杯緣的漬痕如同流淚般滴落，圈足勾勒咖啡生產國的輪廓，隨杯漸大，咖啡染紅如血，映照貧困與剝削。
喝下的不只是香醇，更是未被聽見的淚滴。

The stains along the rim fall like tears in silent descent.The foot of the cup traces the contours of coffee-producing countries. As the vessel gradually enlarges, the coffee deepens into a blood-red hue, reflecting poverty and exploitation.

What we drink is not only fragrance and richness, but tears that have never been heard.

2025
40x5x15 cm
陶瓷、釉下花紙 
Ceramic, Ceramic decals

2026  第31屆大墩美展 工藝類【入選獎】
2026  31st Da Dun Fine Arts Exhibition of Taichung City【Selected】 in Crafts Category

「被藏起來的，不是記憶，而是我們不敢直視的自己。」

精神分析理論指出，童年經驗持續影響成人的情感與人格，而壓抑並非消除記憶，
而是一種自我防衛，使難以承受的經驗被推入意識之外。
作品以包覆結構遮蔽童年影像，象徵被隱藏的早期經驗，然而影像仍從裂縫中滲出，如同潛意識持續介入當下。

”What is hidden is not memory, but the self we dare not confront directly.”

Psychoanalytic theory suggests that childhood experiences continue to shape adult emotions and personality. Repression does not erase memory; rather, it serves as a defense mechanism, pushing unbearable experiences beyond conscious awareness.

This artwork utilizes a wrapped structure to obscure childhood imagery, symbolizing hidden early experiences. Yet, the imagery still seeps through the cracks, mirroring how the subconscious continuously trickles into the present.

2025
60 x 40 x 30 cm
陶瓷、釉下花紙
Ceramic, Ceramic decals

「我們以為忘記了童年，其實只是學會不再看它。」

童年經驗是人格發展的基礎，影響一生卻常被誤認為已遺忘。作品以童年照片構成的方塊如記憶像素，逐格滑落，象徵時間與環境對早期經驗的侵蝕。這些記憶並未消失，而是在成人的理性與防衛中風化成模糊輪廓。

2025
230 x 110 x 50 cm
陶瓷、釉下花紙、木頭
Ceramic, Ceramic decals, wood

2026 第30屆桃城美展 雕塑類【入選獎】

2026 The 30th Art Exhibition Of Chiayi City【Selected】 in Sculpture Category

本作品將過往的獎狀影像，藉由釉下貼花永久封印於陶瓷表面，象徵體制認同與社會期待的「榮光外衣」。
文字與鮮紅印記交織出潔白、具光澤的表象，卻在泥土形體的扭曲與向上掙扎中產生了形變。

作品的核心視覺在於那道撕裂的漆黑裂縫，強烈對比出外在喧囂與內在幽暗的拉扯。
當皮囊解構，吐露的是粗糙、未經修飾的苦澀根基，將真相安放於無聲的黑洞縫隙中，
反思主體被符號化的消音過程，直視掌聲背後最本真的精神核心。

This artwork permanently seals images of past award certificates onto the ceramic surface using underglaze decals, symbolizing the "coat of glory" conferred by institutional validation and societal expectations. The text and bright red seals weave a white, lustrous facade, which deforms under the distortion and upward struggle of the clay form.

The visual core of the work lies in the torn, pitch-black fissure, striking a stark contrast between external clamor and internal darkness. As the outer skin deconstructs, it reveals a coarse, unvarnished foundation of bitterness—anchoring the truth within the silent void of the gap, reflecting on the silencing of the subject through codification, and confronting the most authentic spiritual core behind the applause.

2025
18 x 18 x 42 cm
陶瓷、釉下花紙
Ceramic, Ceramic decals

2026 115年苗栗美展雙年展 立體造型類【入選獎】

2026 Miaoli Biennial Fine Arts Exhibition【Selected】 in Sculpture Category

將無法言說的掙扎刻於形體，並透過釉下貼花，雙手拉緊繩索的影像盤繞其上，勒緊隱形束縛。
象徵外在壓抑與內心自我的痛苦拉扯，融於坯體的紋樣與陶瓷線條，將失語的窒息感與深埋沉默具象化。

Inscribed upon the form is the struggle that words cannot express, encircled by underglaze decals of hands pulling ropes taut to tighten an invisible bond. This visualizes the painful tension between external suppression and internal identity. Fused into the clay body and ceramic lines, the pattern brings to life the suffocating feeling of lost speech and deeply buried silence.

2025
17 x 18 x 38 cm
陶瓷、釉下花紙
Ceramic, Ceramic decals