1. I'm Every Woman

2. My Love Is Your Love

3. Saving All My Love for You

4. All at Once

5. I Believe in You and Me

6. I Will Always Love You

1. Saving All My Love for You / Greatest Love of All / All at Once / You Give Good Love

2. My Love Is Your Love

3. Exhale (Shoop Shoop)

4. Step by Step

5. I Wanna Dance With Somebody (Who Loves Me)

6. How Will I Know

7. I Will Always Love You

(Setlist is incomplete)

1. If I Told You That

2. Saving All My Love for You / Greatest Love of All / All at Once / You Give Good Love

3. Exhale (Shoop Shoop)

4. Heartbreak Hotel

5. It's Not Right but It's Okay

6. Step by Step

7. My Love Is Your Love (With Bobbi Kristina)

8. Change the World (Performed by Gary Houston)

9. I Wanna Dance With Somebody (Who Loves Me)

10. How Will I Know

11. I Go to the Rock

12. I Believe in You and Me (Snippet)

13. I Will Always Love You

14. I'm Every Woman

1. If I Told You That

2. Get It Back

3. Saving All My Love for You / The Greatest Love of All / All at Once / You Give Good Love

4. Superstar / Never Too Much

5. I Learned From the Best

6. Step by Step

7. Heartbreak Hotel / It's Not Right but It's Okay

8. My Love Is Your Love

9. I Wanna Dance With Somebody (Who Loves Me)

10. How Will I Know

11. If We Never Pass This Way Again

12. I Will Always Love You

13. I'm Every Woman

1. If I Told You That

2. Get It Back

3. Saving All My Love for You / The Greatest Love of All / All at Once / You Give Good Love

4. Superstar / Never Too Much

5. Alfie

6. I Learned From the Best

7. Step by Step

8. Heartbreak Hotel / It's Not Right but It's Okay

9. My Love Is Your Love

10. Battle Hymn of the Republic

11. I Wanna Dance With Somebody (Who Loves Me)

12. How Will I Know

13. I Will Always Love You

14. I'm Every Woman

It was eight years ago on Tuesday that Whitney Houston took the stage at Dubai's old Nad El Sheba Club for a Valentine's Day concert.

It was a rare appearance, even for those years - one that took place as the whole world seemed to be talking about her battle with substance abuse and alcohol, and the problems she was having with her ex-husband, R&B singer Bobby Brown.

I was there because I loved her voice; I had the Whitney Houston Greatest Hits DVD released in 2000 and it was in heavy rotation.

She took the stage dressed all in white, speaking directly to thousands of fans in between a top-caliber delivery of her hit songs; she was sometimes serious, other times joking and laughing. One thing was clear, she was adamant back then that things were going to change for the better. A YouTube clip of the performance captured the moment, with the crowd cheering and clapping as the singer said, "I decided it was time to live my life."

Speaking about the rumors that would not go away, that were on the front cover of tabloids even as she performed, she continued: "I know that you hear a lot about Whitney and Bobby, but I can tell you this, we have a beautiful, beautiful baby girl and she's the most important thing in my life."

She had brought her daughter, then 10-year-old Bobbi, along to the Emirates with her. As she rocked all her classic songs such as I will Always Love You, I Get So Emotional and I Wanna Dance With Somebody, there was not a single person in the crowd who was not singing along. At one point, the star's voice seemed to shake a little and she said it was due to a cold she had been suffering from, following a concert in Russia a few days prior.

The concert was also a testament to the fact that none of her true fans were fazed by what they had read about her personal life. That night, it was about Houston's voice, which has inspired so many of today's artists.

1. Get It Back

2. If I Told You That

3. Heartbreak Hotel

4. Saving All My Love for You / Until You Come Back

5. I Learned From the Best

6. The Greatest Love of All (Snippet)

7. Exhale (Shoop Shoop)

8. Step by Step

9. My Love Is Your Love

10. I Wanna Dance With Somebody (Who Loves Me)

11. How Will I Know

12. I Believe in You and Me / Why Does It Hurt So Bad / It Hurts Like Hell

13. I Will Always Love You

14. It's Not Right but It's Okay

This might not be the best review because I was completely exhausted while writing it. I flew all the way from Texas to California and then drove with some family to Vegas for the concert. I got to Vegas about two hours before the show and even got kicked out of the Aladdin Casino for being too young. On the way back to the theater, I fell on my butt, which made the adventure even more memorable.

