Is anyone else having issues with the Yamaha AV controller app? The app will start up and display the AV receiver so I know it sees it on the network, but it only shows a blank screen and doesn't seem to be connecting properly. Just wanted to see if it's a problem with the app's server or something on my end.

The VC series is a pattern graphic controller with built-in VRAM that makes it possible to build high-quality animated GUIs with inexpensive parts.

Conventional graphics controllers required the development of a complex display controller program, but the VC series makes it possible to control the display position, scale, 

transparency, gradation, and other aspects with a 12-bit property value, enabling the creation of high-quality graphics displays with minimum load on the CPU.


Yamaha Av Controller App Download


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I'm trying to assign controller knobs and slides to my MO8 in Mainstage but seem to be having mixed results. There's obviously MIDI going into Mainstage, I can use the keys, four sliders and knobs, the modulation wheels and the pedal. However, I can't seem to assign the master volume, or the MO's internal sequencer playback buttons to the playback plug-in in Mainstage.

Also, I found out that the foot controller does NOT sent MIDI data either, which means you cannot change patches using a boss-like pedal. Because of this, I am using a guitar pedal as a midi pedal, which has a MIDI out port. I then connect it directly to my Mac using a 5-pin MIDI cable to USB and I can change patches without having to plug anything into the mo8.

I need to set my Roland F-90 sensibility to heavy adjust, otherwise I get 127 velocity (maximun FFF) a bit too easily. 

 It can't be corrected only by Pianoteq velocity curves graphic, since it's the Roland F-90 that send the Maximun strike (FFF) too easily when in mediun or light sensibility adjusts.

 Combining the right sensibility adjust of the controller or digital piano, with the velocity curves graphic on Pianoteq, is the best way to achieve the desired touching response.

There is always natural limitation of contorller's Dynamic Range. My controller, for example, have a limit even in heavy adjust. So if I play very strong strike and get FFF (127 value), and try a stronger strike than that, I will get the same 127.

What about analyze 30 major brands and models, and builted velocity curves adjust sets for each one on Pianoteq? And a small text instrunction, like let the sensibility on the controller set to heavy or mediun to be right to the Pianoteq velocity adjust created.

P.S. Maybe we are not so careful , but we have question , how to make on Pianoteq .... sorry for my english , .... sometimes we need not full range piano sounds , but for egz. ... from c1 - c7. , when we need split and play in other keyboard ranges other instrument . It means can we adjust in pianoteq keyboard range . I hope U understand what I say ...

& other thing , for future , if it's possible make near volume control , volume "Mute" knob sometimes , when we are using more stand alone plugins this knob need to have for compare sounds . & other thing ,it's good to be when we use pianoteq in Sonar sequencer , controllers not work from track ( for eg. volume ) always need to go to Options/Midi/Assign predifined controllers and make to be active . Question,- is good to be assigned this function by default .

Last request : very ,very wiil be usefull ( for future , if possible ... please ) in Reverberation section to make possible read WAV impulse responses, to make own reverberations or strange effects for this wonderful synth .

i recently bought the yamaha GT2 and for the fun of it I yesterday connected it to pianoteq (trial version) through a USB external soundcard (Tascam US-144). After I figured out the right soundcard settings (latency issues!) this combination worked great. I had a MIDI cable going from the GT2 (MIDI OUT) into the soundcard (MIDI IN), and L+R audio cables going from the LINE OUT on the card back to GT2 (into AUX IN ports)

Although it generates very decent sonic picture, the sound generating computer technology in GT2 (including the built-in Yamaha CFIIIS concert grand sampled voices) is 11 years old. yamaha, where is GT3 or whatever you may call it??

