For my people everywhere singing their slave songs
repeatedly: their dirges and their ditties and their blues
and jubilees, praying their prayers nightly to an
unknown god, bending their knees humbly to an
unseen power;
For my people lending their strength to the years, to the
gone years and the now years and the maybe years,
washing ironing cooking scrubbing sewing mending
hoeing plowing digging planting pruning patching
dragging along never gaining never reaping never
knowing and never understanding;
For my playmates in the clay and dust and sand of Alabama
backyards playing baptizing and preaching and doctor
and jail and soldier and school and mama and cooking
and playhouse and concert and store and hair and
Miss Choomby and company;
For the cramped bewildered years we went to school to learn
to know the reasons why and the answers to and the
people who and the places where and the days when, in
memory of the bitter hours when we discovered we
were black and poor and small and different and nobody
cared and nobody wondered and nobody understood;
For the boys and girls who grew in spite of these things to
be man and woman, to laugh and dance and sing and
play and drink their wine and religion and success, to
marry their playmates and bear children and then die
of consumption and anemia and lynching;
For my people thronging 47th Street in Chicago and Lenox
Avenue in New York , and Rampart Street in New
Orleans, lost disinherited dispossessed and happy
people filling the cabarets and taverns and other
people’s pockets and needing bread and shoes and milk and
land and money and something—something all our own;
For my people walking blindly spreading joy, losing time
being lazy, sleeping when hungry, shouting when
burdened, drinking when hopeless, tied, and shackled
and tangled among ourselves by the unseen creatures
who tower over us omnisciently and laugh;
For my people blundering and groping and floundering in
the dark of churches and schools and clubs
and societies, associations and councils and committees and
conventions, distressed and disturbed and deceived and
devoured by money-hungry glory-craving leeches,
preyed on by facile force of state and fad and novelty, by
false prophet and holy believer;
For my people standing staring trying to fashion a better way
from confusion, from hypocrisy and misunderstanding,
trying to fashion a world that will hold all the people,
all the faces, all the adams and eves and their countless generations;
Let a new earth rise. Let another world be born. Let a
bloody peace be written in the sky. Let a second
generation full of courage issue forth; let a people
loving freedom come to growth. Let a beauty full of
healing and a strength of final clenching be the pulsing
in our spirits and our blood. Let the martial songs
be written, let the dirges disappear. Let a race of men now
rise and take control
The poem is mostly towards a negative tone of voice as it talks about the lives of African Americans. There are other instances of positive tone in stanzas one, two and the last one as well. The last stanza speaks mainly of being hopeful and contains an anaphora which is “Let a”. The second stanza explains what the African Americans jobs were when they were slaves and Margaret Walker emphasized this when she did not use punctuation. She talks a few times about “not understanding, not knowing, and not caring.” African Americans did not have a say in their everyday lives, which is something that they did not understand and were not aware of why they’re being treated badly. The first half of the poem has many religious references, because African Americans could only have their religion to get them through the rough times in their life.
Towards the end of the poem she starts to talk about how African-Americans are still being slaved. Throughout the poem, she lets them know that she sees their struggle and has sympathy for them. In the sixth stanza, Margaret Walker explains how there are struggles not only in slavery for African-Americans. In the rough parts of big cities where African-Americans live, she sees that they may not be living well how they want. They are still happy because they have something that they can finally own. All the hard times they are enduring, they must keep pushing and see it through. In the last stanza, she just asks that African-Americans just hold their heads high. It is truly a sign of hope for African Americans to know that their is a light at the end of the tunnel. At the same time, it is as if she is sending up a prayer for her own kind to see them succeed.