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I do not trust Perfect World Games (Hotta Studio is one of their many companies, you can find it belongs to them at the end of the ToF website) and I want to warn people about my experience with one of their games, where to this day they still rip-off models. Do not apologize them for the stolen model in ToF as they will keep stealing others work while pushing no updates, bug fixes in games for years.

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I just learned today that it is a company of a game I used to play. They are a very shady company, always using subordinate companies to not ruin their reputation directly. I used to play their game back in 2013 then for years called "Touch" (Published by 3Claws, another company of theirs which does not exist anymore - they removed their website and everything) Touch is a K-POP rhytm game. I spend over 500 dollars on this game and It did not get any proper updates beside new gacha eggs and top up events in years, no adding of new songs in 3 and more years and for their outfits they rip off clothes from many games and artists, while recolouring them very badly. Stealing models is their common practive.

When I learned that Tower of Fantasy was made by that exact company I wanted to share a warning, because there was a drama where they ripped off a model of a sword from Honkai Impact. For Perfect World Games, ripping off any models they will find online is something normal for them. This is how they make money. It is not their first time and not the last time. And it's super hard to find any info on Wanmei (Perfect World Games) on the internet beside their official site, it's very shady company ( ). Do I even have to mention their lack of security in games? There was no security or proper anti-cheat. Accounts were getting "hacked" and people could get onto to moderators' accounts without any problem. And they have tons of games that are made purely to milk money. You can check here yourself:

They are ripping models, clothes etc to this day and charging even 100 dollars to get a set of an outfit from an egg with bad recoloring (gacha) And this game was launched about in 2012 and they do rip off models, clothes etc. in their games to this day. They will never stop doing that. Do not accept their apologies for stealing a sword model from Honkai as long as they keep doing it in their own other games.

Painting cels is kind of like painting by numbers. The Art Director picks the colors with the Color Stylist (color models) then the painters get a color palette telling what colors to use, like shirt color, pants color, hair color, shirt ink, etc. Walt's wife Lillian was a painter when painting was with a brush and real paint. Most studios paint on a computer now. The animation is scanned then the painters ink & paint it. When the animation is drawn by hand it is now called "traditional"; when it is animated on the computer like "Shrek" it is called CG or computer generated.

In January 1920, as Pesmen-Rubin's revenue declined after Christmas, Disney, aged 18, and Iwerks were laid off. They started their own business, the short-lived Iwerks-Disney Commercial Artists.[26] Failing to attract many customers, Disney and Iwerks agreed that Disney should leave temporarily to earn money at the Kansas City Film Ad Company, run by A. V. Cauger; the following month Iwerks, who was not able to run their business alone, also joined.[27] The company produced commercials using the cutout animation technique.[28] Disney became interested in animation, although he preferred drawn cartoons such as Mutt and Jeff and Max Fleischer's Out of the Inkwell. With the assistance of a borrowed book on animation and a camera, he began experimenting at home.[29][d] He came to the conclusion that cel animation was more promising than the cutout method.[e] Unable to persuade Cauger to try cel animation at the company, Disney opened a new business with a co-worker from the Film Ad Co, Fred Harman.[31] Their main client was the local Newman Theater, and the short cartoons they produced were sold as "Newman's Laugh-O-Grams".[32] Disney studied Paul Terry's Aesop's Fables as a model, and the first six "Laugh-O-Grams" were modernized fairy tales.[33]

One of Disney's most prolific live-action reference models was Helene Stanley, who modeled Cinderella and her stepsister Anastasia, Princess Aurora in 'Sleeping Beauty' and Anita Radcliffe in '101 Dalmatians.'

As it turned out, 'Tramp' was a female, but her look still proved to be just what the Disney artists needed for their crafty leading mutt. After she finished her modeling work, the dog lived out the rest of her days in a home for retired Hollywood dogs.

While Cinderella was under development at the studio, Walt Disney was pouring his creative energies into building his own scale model train at home. When surrealist painter Salvador Dali made a visit to Disney's house, he was taken aback at the ambition of Walt's endeavors, telling him "Such perfection [does] not belong to models!"

