The story is about two squabbling brothers, Danny and Walter Budwing (portrayed by Bobo and Hutcherson, respectively) who find a mysterious board game in the basement which transports their house into outer space. Along with their older sister Lisa (Stewart) and an astronaut (Shepard), they try to survive the game so they can return home.
The film was shot in Los Angeles and Culver City, California, and was released on November 11, 2005 in the United States.[2] It received positive reviews from critics but was a box office disappointment, grossing $65.1 million worldwide.
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After an actual meteor shower occurs in the living room, Walter and Danny realize the game is affecting reality and discover the house is floating in outer space. Lisa thought she had overslept because of the dark sky and was preparing to go out; however, the next card put her in cryonic sleep, leaving her frozen solid. Walter and Danny learn that they must finish the game to return home and restore everything to normal.
As they continue to play, Walter and Danny overcome the dangers presented by the game, including a defective robot, passing too close to a star, and an attack by a race of reptilian aliens called Zorgons. One of Danny's turns causes an astronaut to appear, who methodically eliminates the house's heat sources, as the Zorgons are attracted to heat. The astronaut lures the Zorgons' ship away by setting the boys' couch on fire and ejecting it from the house, allowing them to follow it.
Walter demands that the astronaut leave, but Danny lets him stay. Growing increasingly agitated, Walter accuses Danny of prematurely cheating by moving his piece. When he tries to push the piece back and takes his next turn, the game reacts as if Walter were cheating and ejects him from the house, but the astronaut rescues him.
Danny apologizes to Walter, but he does not forgive him. On Walter's next turn, he receives a card that allows him to make a wish, resulting in another heated argument between the boys. The astronaut warns Walter not to make a wish out of anger. Fearing the worst, the astronaut discovers that Walter merely wished for an autographed American football. The brothers question the astronaut, and he explains his origins, revealing that he and his own younger brother had played the game before. He had landed on the wish card, but after an escalating fight, he wished his brother was never born. This resulted in him being stranded, as he could not finish the game without the second player. Upon hearing this, Danny and Walter finally put their differences aside.
Lisa awakened from her stasis and turned up the heat, still oblivious to the situation. The Zorgons return and anchor their ships to the house. She finally discovers the predicament, and the quartet hide, only to realize they have left the game behind. Danny finds the game aboard one of the Zorgon ships but is spotted by the Zorgons. Walter uses a "Reprogram" card he had drawn earlier to fix the robot, which attacks the Zorgons instead, causing them to retreat.
Walter receives another wish card and uses it to bring the astronaut's brother back into existence. The astronaut reveals that he is an older version of Walter from an alternate timeline and commends his present self for making a better choice than he did. As the timeline changes, the astronaut and the alternate Danny merge.
The Zorgons return to the house with a large fleet, intending to destroy it. When Danny wins the game, it is revealed that Zathura is a black hole, which consumes the Zorgons' fleet and the house. The siblings find themselves back in the house as it was before the brothers started the game, just as their father returns home. The brothers finally bond and promise to each other and Lisa not to tell anyone about the game and their adventure.
