Vaguely tries to discuss a vision of socialism that seems almost utopian (and probably impossible), as well as ethical questions of what "right" and "wrong" are, but these discussions are empty and go nowhere. The best lesson the movie provides is "stay on the marked path."

Makes a cursory attempt to have a diverse cast, and Jen turns out to be quite brave and resourceful (although she eventually turns to violence). But otherwise most characters are pretty shallow, with little worth admiring.

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Extreme gory violence. Character smashes someone in the face with a thick branch; face smashed open, brains visible. Runaway log rolls down hill, crushes character; smashed, bloody face, protruding jaw shown. Character falls into pit, lands on sharpened stakes (lots of blood and agony). Character's head bashed in. Character's eyes poked out with hot poker. Woman stabs a man again and again, with blood spatter. Character stabbed in chest by flying trap. Characters shot by bow and arrow. Characters shot with gun (hole in head shown). Person's head smacked against a rock. Maggot-strewn corpse. Several characters sliced and killed with a knife. Broken finger (pointing at an awful angle). Character crushed by falling trap. Character holding a knife to a child's throat. Character dragged into trap by chain. Several people beat up another (he later spits blood, has a bloody face). Dead deer strapped to truck. Sudden tire blowout. Punching in head. Scary cave full of people who have been blinded. Molotov cocktail.

A couple kisses passionately in bed while clothed, one straddling the other. Naked man's bottom shown while showering. Woman in skimpy underwear. A woman volunteers herself to be a "childbearer" for the Foundation members (another woman responds with "spread your legs!"). A creepy man says "I can smell your juices."

Parents need to know that Wrong Turn (also known as Wrong Turn: The Foundation) is a horror/slasher movie about six 20-somethings who are terrorized in the Appalachian woods; it's a remake of the same-named 2003 movie. It's marginally better than the original, but that's all relative: It's still pretty dumb and annoying. Expect intense, graphic violence, with lots of blood and gore. Characters are killed in grisly ways, via traps, shot by arrows or guns, sliced up with knives, or beaten. Even the "heroes" kill others in brutal ways. Language is also extremely strong, with near constant use of "f--k" or "f--king," plus "s--t" and more. Two characters kiss passionately in bed while clothed, with one straddling the other. A man's naked bottom is briefly seen, and a woman is shown in skimpy underwear. A woman volunteers to be a childbearer for a cult-like group; she becomes pregnant, and there are creepy lines like "I can smell your juices." A scene set in a bar includes social drinking (shots and beer) and some smoking. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails.

In WRONG TURN, Scott (Matthew Modine) hasn't heard from his daughter, Jen (Charlotte Vega), in several weeks, so he goes looking for her. Weeks earlier, she, her boyfriend, Darius (Adain Bradley), and four other friends decided to hike the Appalachian Trail. Darius, a history buff, talks the others into leaving the marked trail to find the secrets of the woods, even though they were warned not to. Before long, strange things start happening. One of the group dies, crushed by a runaway rolling log. Then others begin disappearing or falling into well-hidden traps. Then they encounter mysterious people wearing animal skulls. What will Scott discover when he finally finds his daughter?

This remake of the 2003 horror/slasher movie (and the seventh entry in the franchise), is filled with annoying characters and dumb situations and can't make a reasonable case for its own existence. Wrong Turn is one of those movies in which the characters spend lots of time shouting one another's names ("Jen!" "Darius!" "Milla!" "Adam!" "Gary!" "Luis!") rather than developing any personalities. And what little character development there is, is ridiculous. The movie tries to earn points for having a diverse group (two women, one Black man, one Latinx man, and one Indian man, with the latter two a couple), but their shallowness undercuts that attempt.

Darius dreams of a cult-like collective in which "everyone works and everyone shares" (and, coincidentally, he finds it!). Jen somehow believes that there's only right and wrong, and shades of gray don't exist. And Adam is a serious jerk; he does the most shouting. Then there are questions like: Who carried the tent that was big enough to fit five people, if all they have are tiny backpacks? And why do all of the characters' facial cuts and scrapes look pretty much the same? At least the villains in Wrong Turn -- led by the charismatic Venable (Bill Sage) -- are more interesting than the heroes.

Families can talk about Wrong Turn's violence. How did it affect you? Could the story have been told effectively with less violence? How does it compare to other violence you've seen in movies or on television?

