Warning: these songs have not been bowdlerised, i.e. the strong language as used by the soldiers for some of the songs has been retained. If you are offended by such language, it is suggested that you read no further.

NB. there are numerous variations on these songs. Some were taken up by soldiers in later wars and reworded accordingly. See R. Palmer 'What a lovely war!': British Soldiers' Songs (Joseph, 1990). This was also the source for the versions of most of the songs given below.


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I want to go home, I want to go home.

 I don't want to go in the trenches no more,

 Where whizzbangs and shrapnel they whistle and roar.

 Take me over the see, where the Alleyman can't get at me.

 Oh my, I don't want to die, I want to go home.

Twenty One Pilots released their fourth studio album, Blurryface, on May 17, 2015. The album topped the Billboard 200 and produced two top five singles, "Stressed Out" and "Ride", peaking at number two and number five, respectively, on the Billboard Hot 100. The songs, along with the single "Heathens" from the Suicide Squad soundtrack, launched the band into mainstream success in 2016. The duo embarked on two world tours in support of the album from 2015 to 2017. In an interview with Alternative Press, the band stated that they would be "going dark" in order to focus on new music, and added that they would focus on the lyrical content and bring back the "authenticity, lyrics, delivery, and fearlessness of songwriting" of the band's eponymous album.[2] Following the five final dates of the band's tour, "Tour De Columbus", the duo entered a year-long break from public appearances beginning on July 6, 2017, in order to rest and work on their next project.[3][4][2]

The conceptual world of "Trench" was created before the songs from the album had been written, departing from the band's regular songwriting process where they would create the album song by song.[5] It is unclear when production of Trench began; however, lead singer Tyler Joseph was working on the track "Bandito" as early as 2015, during the Blurryface Tour.[6] Joseph produced the album's fourteen tracks within his private home studio, while Josh Dun's drum tracks were recorded at United Recording Studios.[7] Mutemath frontman and keyboardist Paul Meany co-produced and co-wrote much of the project, following his previous collaboration with Twenty One Pilots for the TOPxMM remix EP and on the Emotional Roadshow World Tour.[8][9] Adam Hawkins mixed the album in its entirety. The album's "drop dead due date to get ahead of production and distribution" was August 15, 2018, less than two months before the release of the album.[10]

The album, like Twenty One Pilots' previous records, contains many different genres of music, including alternative rock,[21] alternative hip hop,[22] pop rock,[23] electronic rock,[23] R&B,[24] reggae,[25] electropop[26] and rap rock.[27] It opens with the alternative and hard rock song containing progressive rock and nu metal hooks, "Jumpsuit".[28][29][30] Lyrically it is about dealing with Tyler Joseph's insecurities.[25] It was described by Rolling Stone as having "distorted bass guitar, crisp drumming and dark washes of synth" with Joseph's vocals building from "a near-whisper to a full-throated scream, to an atmospheric falsetto."[31] The song's outro merges into the next track, "Levitate", a minimalist rap rock track.[32][33] "Morph" is a fusion of jazz, rock, rap, and reggae.[34][35] It explores the themes of life after death and references the leading bishop, Nico.[13] The song has been compared to artists such as Khalid, the Prodigy, Beck and DJ Shadow.[27][36][37] The following track, "My Blood", is an indie pop and rock song about remaining loyal to a friend.[38][39] The track has been compared to songs such as Foster the People's "Pumped Up Kicks" and Portugal. The Man's "Feel It Still" due to the song's chorus featuring a falsetto sung by Joseph.[36] "Chlorine" is a song about cleansing your mind from dark thoughts.[13] "Smithereens" is a "cute and playful" song about Joseph's love for his wife, Jenna, whom he married in 2015.[40][41]

On July 11, 2018, the band released the first two singles, "Jumpsuit" and "Nico and the Niners", as well as a music video for "Jumpsuit".[31] On July 25, 2018, a music video for "Nico and the Niners" was released, as the second of a trilogy of videos centered on the fictional world of Trench. Both videos feature references to the videos of previous songs, including "Heavydirtysoul" and "Stressed Out", with the repeated imagery of a burning car for the former and an elaborate handshake by Joseph and Dun for the latter.[61][82][83][84][85]

The song that had the biggest impact on my life is Who Do You Love. It is so inspiring and one of the most beautiful songs I've ever heard. It was what inspired me to move on after the death of my grandma. She and I were so close, but the song made me realize that l had to move on because that's what she would want.

