If romance (or lack thereof) is the most popular subject for a song, then cars are certainly a close second. Ever since the advent of these sleek and powerful machines, musicians across all genres have been singing their praises. Here are 100 of the best songs about cars and driving.

Willie Nelson celebrates life as a touring musician in this Grammy-winning 1980 hit. The driving song, which quickly became one of his signature hits, was written for the film Honeysuckle Rose, in which Nelson starred as a struggling country artist.


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Take a close listen and tell me they arent the same theme (although still different in ways of course, the car has alot more "noises" to it) but are still the same theme music. Did the Shining's creators steal music from a film made 3 years earlier? Whats the deal.

Fuel Economy: Not even Sanford and/or Son had theme music this funky in the 1970s, as the Low Rider gets higher and drives slower to the sweet sounds of loping bass and chirping alto sax.

As gearheads, the roar of an engine is often music to our ears. We love everything from the whine of a high-strung I4 to the bellow of a meaty V10. Thankfully, Audi shares our sentiment and rolled out a musical rendition to some famous classic TV shows for the Emmy Awards.

Since the ad campaign related to the Emmy Awards, all three theme songs were from famous past Emmy winners. The songs include the Star Trek theme Where No Man Has Gone Before, Where Everybody Knows Your Name from Cheers, and Love is All Around from the Mary Tyler Moore Show.

The bluegrassy theme song that opens and closes our showmay be annoying to some of you, but laboratory tests haveshown that it has statistically significant positivetherapeutic effects for those suffering from PMS andhemorrhoidal flare-ups.

The music is called "Dawggy Mountain Breakdown." It waswritten and performed by a guy named David Grisman, who isperhaps the world's foremost jazz/bluegrass mandolin player(like he has a lot of competition in that field!).

Reid's cruisin' in third gear and today I'm sharing his modern race car themed birthday party! It's full of simple details and a few fun elements. This party (like all of the ones I host), prove you don't need a lot of "stuff" to make a theme come together!

Johnny Todd is an English Folk Song which may have originated in Liverpool, where it was sung by children to accompany skipping games. It was discovered by folk musicologist Frank Kidson and included in one of his Collections of Folk Songs, though other versions of the song were also discovered in other parts of Britain and documented in other Collections so its precise origins are uncertain. What is certain is that the song was known to musician Fritz Spiegl (1926-2003) and his first wife composer Bridget Fry. Together they arranged the melody as the theme for "Z-Cars" a BBC series set in Merseyside, first broadcast in 1962 and set to become a long-running police drama. Their arrangement was characterised by the sound of an Ulster-style "Fife and Drum" Marching Band, and Spiegl conducted the TV arrangement used on the Z-Cars series. The theme was also recorded in 1962 by the Scottish-born songwriter/arranger John Keating (1927-2015) and his Orchestra, and this recording also achieved high sales. The Z-Cars Theme became very popular and recognisable to TV audiences in the 1960s and 1970s, and was frequently referenced on other entertainment shows. Spiegl was born in Austria but left the country as a war refugee and later settled in Liverpool where he became principal flautist with the Royal Liverpool Philharmonic Orchestra. Fry and Spiegl also composed and arranged the themes for two follow-on TV series called "Softly Softly" and "Softly Softly: Task Force". The song Johnny Todd is also used as an anthem by the football club Everton and has been sung by fans of various other clubs.

This piano arrangement (including guitar chords) by Jim Paterson has two verses with slightly different arrangements, each of which can be played or repeated ad lib. You can download the sheet music, midi file and mp3 file for personal use.

The Pop Song Professor project is all about helping music lovers like you to better understand the deeper meanings of popular song lyrics so that you know what your artist is saying and can enjoy your music more.

As if the cars weren't enough, he also claims that he "[m]ade your whole year in a week too," in which he's referring to how much he's made compared to most people's salaries. Of course, after making over $50 million dollars since his last album, he probably made most people's salaries in less than a few hours.

To complete this first verse of "Starboy," The Weeknd sings about his "bitches." He claims that both his "[m]ain" and "[s]ide bitch" are "out of your league." Apparently, not only does he have better cars and more money than nearly everyone, but he also can have higher standards for the physical appearances of his sexual partners/love interests.

