Hey everyone...just wondering if there is anywhere else to go for THR30 patches besides the Yamaha musician's forum? Seems like the vast majority of patches are for the first gen THR's that come in a YDP format not supported for the II's. If I understand it correctly. Anyways...I appreciate any help!

Ok so I managed to overwrite the internal patches, which i dont want to do.

But for some reason it wont let me overwrite the cartridge; which seems to have a lot more room (multiple banks)

any idea how to do so?


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Everything works fine when using the MODX8 and Mainstage only. And, the FS-5U works fine to advance the MODX's internal sounds. However, adding the FS-5U to advance the patches in Mainstage isn't working. My son is very tech-savvy; we're sure he's overlooking something simple, but so far he hasn't figured it out.

On this site, I had previously posted a set of 24 Yamaha DX100 synth patches for download. The DX is a notoriously difficult synthesizer to program. That difficulty extends to its load/save workflow as well. Originally, the DX100 came with a special cord with a MIDI-style plug on one end and three headphone-sized jacks on the other. This is meant to be plugged into a data cassette recorder. The red cable is audio out, the white is audio in, and the black (I assume) controls the tape player. You hit a button combo on the DX100 and then a screeching modem sound is output to the tape. Modern users can record this sound on a computer as a .WAV file and it will work the same as and old-school tape deck. This works okay, but there is a better way to archive and reload sounds.

On the Yamaha DX100 user patches are saved in the Internal bank of 24 patches. These are typically accessed by pressing the internal button and then any of the 24 green numbered buttons. To save all 24 of these patches at once do the following:

Hi Madddcow. Me again with a different type of MainStage question: In a concert, I wish to delete a patch (the theater show has made cuts to the score). When I do so, the patch numbers below the deleted patch all increase by 1. Is there a way to prevent that change in numbering and to keep the patches following the deleted patch at their previous numbers? Thanks very much.

I am back again. I entered every single instrument into the Yamaha PSR-A3000.txt file. Most of the patches work on my PSR-A3000, except few of them. For example: S.Art! Vibes&JazzGuitar in Percussion Voice category, does NOT get mapped to the PSR keyboards correctly. The cubase track is unable to trigger S.Art! Vibes&JazzGuitar on my PSR-3000 although all the setting are correct based on the DATA List Document published by Yamaha for the keyboard.

Medium sized patches designed to fit on most alto, tenor and baritone mouthpieces. Please be aware that these patches may be slightly too big for soprano mouthpieces, or slimmer metal alto mouthpieces.

As well as providing extra comfort and helping to avoid teeth marks on your mouthpiece, the often misunderstood value of using a mouthpiece patch is that they actually alter the way you hear your own sound! As the player you feel a lot of the vibrations through your teeth and skull, so by dampening these vibrations you're able to hear more of your natural sound with your own ears. If you've never tried mouthpiece patches before, make sure you try different thicknesses to see which feels most comfortable for you. Although it's only a small change, they feel very different! - Oren Gurney (oren@sax.co.uk)

This 'unofficial' Forum is dedicated to the Clavia Nord Keyboards, including the Nord Stage, Nord Electro and Nord Piano. Discuss any issues around Nord's keyboards, share your favorite patches, samples, and music. We are not affiliated with Clavia!

- The Reface DX is NOT a remake of the legendaryDX7

- The Reface DX is NOT compatible with 4-operator FMsynths from the past like the TX81Z, DX100, or DX9

- Therefore it is NOT possible to load patches from thosevintage Yamaha FM synths in a Reface DX


When the Yamaha Reface DX arrived I immediately hoped to be ableto (re-)use my huge library of SysEx patches for 4-operator FMsynths that I had collected since I bought my first Yamaha synthsomewhere in the late 1980's. But because of the major differencesI had to put a lot of time and effort in expanding the conversionpower of my TXconvert software.

This website is the result of these efforts. I have (tried to)re-create the original patches from several vintage Yamaha (andKorg!) FM synths to System Exclusive files that can be loaded inthe Yamaha Reface DX.