I don't know , what U need to hear from me , ... Yes I use GT2 , but I'm not using GT2 own sounds , I play only pianoteq thru GT2 speakers , and use GT2 like midi keyboard controller . Sounds very good , and realistic , before I had problem to connect from PC to GT2 audio signal , because AUX inputs too much sensitive , I "repair" GT2 , open inside and make OP amplifier less sensitive , now it's ok, I win signal to noise parameter , it become better, less noisy . To do it for me was necessary , because , additionally I use Bose L1 speakers pair , when I send layered sounds to Bose ( for egz, strings , pads etc. ) , Pianoteq sound go to GT2 , from these setup I have natural ensemble sound , because if I will send thru GT2 speakers , other layered sounds , like strings ... , it looks not natural , - from piano must go piano sound , but not pads , drums strings or others . Oh yes , if I use ambient processing for pianoteq , I send to GT2 speakers dry pianoteq sound , and to bose L2 pair speakers I send ambients, effect for pianoteq only . Because one Bose speaker have 180 angle sound response , from two speakers I have very good full of ambient room . I'm not using Pianoteq own reverbs , I send VST reverbs from sound card ( effect\wet sound only ) to Bose speakers . Other synth or sampled sounds I send thru Bose , not thru GT2 . GT2 keyboard is most natural keyboard , because all "mechanics" inside are real piano mechanics . Another good key board controller for pianoteq is KAWAI MP8II , this is good keyboard and good key-balanced in weight , it means keys are not only feels, like piano , but they are more heavy in lows , and more light in highs, like on natural acoustic piano .

I'm sorry for my english , again , but I hope U understand me , what I want to say , dear friends ...

There are quite affordable quality midicontrollers with good velocity sensibility, like M-Audio Keystation Pro 88, with hammer action. They are only 400 dollar. I supose it have some few good sensor, since it's a hammer action model, and based on reviews I got on web.

So why any piano manufacturer built a real piano action in wood, and just add those kind of sensors used in affordable Midi controllers??? So we would have a real hammer action system Midi controller, exactly like the action of a grand piano.

I don't know how is the sensor of most stage digital pianos. But the manufacturers could add it in near the keys or along the hammer's arm. There must be a way to produce a affortable real grand action in wood Midi controller.

If U asking questions like this : ..." There are quite affordable quality midicontrollers with good velocity sensibility, like M-Audio Keystation Pro 88, with hammer action. They are only 400 dollar. ..." - it means U are not piano player . With this M-Audio U will spoil Your hands until become musician , my friends had this Sh.... , and after few days sold , twice less price , because nobody needs to have not useable midi controllers , which after 1 year using keys of these kind keyboard become like waves in the ocean . But ... if U are playing 2 hours per week on this keyboard , and U enjoy how nice it looks in your home studio this kind of controllers it's O.K. I know that in most countries people first look , how it looks , how much it cost , after what is profit from that and last how U feel Yourself. When U are playing per day 8-10 hours , needs to have good instrument , good feeling instrument , after U have feedback between Your ears - mind and hands , here is secret of good playing , hearing and creating something good , but not between $400 and nice looking , here U will find only image or immitation , of real quality of feel , sound & creation .

Not forget , that there is no miracles like " ..quite affordable quality midicontrollers ... for only 400 dollar ..." U can ask same , why to play Stainway Grand Piano ( for & 200000 if U can play Upright Puiano for 30000 , what is different ... answer,- maybe U never tried this, try , close Your eyes and listen carefully , if U not hear different between them , ok buy Yamaha PSR series keyboards , and enjoy .... few weeks .

On yamaha GT2 Midi controllers are laser beams , On other more expencive Midi controllers there are more MIDI velocity steps , this is big different from cheap controllers , because some of them have velocity , for egz only 3 steps , for egz. like p - 53 . f - 80 , ff - 127 , this only immitation of velocities , but not real velo in 127 steps ... and some musicians claime , that 127 is not enough , but others not hear different between 3 steps velocity and 127 ... What to say .... sorry .....

First impression from keyboard this is good or not is , that when U are playing , after some time U not feel bored , and U always need to play . That is with Pianoteq , U are playing only piano and not bored , if U have a good quality controller , again Your hands not be tired , it's same like to find what different between cheap , and expencive car or gum and real women , try .... and U like it ....

Yamaha GT2 MIDI sensors are contacts and Laser beams system , in older synth there is metal contacts in new , special gum contacts . For egz Yamaha FM series synth ( like DX7 etc..) they had 7 step velocity , not 127 . It means if U have sampled souds in 127 leyers , with 7 step leyer controller U will never hear some of samples be played on Your instrument . That is one of different between cheap "affordable" midi controllers and expensive instruments .

I was trying to get contact with a piano manufaturar to try convince them to create a midi controller using real piano actions. I really believe it's possible to make a affordable model with great touch feeling. ff782bc1db

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