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Deftones released the title track of their coming record Ohms on Friday and the reception has been pretty positive overall. In an interview with NME, vocalist Chino Moreno said the single is a pretty accurate representation of the record.
“It sounds like we’re in peril when the song starts with a riff that’s all angular and dirty, then all of a sudden it lifts up with the chorus,” he said. “That’s a good scope of where this record’s at, and as a Deftones’ song in general. That yin and ying of what we’ve always done of making very brutal music while having these lush overtones and undertones within it is what makes us who we are.
After what has felt like an eternity of teasing, Deftones have finally unleashed the first new music from their upcoming ninth full-length Ohms. The track hit streaming services at midnight and is the first fresh music we’ve heard from alt.metal titans since 2016’s Gore LP. But has the four-year wait been worth it, and how does it compare to their stunning back catalogue? K! writer and Deftones superfan George Garner takes a look…
Deftones have announced their new album Ohms — the band’s first album in four years — and with it have shared their ninth studio LP’s first single and video for the title track. The follow-up to 2016’s Gore, Ohms arrives September 25th via Warner Records.
In the Rafatoon-directed visual, band performance video is interspersed with scenes from a dystopian world, mirroring the musically and lyrically heavy song sentiments. “We’re surrounded by debris of the past,” Chino Moreno sings. “And it’s too late to cause a change in the tides/So we slip into our hopeless sea of regret.”
In June, Deftones marked the 20th anniversary of their landmark 2000 album White Pony with a virtual press conference and the announcement of an upcoming remix LP Black Stallion, which will feature all-new remixes of the White Pony tracks, each rendered by a different producer.
Due to the COVID-19 pandemic, Deftones were forced to postpone their summer tour with Gojira and Poppy to 2021. However, during the press conference, Deftones confirmed that their ninth studio album, now titled Ohms, had been completed after it was mixed remotely under the supervision of White Pony producer Terry Date.
So many of Deftones’ peers would probably kill – or at least perhaps do some pretty unspeakable things – to be in the rarefied position they’re in right now. Think about it: how many bands have people patiently aching to hear their ninth album?
Typically, by this point the creative spark of some acts (even the most exalted and influential ones) has long since started to dim, if not fizzle out. Releases with one or two cool singles and a deluge of filler are par for the course. Nostalgia is often the primary offering.
This is not the case with Deftones, who, over the course of a quarter century now, have carefully shepherded one of the richest and most influential discographies in Kerrang!’s history. And in 2020, we are going to get a brilliant new addition to this legacy.
Enter Ohms, the exhilarating title-track and lead single of their ninth album. It is not just a case of welcome back Deftones, but also, to a certain extent, welcome back Stef Carpenter.