On the second verse, The Weeknd sings about how "[e]veryday, a n***a try to test me" and "end me." Of course, he doesn't let that happen and simply "[p]ull[s] off in that Roadster SV," another one of his fancy cars. He sings, "Pockets overweight, gettin' hefty / Coming for the kind, that's a far cry"; he's got too much money to worry about anyone trying to "end" him.

He sings that he was able to buy his "mama a crib and a brand new wagon"--a house and a car. He sings that now she's hitting "the grocery shop looking lavish." "Star Trek roof in that Wraith of Khan" is a reference to a lit up ceiling in one of his cars, and "Girls get loose when they hear this song" talks about parties getting started when his music comes on.

"100 on the dash get me close to God" is a reference to him risking his life when he speeds and bringing himself dangerously close to "meeting his maker" if something goes wrong. Of his lifestyle, he sings, "We don't pray for love, we just pray for cars," which seems to be a small hint at the emptiness that he perceives in the celebrity lifestyle, almost as if he knows that he's being distracted from what's really important.

"Starboy" is an intense song with what seems like a powerful message. Tesfaye is never very clear on what the deeper point of this song is, but the last line of Verse 3 ("We don't pray for love, we just pray for cars") and the repeated lines of the chorus ("Look what you've done / I'm a motherf****n' starboy") hint at some self-awareness that his lifestyle may not be all that healthy.

On January 1, 1890, Grand Marshal Francis Rowland and President Charles Holder mounted their horses and led the first Rose Parade through Pasadena. Equestrian units remain an irreplaceable part of the parade. Each year, the Rose Parade features a wide variety of horse breeds who entertain spectators, each with their own style and grace, including Curly Horses, American Saddlebreds, Gypsy Cobs, Andalusians, Miniature Horses, Draft Horses, and more. Equestrian units offer a variety of special skills and colorful costumes that tie into the Rose Parade theme while continuing to honor traditions.

FTD is the official floral partner of the Tournament of Roses. The iconic American company has been affiliated with the Rose Parade for more than 60 years. FTD decorates the antique automobiles which carry the Rose Parade VIPs down Colorado Boulevard including the Grand Marshal, Tournament of Roses President, Mayor of Pasadena and the Rose Bowl Hall of Fame cars. FTD is also the sponsor of the Rose Parade Float Awards.

Twain explained how we usually consider ourselves last when it comes to relationships. We do so because we want to make it work. And so we allow our partners to choose what to watch on TV, the flavor of ice cream, or the kind of music to listen to. And it would be fine.

Showtime's Yellowjackets' music helps to ground the ambitious show as it works to cross genre lines and combine elements of mystery, supernatural, and thriller into a single TV series. The challenge for the show, which it continually rises to meet, is complicated by Yellowjackets' star-studded cast, its split narrative timelines, and its intricate complex relationships across the years. The musical drive behind so many of the show's key scenes is one of the many factors that help to cement Yellowjackets as one of 2021's best and most compelling new TV shows. The Yellowjackets soundtrack does a lot of heavy lifting to help define the two timelines at work in the show.

Smashing Pumpkins and The Cranberries continue to be '90s favorites in season 2 as well. The Yellowjackets soundtrack does move away from some of the '90s music in the modern timeline though. Such modern favorites as Florence + The Machine appear multiple times in the season's music. There are also some great modern covers of classics, like St. Vincent covering Metallica's "Sad But True" that bridge the two timelines.

Beyond that though, season 2 shakes up the Yellowjackets music a bit. Alanis Morissette even covers "No Return," the show's theme song, for one of the episode openings. It's a great twist on the music the audience already expects from the series, much like Yellowjackets keeps twisting what the audience thinks they know in the next season.

Faefyx Collington (They/Them) is the Perennial Beat Editor and a writer for Screen Rant. Faefyx writes both fiction and non-fiction, focussing on science fiction, fantasy, and mystery for the former and on culture, gender, and current affairs for the latter. Faefyx is also a co-host for the podcast "Unramblings," can occasionally be found making music, and runs the writer/editor community The Queer Writers' Block.

If yes, you're probably already a fan of Automotion Classic Car Show and we look forward to welcoming you back. If no, make plans to drive to Wisconsin Dells the weekend of May 18-19, 2024 to learn the lingo from some of the most passionate car folks this side of the Mississippi, a passion that often runs in the family. Some 1,000 classic rides are expected at the 38th Annual Automotion Classic Car Show. There will be music, food, car corral and swap meet too. 2351a5e196

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