The global range of his rap genre is based on his intrepid lyrical discourse against the rat race of corporate-world and consumerist life-styles. There is a stark difference between the real life and life on the rap turf of Sidhu Moosewala. He did not sing weapon songs for self- glory, but for the popular logic of the market. In one of his interviews, he underlined that simple folk-rap tracks that he also sang, had failed to fetch much of a response in the cut-throat music market. Very often, he can be heard singing emphatically that the rise of a rural lad (himself) to the pinnacle of rap music has received praises all over the world, but not in his own courtyard. In fact, while challenging his peers to bring someone to compete (Jat da Mukabla) with him, he seemed to convey that there is a way to rise without leaving rural Punjab and to live away from ones near and dear. Given his fame and affluence, he could have easily settled in any metropolis not only in India but anywhere in the world, but preferred to live amongst his people in the land of his ancestors. His close attachment with his roots and concern for the improvement of his native surroundings instantly connected him with a massive number of youngsters as well as elders within a very short span leading to his meteoric rise. He did not just live physically in his village, but also respected and practiced the moral postulate of rural life.

A few above-mentioned narrations compel one to go beyond the visible aspects of Sidhu Moosewala and delve deeply into his ethereal cultural world to decipher his songs and penchant for tractors, cars, jeeps and guns. He never talked about drugs in his songs. When accused of, as he himself referred to in one of his viral videos, about consuming alcohol, he retorted that was fine but he never shaved off his eyebrows like his detractors. Though he talked about weapons, he was never heard of intimidating his adversaries. His fondness for guns was limited to self-defense as he often reiterated during many of his concerts that goes well with the valorous culture of the region. He is loved by millions across the East and West Punjab as well as large swathes of other parts of the world for his large-heartedness, rustic courage in speaking the truth. As for his hard-earned success, he always gave credit to Waheguru, his grandmother, and parents. Nonetheless, his father disclosed to the huge gathering at his Bhog ceremony that Sidhu Moosewala often complained about his failure to comprehend why his peers were jealous and indulged in ill-talk about him. This is an unfortunate, but prevailing reality of current Punjabi mindset, that success is often not lauded, but instead begrudged.


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Much like Black Power idealogue Malcolm X in the US, Sidhu propagated the use of weapons only in self-defense. The individualism infused in his songs encouraged youngsters to rise against any injustice they were facing.

He shares a personal bond with his fans. "My songs resonate with their deepest emotions, their loves and likes. They hang on my words and wait for my new releases and sing along when I sing on their request. In other words, they trust me," an upbeat Moosewala, who calls Toronto his second home, added.

Even though the news of the death of Sidhu Musewala, who has established a unique identity in the minds of the people through his songs, is still in the headlines of print, electronic and social media.

The tattoo studio owner confirmed that for the last 3 days youngsters have been coming to the studio and constantly getting tattoos related to Sidhu Musewala on their body parts. He said that youngsters also get emotional while getting tattoos, which leads to delays in getting tattoos.

Chandigarh: Ten shots. Punjabi singer Shubhdeep Singh Moosewala, known by his stage name Sidhu Moose Wala, swore by the gun in his songs, including 'Warning Shots'. In a state obsessed with arms, he would have never imagined that on a warm Sunday it would be the gun that would silence his song forever near Mansa in Punjab.

While the song became hugely popular with the youngsters of Punjab, it rankled the establishment, who viewed it as stoking rebellion among them. It resulted in hate and anger directed at him and his family, which he often expressed through his social media posts. But social media cuts both ways. Some of the gangsters, who are serving jail time, have taken to social media to issue direct threats to artistes in Punjab. This strategy not only shines the spotlight on these criminals, it also helps them to raise their profile in the underworld peer circle.

The CM said though Sidhu Moosewala was a globally acclaimed singer but he remained firmly connected with his roots and continued to live with his family in their ancestral village. He said Moosewala served his family and society zealously adding that his life will always inspire the youngsters to scale new heights in life.

Performers like Sidhu Moosewala may appear to have pushed gun culture, but traditional vaars, ballads, and folk songs in Punjab include references to weaponry of the period, such as takua, gandasa, and talwar, in addition to firearms.

For millennia, weapons have been a component of Punjabi culture. According to Punjabi writer Ninder Ghugianvi, these are mentioned in famous songs dating back to the tales of Jagga Daaku, Dulla Bhatti, and Mirza-Sahiban. Whilst certain musicians, such as Sidhu Moosewala, appear to have pushed gun culture, songs by Mohd Sadiq, Kuldeep Manak, and Surinder Shinda, recorded over 40 years ago, also contain references to weaponry of the time, such as takua, gandasa, and talwar, in addition to firearms. The picturisation of songs has altered. Formerly, we could only hear songs, but the great graphics and appealing sounds have piqued the interest of the younger generation, who are only too eager to share them. e24fc04721

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