This film's appeal may lie in its reputation as "a haunted house movie in space." Though not particularlyoriginal, "Alien" is distinguished by director Ridley Scott's innovative ability to wring every ounce ofsuspense out of the B-movie staples he employs within the film's hi-tech setting. Art designer H.R. Gigercreates what has become one of cinema's scariest monsters: a nightmarish hybrid of humanoid-insect-machine thatScott makes even more effective by obscuring it from view for much of the film. The cast, including Tom Skerrittand John Hurt, brings an appealing quality to their characters, and one character in particular, SigourneyWeaver's warrant officer Ripley, became the model for the next generation of hardboiled heroines and solidifiedthe prototype in subsequent sequels. Rounding out the cast and crew, cameraman Derek Vanlint and composer JerryGoldsmith propel the emotions relentlessly from one visual horror to the next.

Vincente Minnelli directed this captivating Hollywood story of an ambitious producer (Kirk Douglas)as told inflashback by those whose lives he's impacted: an actress (Lana Turner), a writer (Dick Powell) and a director(Barry Sullivan). Insightful and liberally sprinkled with characters modeled after various Hollywood royaltyfrom David O. Selznick to Scott and Zelda Fitzgerald, witty, with one of Turner's best performances. Five Oscarsinclude Supporting Actress (Gloria Grahame), Screenplay (Charles Schnee). David Raksin's score is anotherasset.

Movie poster

Howard Hawks directed this Raymond Chandler story featuring private eye Philip Marlowe, played by HumphreyBogart. Appearing opposite him in only her second film was a former model named Lauren Bacall, with whom Bogarthad fallen in love (and vice versa) during filming of "To Have and Have Not" earlier that year. Hawks and hiswriters attempted to untangle the threads of Chandler's complicated plot which caused frequent productiondelays. More than a month behind schedule and about $50,000 over budget, the film was ready in mid-summer1945,and that version was distributed to servicemen overseas. Shortly thereafter "To Have and Have Not" was released,and audiences loved the Bogart-Bacall chemistry, so the wide release of "The Big Sleep" was further delayed thewide release by rewriting scenes to heighten the chemistry and bring out Bacall's "insolent" quality thataudiences found so appealing the pair's earlier film. The pre-release cut is only two minutes longer, butcontains 18 minutes of scenes missing from the final picture. The first "draft" was discovered at the UCLA Filmand Television Archive where both versions have since been preserved.

This riotously funny, raunchy, no-holds-barred Western spoof by Mel Brooks is universally considered one of thefunniest American films of all time. The movie features a civil-rights theme (the man in the white hat (CleavonLittle ) turns out to be an African-American who has to defend a bigoted town), and its furiously paced gags andrapid-fire dialogue were scripted by Brooks, Andrew Bergman, Richard Pryor, Norman Steinberg and Alan Unger.Little as the sheriff and Gene Wilder as his recovering alcoholic deputy have great chemistry, and thedelightful supporting cast includes Harvey Korman, Slim Pickens, and Madeline Kahn as a chanteuse modelled onMarlene Dietrich. As in "Young Frankenstein," "Silent Movie," and "High Anxiety," director/writer Brooks gives aburlesque spin to a classic Hollywood movie genre.

Expanded essay byMichael Schlesinger (PDF, 662 KB)

Before Andy Griffith became a television legend playing a likable small-town sheriff, he portrayed a completelydifferent type of celebrity in this dark look at the corruptability of sudden fame and power. In his film debut,Griffith plays a rural drunk, drifter and country singer who becomes an overnight success when a radio stationpromoter (Patricia Neal) and her assistant Walter Matthau, who put him on the air. Behind the scenes, he turnsinto a power-hungry monster who must be exposed. Budd Schulberg, who purportedly modeled the lead character onradio and TV personality Arthur Godfrey, adapted his short story "The Arkansas Traveler" for director EliaKazan. The film also marks the film debut of Lee Remick.

Based on the novel by Sir Arthur Conan Doyle and directed by Harry O. Hoyt, "The Lost World" is a fantasyadventure film that follows Professor Challenger (Wallace Beery) and his fellow explorers (played by BessieLove, Lewis Stone, Lloyd Hughes, and Arthur Hoyt) on a rescue mission to the jungles of South America to find amissing comrade and prove Professor Challenger's claim that living dinosaurs occupy the area. "The Lost World"is historically significant in that it was one of the first full-length feature films to include stop motionmodel animation. Willis H. O'Brien, who brought King Kong to life eight years later, was responsible forcreating the sophisticated animation sequences.

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