Program

All times are given in Central European Time (CET)

9:30 Opening

Join the workshop remotely via Zoom.

09:45 - 10:30 Keynote

Keynote by David Rizo (University of Alicante)

Title: Beyond Optical Music Recognition 

Abstract: In the last few years, the results obtained with Optical Music Recognition (OMR) systems have improved dramatically thanks to the use of techniques based on deep neural networks (DL). At this moment, practically all the effort of the scientific community related to this discipline is being carried out on the improvement of the DL models and all the aspects that surround it. In this presentation we will consider whether we are currently on the right track to fully solve the OMR problem in the years to come, not only as a scientific area of study but also as a science from which to build end-user-centric systems that will take advantage of it. We will explore case studies on each of the acronyms that define the term OMR, and on the global aspects of actual implementation of such systems.

11:00 - 12:30 Session 1

Session chair: Elona Shatri

• Can multimodal large language models read music score images? by J. Calvo-Zaragoza, E. Fuentes, N. Luna-Barahona, and A. Ríos-Vila 

• Sheet Music Transformer: End-to-End Full-Page Optical Music Recognition for Pianoform Sheet Music* [Video] by A. Ríos-Vila, J. Calvo-Zaragoza, D. Rizo, and T. Paquet  

• Towards Sheet Music Information Retrieval: A Unified Approach Using Multitask Transformers by A. Ríos-Vila, E. Fuentes-Martínez, and J. Calvo-Zaragoza

• Semantic Reconstruction of Sheet Music with Graph-Neural Networks by G. de Lambertye and A. Pacha 

• Staff Layout Analysis Using the YOLO Platform by V. Dvořák, J. Hajič, jr., and J. Mayer  

• Session Panel

14:00 - 15:30 Session 2

Session chair: Jorge Calvo-Zaragoza

• On Designing a Representation for the Evaluation of Optical Music Recognition Systems by P. Torras, S. Biswas, and A. Fornes 

• Enhanced User-Machine Interaction for Historical Sheet Music Retrieval: a Musical Notation Approach by A. Menárguez Box, A. H. Toselli, and E. Vidal  

• Enhancing Recognition of Historical Musical Pieces with Synthetic and Composed Images* [Video] by M. Villarreal Ruiz and J. A. Sánchez   

• The CollabScore project – From Optical Recognition to Multimodal Music Sources by B. Couasnon, M. Giraud, C. Guillotel-Nothmann, A. Lemaitre, and P. Rigaux  

• Semi-Automatic Annotation of Chinese Suzipu Notation Using a Component-Based Prediction and Similarity Approach by T. Repolusk and E. Veas

• Session Panel

16:00 - 17:30 Session 3

Session chair: Alexander Pacha

• OMR on Early Music Sources at the Bavarian State Library with MuRET – Prototyping, Automating, Scaling by J. Umbreit and S. Schumann  

• OMMR4all revisited – a Semiautomatic Online Editor for Medieval Music Notations by A. Hartelt and F. Puppe

• Enhancing Handwritten Music Sheet Datasets Using Generative Adversarial Networks* [Video] by K. R. Palavala, E. Shatri, and G. Fazekas  

• Crafting Handwritten Notations: Towards Sheet Music Generation by N. Tirupati, E. Shatri, and G. Fazekas

• Session Panel

17:30 - 18:00 Closing 

* Omitted from the proceedings per request of the authors