Marianas Trench is a Canadian pop-punk band that formed in 2001. Their first album, Fix Me, was released in 2006 and the band has only grown since then. Iconic for their upbeat, fun pop-punk sound and their gorgeous harmonies, Marianas Trench has climbed the charts in Canada and are breaking through the United States. The band has worked incredibly hard over the past twelve years to put out four full-length studio albums and an EP. Here are our top 10 Marianas Trench songs.

Choral singing was a really big thing in German civilian culture of the time of WW I, so I would think that that extended to the military. In my hometown of Philadelphia, PA, USA, about 1900, there was a convention of German-American singing societies; they borrowed a vacant lot from the City, built a wooden performance hall for the performances, complete with elaborate Victorian decoration, that was large enought to hold 1000 performers st once and an audience of 25,000. After a week of performances the volunteers who built the building tore the building down and salvaged the timber and returned the lot to the City. There still are singing societies that date to this period (Sangerbuende) but they are a mere shadow of their former size and importance. My father told me that when they drank in beerhalls they had singing books with wooden covers with hob-nails hammered into the covers so the book could lie open in a sea of beer on a beerhall table and not have the pages damaged. He said that there were many favorite songs, but these also each had saterical (or possibly rude?) variants.

There were several very patriotic songs that one reads about a lot in connection with WW I and the troops singing them, like Wacht am Rhein. I used to know about many German marching songs from WW II, but I don't know how prevalent they were in WW I; I assume that they were, but I do not know. A lot of them sound very militaristic and bombastic, but if you listen to the lyrics they often are about fields of blossoms blowing in the wind, or a young brother and sister holding hands and skipping down the road. Some are very romantic and even extremely sad, like one called "Three Lilies". There is a song called "Ich hat ein Kamerad" that is very sad and was sung at the funerals of soldiers or veterans.

When it comes to singing, you cannot shut Germans up; they love it, so I am certain that loads of songs were made up. There are plenty of pictures of regimental 'sods operas' in the histories showing men playing a wide variety of instruments - many of which were taken into the trenches. There is also ample evidence that patriotic songs, folksongs and specific soldiers' songs were actually sung. For example, in a personal account of the recapture of Schwaben Redoubt at Thiepval on 1 Jul 1916, the then Hauptmann Wurmb states specifically that when it went dark, both elements of his company advanced towards each other singing Die Wacht am Rhein in order to avoid shooting one another in the dark. As far as parodies, equivalent to, say, 'When this lousy war is over...' are concerned, I know of only one for certain. Ich hatt' einen Kamaraden  (Uhland's famous 1826 farewell to a fallen fellow soldier) was transmogrified by hungry soldiers into Ich hatt' mal Marmelade... . However, I have never come across the full lyrics and, unfortunately, most German writing on the subject seems to concentrate on material specially written and composed for use by or about soldiers, rather than the home made type. There must be more work to be done. If you want to hear how some of these songs sounded, try an internet search with key words Soldatenlieder Erster Weltkrieg That will throw up plenty of suggestions. Oh and by the way, Lili Marlene did not really get going until it was recorded in the late 1930s. I am sure that it was effectively unknown, even as the original poem, until then.

The singing of non-religious and often bawdy words, especially to tunes associated with hymns, is a very old custom which spread across most of Europe, especially the Protestant northern part. Most of these songs could be sung on the march where they have a good effect on morale and help to keep cohesion, just as a military band does. The chance to include some words not suitable to the company of ladies also reinforced what these days might be called "male bonding."

Marianas Trench, a Canadian rock/alternative band has had my heart for quite some time now. I've been listening to them more than usual this summer, so I thought I'd rank their songs and see if you agree.

The group selected United to record songs for their latest album and to collaborate with Thorp, a seven-time Grammy(r) Award-winning producer and recording engineer. His work with stellar artists like OutKast, Radiohead, Switchfoot, Molotov and Beck has helped produce numerous multi-platinum albums and industry accolades. 006ab0faaa

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