Indu Sarkar[3] is a 2017 Indian Hindi-language period political thriller film, co-written, co-produced and directed by Madhur Bhandarkar.[4] The story screenplay of the movie is written by Anil Pandey and Madhur Bhandarkar and the dialogues are penned by Sanjay Chhel. Indu Sarkar is produced under the banner of Bhandarkar Entertainment and Mega Bollywood Private Limited. The film is set in the period of the emergency in India, i.e. the 19-month-long period from 1975 to 1977 when there was a state of emergency across the country.The film stars Kirti Kulhari, Neil Nitin Mukesh, Anupam Kher, Tota Roy Chowdhury, Nitanshi Goel and Supriya Vinod.[5] The music is composed by Anu Malik and Bappi Lahiri. The film was released on 28 July 2017 with few cuts.[6][7]
Indu Sarkar includes a recreated version of Aziz Nazan's popular qawwali, Chadhta Sooraj Dheere Dheere Dhal Jaayega.[10] Rashmi Jha was signed for the role of Farzana, which is inspired by socialite Rukhsana Sultana.[11]
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The film garnered mixed reviews from critics. Nitin Bhave of Times of India praised the film for its acting performances and gave the film 3 out of 5 stars.[13] Rajeev Masand of News18 gave 2 stars by saying "This is at Best an Average Movie".[14] Hindustan Times criticised the director's confused narrative by giving 2 stars.[15] Giving 2 stars Indian Express also panned the film by saying "A watered-down, bloodless version of the Emergency".[16]
The film generated controversy since the time its trailer got released up until it was shown in the theatres.[17] Indian National Congress supporters heavily criticised the director Bhandarkar's attempt to portray former Prime Minister of India Mrs.Indira Gandhi and her son Sanjay Gandhi in a bad light.[18] However, the director clarified that it was not a biopic on former Prime Minister Indira Gandhi under whose regime the Emergency was declared in the country in 1975.[19][20] Sanjay Gandhi's alleged daughter Priya Singh Paul approached the Bombay High Court seeking a stay on the film.[21] However, Bombay High Court rejected the plea after Paul failed to present solid evidence of her association with the lineage of Sanjay Gandhi.[22] Just two days before the release Paul moved the Supreme Court seeking a stay on the release of the movie after Bombay High Court dismissed her plea.[23][24] The Supreme Court also refused to stay the release of the film and quoted it as "The movie is an artistic expression within the parameters of law."[25][26]
After the release of the film several supporters of the Indian National Congress protested and even tried to stall the screening.[27][28][29] Congress workers created ruckus in front of a cinema hall in Indore. Police used canes to disperse those who came to blows.[30]
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Indu Sarkar opens with the announcement of the Emergency blaring from radio sets and glaring on front pages of newspapers. It then takes us to a fictitious village in Delhi-Haryana border area, Mubipura, where people are gearing up for a wedding. Suddenly, cops reach the place looking for men to be sterilized. When the men try to hide, the cops hunt them down and drag them even as a 70-year-old and a 13-year-old male ask policemen to consider the futility of including them in the government-ordered drive.
The background score of Indu Sarkar is too loud and misplaced. At times when a rather emotional moment is approaching, what you hear is the loud melodramatic sound usually used in Bollywood suspense dramas.
On the other hand, you can see Indu Sarkar as a double-edged sword. While it depicts the Emergency and the Gandhi family as the perpetrators of cruelty and injustice inflicted upon the masses, the film actually shows the misuse of power. If Madhur Bhandarkar wanted to patronise the ruling party, the irony of his own film is lost on him. The irony of Indu Sarkar is that it is so indulgent in highlighting the importance of free speech and democracy that you could change a few names, few other situations and it could well have been a film about the crisis India is facing today: People with allegiances to the ruling party exploiting the masses and even politicians at their own will.
With the Emergency in the foreground, Bhandarkar brings to us the story of the titular protagonist (played by Kirti Kulhari), an orphan in Delhi who has spent her entire life trying to overcome a congenital stammer. Teenaged and surnameless, Indu wants nothing more than to be a good wife to some man some day. On the eve of the Emergency, she meets a Bengali named Navin Sarkar (Tota Roy Choudhury), a government official whose star is rising due to his known proximity to a prominent Congress politician. Indu and Navin marry, and she lives out an opinionless existence as his servile spouse until one day during the Emergency, she happens to venture into Turkman Gate area in Delhi, where the police are engaged in a street battle with residents opposing the bulldozing of their houses by the sarkar (government). 18c6514909
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