This is a space of contradictions, questions, and quiet revelations - a provocation. Here, you are summoned to confront the paradoxes that shape our lives: the choices that trap us, the histories that taunt us, and the systems that bind and define us.
In this exhibition, two distinct voices;
Wamala Kyeyune Joseph and Kikomeko Gerald Puto come together to reflect on how memory, meaning, and material intertwine in contemporary Africa. Through a deeply intuitive and tactile approach, the works presented traverse the tensions between visibility and erasure, belonging and displacement, value and discard.
Wamala’s textured paintings and assemblages not only represent a deep beckoning of self to explore the breadth of his artistry, but also reflect the quiet resilience of the everyday breadwinner; individuals who labor without recognition, embodying sacrifice and silent strength.
Kikomeko repurposes the remnants of consumption; skillfully working with metal, plastic, and wood to reveal the effects of colonialism and capitalism that are heavily embedded in our daily lives. His layered approach challenges us to rethink what is precious, what is waste, and what stories linger in between.
Guided by a curatorial vision that centers symbolism, storytelling and materiality, Zikusanze is not just an exhibition, but rather, a place for conversation. It is an encounter with unspoken burdens, grey areas, and the layered realities of a postcolonial existence that we often shy away from speaking of boldly.
Whether you do or don’t, the question remains: what are you carrying away?
- Carol Kagezi, Curator.
WAMALA KYEYUNE JOSEPH
Wamala Keyyune Joseph is a painter and muralist whose work examines the complexities of human existence, focusing on themes of hope, sacrifice, and resilience. He is particularly drawn to breadwinners and selfless figures — individuals whose daily struggles reflect profound acts of love and humanity. Through expression and lived experience, his art serves as a mirror to the viewer's own emotional truth.
Rooted in mural painting, Wamala's visual language blends painting, serigraphy, text, and found materials such as number plates and iron sheets, drawing from the aesthetics of street culture to question elitism, social mobility, and the commodification of value. His work often inhabits the grey areas of life, embracing contradictions to provoke introspection and redefine the idea of heroism.
Wamala has studied at Michelangelo College of Arts and Kyambogo University, and holds a degree in Industrial Art and Design. His practice is deeply shaped by his life between Kampala, Kumasi, and Adelaide. "Art," he says, "should evoke different emotions that could possibly result in positive reactions."
KIKOMEKO GERALD PUTO
Kikomeko Gerald Puto is a Ugandan multidisciplinary artist whose practice explores the complex relationships between colonialism, capitalism, consumerism, culture, and identity. By tracing the journey of repurposed materials sourced from local communities, he challenges traditional notions of value and beauty while highlighting the lasting effects of colonial and capitalist systems on African life.
Working across various mediums, Kikomeko uses cutting, drilling, stitching, and welding to transform discarded objects into powerful artworks. These material choices invite viewers to reconsider their relationship with everyday items and the deeper cultural, historical, and economic narratives they carry.
Puto is committed to promoting creativity, sustainability, and community engagement. His installations are not only visually striking but also provoke critical reflection — encouraging environmental awareness, social dialogue, and a rethinking of how we connect with the world around us.
Carol Kagezi is a writer, curator, and researcher whose work explores cultural narratives through materiality and symbolism. Her practice focuses on how objects shape identity and memory, engaging with themes of tradition, belonging, and the evolving dynamics of human relationships. Through a blend of critical research and intuitive storytelling, she investigates the role of art in shaping and preserving personal and collective histories.
This marks her second time curating an exhibition with Vodo Arts Society and Lab. Her first was the 2023 exhibition Zadde by Yiga Joshua — a compelling exploration of ancestry, roots, and generational memory.
In both her writing and curatorial practice, Carol brings a nuanced, reflective lens to contemporary art, with a deep sensitivity to the unseen forces that connect people, places, and objects.