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Some shorts around this time, particularly Spook Spoofing (1928, one of only two three-reelers in the Our Gang canon), contained extended scenes of the gang tormenting and teasing Farina, scenes which helped spur the claims of racism, which many other shorts did not warrant. These shorts marked the departure of Jackie Condon, who had been with the group from the beginning of the series.

Starting in 1928, Our Gang comedies were distributed with phonographic discs that contained synchronized music-and-sound-effect tracks for the shorts. In spring 1929, the Roach sound stages were converted for sound recording, and Our Gang made its "all-talking" debut in April 1929 with the 25-minute film Small Talk. It took a year for McGowan and the gang to fully adjust to talking pictures, during which time they lost Joe Cobb, Jean Darling and Harry Spear and added Norman Chaney, Dorothy DeBorba, Matthew "Stymie" Beard, Donald Haines and Jackie Cooper.

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The children's work in the series was largely unrewarded in later years, although Spanky McFarland was given a star on the Hollywood Walk of Fame posthumously in 1994. Neither he nor any other Our Gang children received any residuals or royalties from reruns of the shorts or licensed products with their likenesses. The only remittances were their weekly salaries during their time in the gang, ranging from $40 a week for newcomers to $200 or more weekly for stars like Farina, Spanky, and Alfalfa.[22]

E. L. Doctorow's 1975 novel Ragtime ends with the character of Tateh, a Jewish immigrant from Eastern Europe, having a vision of the kind of film he wants to make: "A bunch of children who were pals, white black, fat thin, rich poor, all kinds, mischievous little urchins who would have funny adventures in their own neighborhood, a society of ragamuffins, like all of us, a gang, getting into trouble and getting out again." The implication is that Tateh will go on to produce the Our Gang series.[55]

Sometimes innocent bystanders are shot dead in the middle of a party or while standing on their own lawns. Because the gangs represent a good deal of what little authority and structure survives in their neighborhoods, they help to set the tone for a segment of society - a tone of desperation, despair and reckless, doomed grandiose gestures.

The plot involves the attempts of the two cops to come to terms with a gang that is involved, we discover, in dealing drugs. During the course of the film they follow the brief life of the younger brother of one of the gang members, who seems for a time to have a chance to escape gang society. And there is a brief, doomed romance between Penn and Maria Conchita Alonso, as a Chicana who loves him but cannot reconcile his status as a cop and her perception of how cops like Penn treat her people.

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You've seen plenty of gangster and crime movies that build to a heist, but The Hot Rock is a string of heists that take place as a result of unforseen circumstances. Robert Redford and George Segal play against type, presenting themselves as hardened crooks, but ultimately revealing that they're extremely fallible. And just wait until you hear the funky soundtrack that Quincy Jones cooked up for this crime comedy of errors.

This list is filled with movies that follow gangsters who meet untimely ends, but directors rarely devote much screentime to the people they leave behind. Steve McQueen's Chicago-set caper is centered around the widows of a recently-deceased criminal outfit, who band together to complete their husbands' unfinished business, attempting to pull off a dangeous heist.

Sergio Leone's Depression-era epic evokes New York City's teeming Lower East Side like no movie before or since. The curiosity of youth is balanced against the euphoria and bitter sacrifices of criminal life. More than just The Godfather of Jewish gangster movies, Leone's masterwork is the apex of a glorious, genre-bending career.

If you have concerns that your child is involved in a gang, it is important to discuss it with them. Confronting a child who is suspected of gang activity is not easy. Parents and children may fear gang retaliation. They may worry about giving up protection or money that they receive because of their child's gang involvement. Parents may have to deal with the legal consequences of their child's past behavior. However it is important to be involved to protect your child from drugs, violence and criminal activity. If you suspect your child is involved in gang activity, look to agencies in your community for help. You can involve your child in other activities and limit unstructured time. Many communities have local gang prevention task forces. Police departments have Juvenile Officers who are willing to meet with parents to with early gang intervention. Juvenile Officers are familiar with gang behaviors and repeat offenders, and can tell you if your child is on dangerous path. A trained mental health professional can help parents evaluate and treat mental health problems that may have contributed to gang involvement.

The most modern gangster film on this list, Killing Them Softly addresses the impact of organized crime on American society after the collapse of the housing market. It also happens to be one of the best crime movies.

Paranoia seeps into the mind of gangster Martin Cahill (Brendan Gleeson) like a drug by the end of The General. After drawing the ire of the IRA with his business dealings, Cahill is forced to reflect on a lifetime of mischief and crime.

By the year 2000, world culture had grown to see gangster films as a mostly sensational, idyllic genre. Popular gangster movies were rife with moral praise; often creating heroes and badass anti-heroes out of people the court would sentence to death.

This week my blog assignment is to watch a multicultural movie, show, etc. with subtitles while looking for similarities to my own culture. I searched through about twenty movies and documentaries when I decided on 2002 Oscar-nominated film City of God. The film is based on the true story events of Rio de Janeiro, Brazil at the height of a brutal war between two gangs lead by Manoel Machado Rocha (Mane Chicken) and Jose Eduardo Barreto Conceicao (Ze Pequeno aka Lil Ze). The bloodshed took place during the 70s and 80s in a favela (Cidade de Deus City of God). The streets within this small community were littered with the bodies of boys age 5 and up. Here is a link to the trailer for the movie.