Director Jon Favreau acknowledged the influence of other films, saying Zathura had some bits like Star Wars, Indiana Jones, Battle Beyond the Stars, and Superman.[3] Favreau was aware of Dax Shepard from the TV series Punk'd but was convinced to cast him because director Mike Judge cast him in Idiocracy and because of his background in improvisation with The Groundlings that Will Ferrell had also come out of.[3]
Favreau preferred to use practical effects instead of computer generated imagery (CGI) in the film. He said, "it's so fun to actually shoot real spaceships or have a real robot running around on the set, or real Zorgons built by Stan Winston. It gives the actors, especially young actors, so much to work off of".[4][5] Dax Shepard, who plays the astronaut, said he would not have been interested in doing the film if the effects had been CGI-based.[6] Actress Kristen Stewart enjoyed the on-set effects, saying, "When we harpooned walls and ripped them out, we were really doing it. When there was a fire on set, there was really fire," and that "[t]he only green screen I was ever involved with was for getting sucked out into the black hole."[7] The exteriors for the house were filmed at Oaklawn Avenue, South Pasadena.[8][9]
Miniature models were used to create the spaceships; Favreau enjoyed using techniques used in many earlier films, such as the Star Wars trilogy.[10] in some shots the Zorgon ships were computer-generated, and in many of the scenes digital effects were used to create, for example, meteors and planets, and limbs for the robot suit built by Stan Winston Studios.[11] CGI was used to augment the Zorgon suits, which were constructed so that the head came out of the front of the suit where the actor's chest was and the actor wore a blue screen hood over his own head, and to create an entirely computer-generated Zorgon for one scene.[12] A full life size frozen model of Kristen Stewart was made by Stan Winston Studios. She described the process of modeling and being scanned to make it as arduous; it included details down to the freckles on her arm. She called the result an incredible experience, comparing it to having a twin.[10][13] Real goats were used and extra eyes were later added using CGI.[14] According to visual effects supervisor Pete Travers, from Sony Pictures Imageworks, it "was a very important aspect of the effects" to retain the stylized "1950s sci-fi look" from Van Allsburg's book, and was inspired by the pointillist style in painting.[11][15]
Favreau says the most complicated shot in the film was when the house was caught in the gravity field of Tsouris-3. The stage was mounted on top of a gimbal 30 to 40 feet (9.1 to 12.2 m) off the ground, and the gimbal allowed the set to be tilted close to 40 degrees. All the cast and crew had to be safely secured with cables and harnesses. Favreau called it "an overwhelming experience".[16]
The studio marketed the release of the film in an attempt to generate word of mouth with tie-ins, including an episode of The Apprentice. Favreau appeared as a guest judge, and the show's two teams were assigned the task of designing and building a float to publicize the film.[21]Favreau attended Comic Con for the first time to promote the film.[22]
On Rotten Tomatoes, the film has an approval rating of 76% based on 161 reviews, and an average rating of 6.54/10. The website's critical consensus reads, "Dazzling special effects for the kids + well-crafted storytelling for the [parents] = cinematic satisfaction for the whole family."[28] On Metacritic, the film has a weighted average score of 67 out of 100, based on reviews from 30 critics, indicating "generally favorable reviews".[29] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[30]
Roger Ebert of the Chicago Sun-Times gave it 3 out of 4 stars, praised Favreau, and wrote: "Zathura lacks the undercurrents of archetypal menace and genuine emotion [...] but it works gloriously as space opera."[31] Justin Chang of Variety said it was "arguably the best adaptation of a Chris Van Allsburg book to date" and praised "Favreau's amiably low-key sense of humor and assured handling of well-trod emotional territory."[32] John DeFore of The Hollywood Reporter called it a "rare beast -- a family film that even childless adults can enjoy", and praised the performances both from child actors and from Dax Shepard.[33] Stephen Holden of The New York Times said Zathura richly gratifies the fantasy of children; "not just to play a board game, but to project themselves into its world".[34] Desson Thomson of The Washington Post wrote that Zathura has "an appealing, childlike sense of wonder".[35]
At the Hollywood Film Awards Avy Kaufman won the award for Casting Director of the Year, for her work on Capote, Brokeback Mountain, Get Rich or Die Tryin', Syriana, and Zathura.[38]At Young Artist Awards Josh Hutcherson won in the category "Best Performance in a Feature Film (Comedy or Drama)" by a Leading Young Actor, and Jonah Bobo was nominated in the category "Best Performance in a Feature Film" by a Young Actor Age Ten or Younger.[39][40]
In a 2018 review for Den of Geek, Tim George called it "a terrific movie worthy of reappraisal" praising the witty, efficient script, sense of directorial whimsy, and focus on character over special effects.[41]
Favreau said the film wasn't released so much as it "escaped". He further described the experience: "After the highs of the success of [his previous film] Elf, Zathura was sobering and, though it was well-received by the critics and I learned a tremendous amount about visual effects, the grim reality of the movie business hit me like a bucket of cold water."[22]
Jack Black expressed interest in the possibility of the franchise returning to space.[42] Hiram Garcia, a producer of the Jumanji sequels, said the game contained multiple universes and that the Bazaar introduced in the 2017 film was added to be a central hub for a larger game universe that the core characters would not know about, and that it could even go into space.[43] 152ee80cbc
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