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Glass Animals’s Dreamland blurs the line between dreams and reality, winding its way through a diaristic tour of frontman Dave Bayley’s life. The album catalogues the singer-songwriter’s relationships, observations, and growing pains with a typically felt and colorful attention toward the senses. As such, it’s more personal than either of the band’s previous two efforts, but that also means that it sacrifices the kaleidoscopic alignment of feeling and imagination that helped make those albums so distinct. It’s a bit of a trade-off, then, as the change in subject matter allows Glass Animals to find new direction, but their previous mode of world-building was, in some ways, more satisfying.
London-based singer-songwriter and producer, Dave Bayley, front man for the electronic group, Glass Animals, remembers spending formative years in a small Texas town, huddled at night around a radio that offered just a few channels. Luckily, for Bayley, one of the stations played classic Hip-Hop songs from artists like Missy Elliot, Dr. Dre, Eminem and, perhaps most importantly, the producer, Timbaland. These songs opened Bayley’s mind to new musical sounds and possibilities. Raised on groups like Talking Heads, The Beatles, Nina Simone and Bob Marley from his parents, Bayley says he became consumed by all of it. And each of these influences appears on the forthcoming Glass Animals record, Dreamland, slated for release August 7th.
It would be an injustice to try and tie this band down to one genre, with the mind of frontman Dave Bayley being of the most unique in music today. Unsurprisingly the four-piece have adapted to the strange situation like a duck to water, presenting their fans with the option to escape from lockdown with the announcement of their third album ‘Dreamland’.
The career of Glass Animals has already been quite the rollercoaster which almost came to an end in 2018 when drummer Joe Seaward almost lost his life in a bike accident. That traumatic incident forced Bayley to dive into his past experiences and memories making ‘Dreamland’ a nostalgic memoir of his life that doesn’t hold anything back.
The band are now back and firing on all cylinders, with title track is the second cut from their upcoming LP. The ambient music reminiscent of Charlie and the Chocolate Factory beautifully sets the scene of being inside the “backstreets” of Bayley’s brain and looking back at memories throughout his life and into the future with the new album.
Listening to Bayley deeply explore the deepest regions of his psyche is truly an experience, turning the microscope on Glass Animals for the first time has proven to be best move and certainly sets up ‘Dreamland’ to be their most honest and strongest material to date.
Imagine floating down a river of memories, looking at a bubblegum pink sky filled with cotton candy clouds. That’s the exact imagery English psychedelic pop group Glass Animals injects into listeners’ minds with its new single “Dreamland,” released May 1. “Dreamland” is the third single and the title track from the band’s upcoming album, and it’s a positive foreshadowing of what’s to come.
“Dreamland” begins with a lullaby-inspired keyboard riff backed by cascading synths that envelop listeners like a warm blanket before slumber. The melody is one that sounds just like one of Glass Animals’ signature concoctions, but significantly softer. It’s a song that’s somehow trippy, calming and jolting all at once.
The synth breakdowns coupled with lyrics that encourage reflection on one’s past and future make for a paradoxically awakening combination rather than a lulling one. “Dreamland” isn’t a song that puts listeners to sleep — rather, it puts them in a trance with a heightened sense of awareness.