The patches are also provided as plain text files (*.txt)The text files show a list of all parameter values. You can enter the values by hand in your Reface DX for the best educational experience :-)

More more more patches!Some people can never have enough patches. The Yamaha Soundmondo website offers thousands of free patches, created and uploaded by the user commmunity. For people preferring directly downloadable SysEx files I have created a pseudo-mirror site where all these patches are available as SYX or TXT files. To make things easier for you I have removed many of theduplicate patches. Get Free SysEx patches from Soundmondo now!

Donations:Please donate to support and to encourage me to continue theseprojects, to improve the quality of the conversions, and to maintainthis website. On request I can also provide patches as QR codeimages for people using the Yamaha Reface Soundmondo App(iPad/iPhone)

Patches of An Era (Nightwish Cover Pack) is the sound bank for all those who wish to reproduce the magical atmosphere of the Finnish band on the Yamaha MMODX / MODX+ ODX.

This library is inspired by the band's live performances such as "End of an era" and "End of Innocence".

From pads to strings, from orchestral hits to organs, from bells to mallet: this collection contains everything you need to recreate the sound of Tuomas Holopainen on your workstation.

The sound bank also contains 3 samples so you'll able to recreate multi-track patterns !

Patches of an Era is actually the best Nightwish collection for Yamaha MODX.

41 new patches designed and performed by Stefano Angiulli.

My thanks to vintage gear fan and DX7s owner, Bruce Brooks, who provided the SysEx files available on this page. He used them to restore the internal voices in his Yamaha DX7s, after replacing its battery and finding his ROM cartridge was faulty. Bruce loaded the internal patches into his DX7s with Bome Send SX and reported they worked perfectly. However, he was unable to try the cartridge patches, as he didn't have a RAM cartridge to write them to.

"Hi, Matt.I just wanted to thank you for the great sounds you've been providing me over the years, starting with the soundbank for the good old WT11 back in 1991 or so, up to the present. But I have to say regarding the EWI4000s- that this time you've really outdone yourself! I like the instrument a lot even though I'm still more used to the feel of my trusty WX7. And although I was happy to have an axe that could travel with its own sounds, most of those were pretty dull and lifeless. I figured I'd just have to live with that for now, but I should have known better. Once I dragged that Midifile into my DP software and loaded it into the 4000S, it was like the skies opened up. Suddenly, it became a serious synth axe that could hold its own. I can't wait to start combining patches with the VL70-m! Once again, hats off to you for serving us wind-synthers over the years. Best." - Premik Tubbs, saxist & flutist for Santana, Whitney Houston, John McLaughlin, Herbie Hancock, Lonnie liston-Smith & others

"Thank you very much for your work on this instrument. We hope you continue to provide us with good products for making music."


 "The patches sound great. If you make these great sounds on the WT11 then I can't wait until you cook up some sounds for the VL70-m. Thanks"

"I got the bank of sounds for the WT11 and got them loaded without a hitch. There are some really great sounding patches. It will take me a while to explore them and figure out how I can best use them."

I managed to find some original Yamaha TX816 patches online. For anyone who is unware, the TX816 is 8 x DX7 synths in a box. I looked at the performance pages and layered 4 x OPS7 into Unify. Each OPS7 has 2 x DX7 engines and I panned according to the original instructions of how the TX816 outputs were supposed to be setup on individual mixer channels then adjusted the volumes in unify. In this zip file should be 3 x patches. Two of them are individual TX816 factory pianos. Then there's an absolute monster of a patch combining the two pianos into one patch. So that would be 16 x DX7 synths making the one sound!!!

I have been re-creating other TX816 factory patches that make use of Macro buttons that I had MIDI learned to the modwheel and a couple of foot pedals (the TX816 had an input for a foot expression pedal and a breath controller but I don't have a breath controller so used another expression pedal for that).. and quite a few factory patches seem to make use of those controllers to introduce layers of sound. I might upload some of those if anyone is interested!!

So I purchased OPS7 and tried out my DX9 patches and they were identical (similar circuitry to the DX7) - the same patches in Dexed don't sound right. The low end isn't buzzy/clippy enough in dexed and the unique DX aliasing nuances aren't there in dexed. I also tried out some DX21 patches with dexed but, again, there were sonic differences, especially in the low end, that lost the DX character.

Out of curiosity I've fired up my TX816 again and compared it with Dexed. Dexed is remarkable close with a lot of patches but with others not so. Didn't investigate this further for now, just an observation. 2351a5e196

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