In the aftermath of the 2012 Delhi gang rape case, the lyrics to some of his songs, which depict violence against women and rape positively, have caused controversy.[45] A first information report (FIR) was lodged against Singh for his offensive lyrics, and a group of social activists filed an online petition demanding cancellation of his New Year performance at a Gurgaon hotel.[46] After the campaign, Singh's New Year concert was cancelled by the hotel.[47] Singh denies writing these offensive lyrics.[48]

Our playlist YO YO Honey Singh features a diverse collection of songs in mp3 format, ready for you to download and enjoy without any charges or FREE of cost. With a mix of old favourites and new hits, there's something for everyone. Whether you're looking for the latest chartbuster songs or some classic tracks, our YO YO Honey Singh playlist has got you covered.

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Rapper Yo Yo Honey Singh has revealed that he is currently struggling because his songs are not working like they did 10 years ago. The musician also requested his fans not to expect the same things he did 10 years ago.

Singer Honey Singh, who is often at the epicentre of a controversy for the lyrics of his compositions, said at a recent event at he will stop mentioning alcohol in his songs when the government stops licensing the sale of liquor. "Whenever you party then alcohol is the biggest reason to do so. You can't avoid that. In fact, our governments give license to open wine shops and liquor shops. The day they stop doing that, we will also put an end to mention of alcohol in our songs," news agency IANS quoted him as saying at the launch event of his new track Loca, which also finds mention of alcohol in its lyrics.

"I try to write lyrics as per my understanding, but if someone suggests me to write easy lyrics then I do that, too," Honey Singh added. Last year, the 36-year-old singer and producer Bhushan Kumar were booked by the Punjab Police after the Punjab State Women Commission lodged a complaint accusing them of incorporating lyrics allegedly derogatory towards women in the song Makhna. In the past, Honey Singh has composed songs like Chaar Botal Vodka, Party All Night and One Bottle Down.

Dear ,

I am writing this open letter to express my gratitude for the inexplicable way in which you have changed the life of our kids. Not a day passes in my life when I do not see the impact of your poetic songs and soulful music on their language, which has become extremely colourful, and their deliberations that have become centred on profound subjects like vodka, short skirts, suck and rhyming four-letter words.

Read 

What the fish, you would say. But I am really indebted to you for introducing a five-year-old and his equally impressionable elder brother to the secret garden of life at an early age.

My five-year-old, for instance, knows what many discover much later in life: that you can dance saari raat after drinking char botal of vodka. Though, I am of the opinion that much of this dancing would be done lying senselessly supine after the first bottle of your prescribed mood-maker.

One of the perils of urban life is the unexpected, unannounced assault on the ears you experience when you pass our streets and somebody lets out expletives that have become the real alphabet of our lingua franca. By bringing choicest abuses right into our homes, through your songs, you have saved us from the embarrassment of explaining to kids the meaning and mtier of India's street-language. Now that they are so used to hearing them in your songs, kids can easily go out in the mad, bad world without getting an aural shock. Perhaps, they are even capable of shooting a few back.

Innocence is one of the privileges of childhood. Not so long ago, parents, teachers and guardians would do everything possible to ensure that children do not lose it before the time is right. Clearly, the approach was flawed.

I remember once my classmates wanted to dance to the beats of 'Chadh Gayo Re Paapi Bichua' at our school's annual function. But the principal of our convent rejected it, saying the song had erotic undertones, without bothering to explain what erotic meant.

On another occasion, I remember a friend being walloped by his father for listening to 'Jumma Chumma' at home on his cassette player and on another an entire class being made to kneel down for singing 'Chabi kho jaaye' during a class antakshri. 

Two decades ago, when Govinda sarkao-ed his khatiya, there was so much criticism that in one of his next films, he had to apologetically explain on-screen that 'Maine jo sarkayee khatiya, aap ko laga bada ghatiya.' And Karisma Kapoor had to turn into a Baby after people screamed her sexy-sexy was ugly.

Now, going by the noise that you hear at homes, on TV channels and at school functions and the stupor among those who would have protested a decade ago, you seem to have sent custodians of our next generation's childhood to some noisy discotheque of the world, armed obviously with your latest collection. 

Nobody is complaining, nobody is objecting. And, perhaps, rightly so. For wouldn't you have sung back, '#$% mein dum hai to band karwa lo?

So, thank you for making Choli ke peechey kya hai sound like a bhajan in comparison with what you sing. Twenty years after we found it difficult to listen to that song, we can at least now turn up the volume in public.

Music is meant to introduce listeners to the mellifluous rhythms of life. And a song's lyrics are for many the first introduction to poetry. But your songs put no such load on the mind or the soul. Your psychedelic beats and zany lyrics are aimed at making the listener inebriate, gyrate and titillate.

With your techno-babble, you are creating a generation of youngsters and children who would never know that anything other than what you create could be music, anything more than what you write could be poetry and anything except you croon could be singing. 

Thank you for helping me save the money I would have spent on making my children discover the poetry of Saahir, the cadences of Khayyam and the eccentric melody of Kishore. 

This morning, I tried to introduce my elder son, with the ulterior motive of weaning him from your songs, to Madan Mohan and his classics. This is how it went:

"Where is the music? How can we dance? I can just hear a woman sing (Lata Mangeshkar singing Naina Barse). Can we now play Ise kehte hain hip-hop?" 

"Could you please turn down the volume a bit? I can't understand a word of it (Rafi singing Rang aur noor ki baraat)."

Finally, I tried to explain how great masters sang their compositions. As soon as Madan Mohan started singing 'Mai ri,' the Yo-Yo fan derisively asked how many of them had the composer sung? A few, I replied.

'Hunh, what's the big deal?" "Yo-Yo sings all his songs."

Honey Singh had once become a craze for the nation. The entire young generation could be seen playing Honey Singh songs and aspiring to be a rapper. As much as he changed the rap scene in India, many rappers have also accused him of infiltrating the art form and commercializing it. But it cannot be denied that he changed the playlist for the younger generation.

While some of his songs are catchy and does make up for a great party song, but Honey Singh has also remixed a lot of our favourite classics and ruined them forever. Here is a list of 4 songs that Honey Singh has destroyed forever:

He added, "Mafia Mundeer's principle was 'respect your hierarchy'. Jo ladke ye bolte hain ki hum Mafia Mundeer mein the, aur mujhe honey bolte hain. Vo Mafia Mundeer mein kabhi the hi nahi. Agar vo mujhe Honey Paaji nahi bol sakte... mai ye nahi keh raha meri izzat karo. Agar tum keh rahe ho ki tum Mafia Mundeer the, toh tum hierarchy ke protocol ko toh follow karo."

Not just Dope Shope, Raftaar claimed that he didn't get credit for songs in Fugly. He (Yo Yo) and I wrote and composed these two songs. I have no idea why I am not being credited for them. I wrote Dhup Chik about three years ago. If I tell you that one of his most famous songs, Dope Shope, was also written by me, how would he react?" Raftaar said.

Forget the empowering and enlightening lyrics of Gully Boy. Forget rap-stresses like Lilly Singh who call out sexism. One song from Honey Singh and we are back to the regressive, sexist mindset of the time when songs like Main Hu Balatkaari were released.

How does he end up connecting with millions of people? Well, he shared that it is only possible when he understands the daily life of human psychology along with cultures. His ability to observe and articulate as a rapper is a great one. He elaborated by saying that people from Mumbai to Canada could relate to his songs because they were probably about them. 0852c4b9a8

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