CONCENTRIC CIRCLES

同心圆 · Yang Lian 杨炼

中文版 →

CIRCLE I

Three chapters · nine poetic units

CHAPTER ONE

Chapter One 1

Chapter One 2

Chapter One 3

Chapter One 4

Chapter One 5

CHAPTER TWO

UNTIL

THEN

SINCE

CHAPTER THREE

Chapter Three

CIRCLE I · THREE LENSES OVERVIEW

Lens I · The Remainder and the Tenant — architecture and grammar →

Lens II · The Emptied Temple — philosophy and spirit →

Lens III · A Hundred Kidneys Singing — image, affect and the experience of reading →

 

CIRCLE II

Three chapters · eleven poetic units

CHAPTER ONE

It Was

January of the Dead

7 Mulinen Strasse

Midnight Letter — first occurrence

The Garden of Transmigration

CHAPTER TWO

Life This Word

Complete poem in five movements

CHAPTER THREE

It Is

January of the Living

Schloss Solitude

Midnight Letter — second occurrence

The Transmigration of Gardens

CIRCLE II · THREE LENSES OVERVIEW

Lens I · The Wings and the Word — architecture and grammar →

Lens II · Tended by Death: Circle Two and the Owed I — philosophy and spirit →

Lens III · Warm Distance and the Forty-Year-Old Garment — image, affect and reading →

 

CIRCLE III

Three chapters · three poetic units

CHAPTER ONE

Feather Door

CHAPTER TWO

Rondo and Counterpoint

CHAPTER THREE

Capella Tower

CIRCLE III · THREE LENSES OVERVIEW

Lens I · The Door and the Tower — architecture and grammar →

Lens II · A Tower Built Downward: Circle Three, the Angel and Babel — philosophy and spirit →

Lens III · Each Step into Empty Air and the Cemetery Underfoot — image, affect and reading →

 

CIRCLE IV

Eight poetic units

Constructed Ground

Repeated Comedy

A Labyrinth Gradually Growing I

A Labyrinth Gradually Growing II

A Labyrinth Gradually Growing III

A Labyrinth Gradually Growing IV

Repeated Ground

Constructed Comedy

CIRCLE IV · THREE LENSES OVERVIEW

Lens I · The Labyrinth and the Couplet — architecture and grammar →

Lens II · The Dead Know the Way: Circle Four and a Comedy without Paradise — philosophy and spirit →

Lens III · Learning Painlessness and the Line That Came Back Worse — image, affect and reading →

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