMPLE OF ANGKOR WAT, AND THE CITY OF ANGKOR THOM, CAMBODIA. HINDU, ANGKOR DYNASTY. C. 800–1400 C.E. STONE MASONRY, SANDSTONE.
angkor_wat.pdf
LAKSHMANA TEMPLE. KHAJURAHO, INDIA. HINDU, CHANDELLA DYNASTY. C. 930–950 C.E SANDSTONE.
LAKSHMANA TEMPLE. KHAJURAHO, INDIA. HINDU, CHANDELLA DYNASTY. C. 930–950 C.E SANDSTONE.
hindu_temples.pdf
TRAVELERS AMONG MOUNTAINS AND STREAMS. FAN KUAN. C. 1000 C.E. INK AND COLORS ON SILK.
TRAVELERS AMONG MOUNTAINS AND STREAMS. FAN KUAN. C. 1000 C.E. INK AND COLORS ON SILK.
fan_kuan_travelers_among_mountains_and_streams.pdf
SHIVA AS LORD OF DANCE (NATARAJA). HINDU; INDIA (TAMIL NADU), CHOLA DYNASTY. C. 11TH CENTURY C.E. CAST BRONZE.
SHIVA AS LORD OF DANCE (NATARAJA). HINDU; INDIA (TAMIL NADU), CHOLA DYNASTY. C. 11TH CENTURY C.E. CAST BRONZE.
shiva_as_nataraja.pdf
NIGHT ATTACK ON THE SANJÔ PALACE. KAMAKURA PERIOD, JAPAN. C. 1250–1300 C.E. HANDSCROLL (INK AND COLOR ON PAPER).
NIGHT ATTACK ON THE SANJÔ PALACE. KAMAKURA PERIOD, JAPAN. C. 1250–1300 C.E. HANDSCROLL (INK AND COLOR ON PAPER).
night_attack_on_the_sanjo_palace.pdf
THE DAVID VASES. YUAN DYNASTY, CHINA. 1351 C.E. WHITE PORCELAIN WITH COBALT-BLUE UNDERGLAZE.
THE DAVID VASES. YUAN DYNASTY, CHINA. 1351 C.E. WHITE PORCELAIN WITH COBALT-BLUE UNDERGLAZE.
the_david_vases.pdf
PORTRAIT OF SIN SUKJU (1417–1475). IMPERIAL BUREAU OF PAINTING. C. 15TH CENTURY C.E. HANGING SCROLL (INK AND COLOR ON SILK).
PORTRAIT OF SIN SUKJU (1417–1475). IMPERIAL BUREAU OF PAINTING. C. 15TH CENTURY C.E. HANGING SCROLL (INK AND COLOR ON SILK).
sin_sukju.pdf
FORBIDDEN CITY. BEIJING, CHINA. MING DYNASTY. 15TH CENTURY C.E. AND LATER. STONE MASONRY, MARBLE, BRICK, WOOD, AND CERAMIC TILE.
FORBIDDEN CITY. BEIJING, CHINA. MING DYNASTY. 15TH CENTURY C.E. AND LATER. STONE MASONRY, MARBLE, BRICK, WOOD, AND CERAMIC TILE.
forbidden_city.pdf
RYOAN-JI. KYOTO, JAPAN. MUROMACHI PERIOD, JAPAN. C. 1480 C.E.; CURRENT DESIGN MOST LIKELY DATES TO THE 18TH CENTURY. ROCK GARDEN.
RYOAN-JI. KYOTO, JAPAN. MUROMACHI PERIOD, JAPAN. C. 1480 C.E.; CURRENT DESIGN MOST LIKELY DATES TO THE 18TH CENTURY. ROCK GARDEN.
ryoan-ji.pdf
JAHANGIR PREFERRING A SUFI SHAIKH TO KINGS. BICHITR. C. 1620 C.E. WATERCOLOR, GOLD, AND INK ON PAPER.
JAHANGIR PREFERRING A SUFI SHAIKH TO KINGS. BICHITR. C. 1620 C.E. WATERCOLOR, GOLD, AND INK ON PAPER.
jahangir_preferring_a_sufi_to_kings.pdf
TAJ MAHAL. AGRA, UTTAR PRADESH, INDIA. MASONS, MARBLE WORKERS, MOSAICISTS, AND DECORATORS WORKING UNDER THE SUPERVISION OF USTAD AHMAD LAHORI, ARCHITECT OF THE EMPEROR. 1632–1653 C.E. STONE MASONRY AND MARBLE WITH INLAY OF PRECIOUS AND SEMIPRECIOUS STONES; GARDENS.
TAJ MAHAL. AGRA, UTTAR PRADESH, INDIA. MASONS, MARBLE WORKERS, MOSAICISTS, AND DECORATORS WORKING UNDER THE SUPERVISION OF USTAD AHMAD LAHORI, ARCHITECT OF THE EMPEROR. 1632–1653 C.E. STONE MASONRY AND MARBLE WITH INLAY OF PRECIOUS AND SEMIPRECIOUS STONES; GARDENS.
taj_mahal.pdf
WHITE AND RED PLUM BLOSSOMS. OGATA KORIN. C. 1710–1716 C.E. INK, WATERCOLOR, AND GOLD LEAF ON PAPER.
WHITE AND RED PLUM BLOSSOMS. OGATA KORIN. C. 1710–1716 C.E. INK, WATERCOLOR, AND GOLD LEAF ON PAPER.
ogata_korin_screen.pdf
UNDER THE WAVE OFF KANAGAWA (KANAGAWA OKI NAMI URA), ALSO KNOWN AS THE GREAT WAVE, FROM THE SERIES THIRTY-SIX VIEWS OF MOUNT FUJI. KATSUSHIKA HOKUSAI. 1830– 1833 C.E. POLYCHROME WOODBLOCK PRINT; INK AND COLOR ON PAPER.
UNDER THE WAVE OFF KANAGAWA (KANAGAWA OKI NAMI URA), ALSO KNOWN AS THE GREAT WAVE, FROM THE SERIES THIRTY-SIX VIEWS OF MOUNT FUJI. KATSUSHIKA HOKUSAI. 1830– 1833 C.E. POLYCHROME WOODBLOCK PRINT; INK AND COLOR ON PAPER.
hokusais_great_wave.pdf
CHAIRMAN MAO EN ROUTE TO ANYUAN. ARTIST UNKNOWN; BASED ON AN OIL PAINTING BY LIU CHUNHUA. C. 1969 C.E. COLOR LITHOGRAPH.
CHAIRMAN MAO EN ROUTE TO ANYUAN. ARTIST UNKNOWN; BASED ON AN OIL PAINTING BY LIU CHUNHUA. C. 1969 C.E. COLOR LITHOGRAPH.
chairman_mao_en_route_to_anyuan.pdf
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