The American Catholic Bishops call for Hollywood to stop producing offensive films glorifying gangster life, in an effort that will create the Legion of Decency in April 1934 and a nationwide pledge by concerned Catholics to boycott gangster movies.

Our Gang was the brain-child of Hal Roach, the creator and producer of the most successful shorts through the Twenties and Thirties. Through his studios passed some of the greatest silent film stars of his generation: Stan Laurel, Oliver Hardy, Harold Lloyd, James Finlayson and Charley Chase.

A native of Elmira, New York, Roach had been an aimless drifter who began work in Hollywood as an extra and graduated into becoming a producer. He had an eye for what was funny, a creative mind and a vision for something special. He created Hal Roach Studios on an inheritance, but he hardly stayed there. He used much of the Los Angeles area as his backdrop in his films and short subjects. In 1921, he was one of the topmost regarded men in his field when he was searching for a brand new idea to develop. That year, child actor Jackie Coogan had practically stolen the movie out from under British comic legend Charlie Chaplin in The Kid (1921), and that film must have been lurking through his mind as he glanced out the window to the lumberyard across the street and noticed a group of kids in a world of their own. Roach had been tirelessly inundated with overly made-up and over-rehearsed child actors auditioning for him for years. Like an anthropologist studying a new culture, he watched these kids, observed them and saw something that was real, honest and truthful, the potential for what became one of the longest running most successful comedy series of all time, even over Laurel & Hardy, The Three Stooges and Abbott & Costello.

This idea was created and developed up around Ernie "Sunshine Sammy" Morrison Jr., already a talented youth in the shorts of Harold Lloyd and Snub Pollard. He also recruited two of the unbilled kids from Ernie's movie, Penrod (1921), namely Jackie Condon and Peggy Cartwright into the first short. Photographer Gene Kornman recommended the son of his best friends, one freckled, exuberant youth named Mickey Daniels. Supervised by Charley Chase, the short was helmed by director Fred Newmeyer and entitled Hal Roach's Rascals until becoming known as "Our Gang," a name that lent to the name of the series that followed. Unfortunately, Roach scrapped much of Newmeyer's work and gave it to former fireman Robert F. McGowan to reshoot. The cast of this first short, rounded out with other generally unknown child actors, bore no resemblance to what would become one of the most familiar Rascal line-ups. Over the following shorts, Allen Hoskins casually followed Ernie to work one day and landed a job that lasted ten years. Jack Davis was the younger brother of Harold Lloyd's leading lady, Mildred Davis, and Kornman introduced one more addition, his own daughter, Mary Kornman to replace Peggy Cartwright. Andrew Samuel was encouraged to try out for the Rascals by doing his Charlie Chaplin impression for Hal Roach, and likable Joe Cobb was brought in as a charter character and ended up staying for several more years. Despite other child actors preceding them, Ernie, Jackie, Allen, Jack, Mickey, Mary and Joe were considered the original first string Rascals. However, when Harold Lloyd married Mildred, he quickly yanked Jack out of Our Gang, and Jack would be replaced by Johnny Downs, previously introduced in a more peripheral capacity.

High turn-over in the Rascal line-up would become a regular occurrence in the series. As new kids became more popular, like Jay R. Smith, they became added regulars, and as others got too old, they were quietly phased out. Ernie left the series to focus in movies and was replaced by Eugene Jackson, but by that time, Allen Hoskins as Farina was already overshadowing him and getting more screen time. At times, there was as many as five to eight additional Rascals in addition to the six to seven main leads, but McGowan somehow managed to corral and control these kids while at the same time getting magical performances from out of them.

During the whole turnover in characters, the Rascals were often joined by a menagerie of dogs, cats, mules and pet monkeys, but none among them were so cherished or remembered as Pete The Pup, an American Pit Bull Terrier played by a dog named Pansy. Assorted Petes appeared through the series and on the screen, multiple dogs were used with one dog good for close-ups, another for running and maybe another for lifting and carrying things in his mouth. Over the years, the ring over his eye moved from his right eye back to his left and then vanished completely along with the dog by the M-G-M years.

Toward the end of the Silent Film years, numerous changes were to come. One by one, the original Rascals were phased out as they reached adolescence; had they stayed on, their appearances might have affected the innocence of the shorts. Mickey was the first to go in Thundering Fleas, followed shortly behind by Mary in The Fourth Alarm and Johnny Downs in Chicken Feed after a long absence. Eventually, Jackie followed after seventy-eight shorts with Election Day. Joe and Allen stayed just a bit longer. Joe Cobb actually starred in a few shorts with his replacement, Norman Chaney, until leaving the series in 1929 after Bouncing Babies. Allen was not just the only surviving original Rascal to stay on, but the longest lasting Rascal in the series with over a hundred shorts, finally leaving Our Gang in 1931 after Fly My Kite. be457b7860