Ever since the monster apocalypse hit town, average thirteen-year-old Jack Sullivan has been living in his tree house, which he's armed to the teeth with catapults and a moat, not to mention video games and an endless supply of Oreos and Mountain Dew scavenged from abandoned stores. But Jack alone is no match for the hordes of Zombies and Winged Wretches and Vine Thingies, and especially not for the eerily intelligent monster known only as Blarg. So, Jack builds a team: his dorky best friend, Quint; the reformed middle school bully, Dirk; Jack's loyal pet monster, Rover; and Jack's crush, June. With their help, Jack is going to slay Blarg, achieve the ultimate Feat of Apocalyptic Success, and be average no longer! Can he do it?

Witness the Justice League like never before in this all-new animated series where the pace is quick, the action is relentless, and the fun is non-stop. Justice League regulars Superman, Batman, and Wonder Woman are joined by a galaxy of ever-rotating allies and enemies like John Constantine, Zod, Lobo, and Swamp Thing. No matter the threat, the Justice League is ready for the challenge. The bite-sized adventures are brought to life with a star-studded cast.

In an unidentified French-speaking West African country, chaos reigns as civil war erupts. For the rebels, it's time to banish the 'white material' -- white folk and the trappings of white life. Among these is the Vial coffee plantation inhabited by Maria, her ex-husband Andre, their son Manuel, and his grandfather Bernard, a white family of French origin. Their terrified workers have fled, leaving the crop un-harvested, the front gate unlocked. Andre plots his escape with his second wife Lucie and their son Jose. Maria has vowed never to leave, and is neurotically fixated on getting the neglected crop harvested. Maria does not seem to realize, or perhaps wish to see, how she is perceived. Her sense of home, of belonging, and her feeling of being rooted to the plantation--to Africa--will have tragic consequences.

"A ... portrait of a marriage coming quietly undone. Secrets and deceptions strain the already tenuous relationship of a childless, middle-aged couple, as the wife's city-bred sophistication bumps up against the husband's small-town simplicity, and a generational sea change--in the form of her headstrong, modern niece--sweeps over their household."-- Container

A grand-scale adventure as only Akira Kurosawa could make one. A general charged with guarding his defeated clan's princess as the two smuggle royal treasure across hostile territory. Accompanying them are a pair of bumbling, conniving peasants who may or may not be their friends. This rip-roaring ride is among the director's most beloved films and was a primary influence on George Lucas's Star Wars. Delivers Kurosawa's trademark deft blend of wry humor, and breathtaking action.

"Alice's Trading Post is the story of an untamable, unforgettable woman with a wry wit who lives 103 adventurous years. She survives all the west could throw at a woman, fights to be herself, live free, and find love. Treat her with respect, you walk away safe. If not, there will be consequences. Alice never met her young Army of the West officer father stationed in Oregon Territory, 1860s. She's raised like a boy by her Canadian trapper stepfather and lovely, feisty, Indian mother alongside the Columbia River. She can shoot a beaver eye at a hundred paces, doesn't know how to cook or sew, can fight blade up with knives, hunt bear on her own, never wears a dress. This idyllic life in the Willamette Valley ends when she begins her woman moons, and her family travels across the Mullan Road to wild Fort Benton on the Upper Missouri, Montana Territory. Circumstances force her mother to trade her to an old fur trader. Young Alice must learn how to become a woman on her own, wonders if she's Indian like her mother or white like her father. She longs for family, love, and knowing where she fits in a violent Plains era. Alice's stories are found, as recorded by her grandson, under her burnt-out trading post in South Dakota, then transcribed by the Buffalo Gap Historical Society"--"-- Provided by publisher.

"Moose loves playing astronaut. Imagining his helmet, his seatbelt, and rocketing off into space are his favorite things to do! One day, Moose invites Duck to play with him. But there's just one problem--Duck doesn't know how to use his imagination! Moose teaches him but soon becomes frustrated because Duck doesn't play astronaut the 'right' way. How will these friends learn how to work--and imagine--together?"--Back cover.

When Amarie Walker goes for something, she goes big--including starting over. Leaving her cheating ex and entire D.C. life in the rearview, she crash lands in a small town with no plan, no money, and no job. An opening at the animal clinic is the only gig for miles, no surprise considering the vet is a certified grump. If Eli Calvary ever cracked a smile, Amarie might faint on sight from shock. At least his adorable golden retriever appreciates her fabulousness...and shares her love of daily treats! When Eli took over his late father's practice, he quickly discovered the clinic was facing foreclosure. So there's no time for social niceties, especially not flirting, even with someone as gorgeous, bubbly, and business-savvy as Amarie. Yet when Eli needs to invent an investor on the fly, it's her name that comes to his lips. Now, for the sake of their furry clients, Eli and Amarie hustle to save the clinic, trying to ignore the nonstop sparks between them. Because while their partnership may be fake, their connection already feels way too real.-- Provided by publisher. 9d9a05e021

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