Bobby Brown opened the concert, wearing white jeans with black paint on the back and some spots on the front. He performed "My Prerogative," "That's the Way I Feel," "Roni," "Rock Witcha," "Every Little Step," "Get Away," and "Don't Be Cruel." During "Roni," he told his kids to close their eyes because they could see some of daddy’s show but not all of it. At one point, he pretended a towel was Whitney, placed it on the floor with a microphone, and acted like he was humping it. When Whitney came out, I started screaming her name, but Bobby jumped back, surprised and scared. Whitney scolded him lightly while shaking her finger, which was cute. He introduced her and told the audience we would be seeing her later, then joked that nobody had warned him she was there.

Bobby brought his daughters, LaPrincia and Bobbi Kristina, on stage and called them his little "ronis." They said hi and ran off holding hands. During his set, he tore his shirt and showed part of his back. He also mentioned he had been sober for around 275 days, which was met with applause. I had been a huge Bobby fan since the 80s, so I screamed through his entire forty-minute set along with my cousin and aunt. He mentioned a new album coming out and that he performed the concert to see if he could still do it after nearly seven years without performing.

After a short intermission, the lights dimmed and the opening notes of "Get It Back" played. Whitney came out wearing a neon yellow off-the-shoulder dress with sequins and a feather accent sewn onto it. She seemed relaxed and in good spirits throughout the night. I was in the back balcony and had to watch the screens a lot, but it didn’t matter because Whitney’s presence filled the arena. She wore a light brown wig, which was different from the hair she had when she came out to talk to Bobby, and it made me laugh.

Whitney moved and danced far more than I had ever seen on television. Her voice was incredible, hitting all the high notes effortlessly. She danced through "Get It Back" and "If I Told You That," then slowed down for "Heartbreak Hotel," joking about how we had all been there but still checked out. She reminded everyone that these songs were from the My Love Is Your Love album and encouraged the crowd to buy it if they hadn’t already. She said the Aladdin made her and Bobby feel at home and welcomed everyone to the "Brown House."

She sang "Saving All My Love for You" and transitioned into "Until You Come Back to Me." After a few other songs, she changed outfits while her brother performed "Change the World." Whitney returned in a bright pink off-the-shoulder dress and spoke about all the men who had called her for her movie roles, joking that Bobby was starting to get worried. She performed the songs from her movies and, before the gospel section, took a moment to drink water, do her makeup, and spray her throat. People in my section yelled for some of the spray, which she acknowledged with a smile.

Whitney sang "I Go to the Rock" and responded to a joking comment from our section about staying away from the rock by encouraging everyone to remember that she loved the Lord. While performing a gospel song, she reminded us in song that if we do not believe in the Lord, we are missing out on his love. Her performance of "I Will Always Love You" was flawless. She paused before the final verse to wish her sister-in-law Donna a happy birthday and then completed the song perfectly. She took her bow and left the stage, but everyone knew she would return.

The music for "My Love Is Your Love" began, and Bobby joined her on stage shortly after. They brought out Bobbi Kristina, creating a sweet family moment with Whitney and Bobby on either side of their daughter. After Bobbi Kristina ran off, Whitney and Bobby performed "Something in Common," keeping their eyes on each other and sharing hugs throughout the song. At the end, they addressed each other as "Mr. Bobby Brown" and "Mrs. Whitney Houston-Brown," thanked Vegas for coming, and left the stage arm in arm, still singing and smiling at each other.

Leaving the balcony was chaotic because of the crowd, and I kept tripping down the stairs. I was hyper and screaming "Whitney and Bobby are the best" all the way to the parking garage, waving my Whitney shirt. People looked at me like I was crazy, but I didn’t care. On the street, I saw a car with a WH FAN license plate, and we screamed at each other about Whitney.

That was my first Whitney concert, and it was unforgettable. The energy, the family moments, the voice, and the love Whitney and Bobby shared on stage made it truly special. I will never forget it.

(Written by Nancy)

Whitney was wonderful. I wish I could say the same about the seats we received through the fan club, but more on that later.

I took a bus from New York City to Atlantic City. After about three hours on the road, we arrived, and I was surprised by how tightly packed the casinos were along the boardwalk. It was my first trip to Atlantic City, so I really did not know what to expect.

Once I arrived, I went straight to pick up my tickets. To my surprise, the tickets said “General Admission,” even though I had written to the fan club beforehand and was told we would have assigned seats and that they would be excellent. I knew there would not be a special fan section, but I still assumed we would be seated properly. I noticed the tickets also said “P.S. General Admission,” which I assumed meant priority or preferred seating, so I did not panic at first. After all, the fan club assured us we would have assigned seats, and everyone ordered immediately and paid over $200 per pair. That should have placed us closer to the stage, especially compared to the $85 seats.

With tickets in hand, I went to look for the fan meet up at the All Star Cafe, only to discover it was no longer there. After being sent to multiple locations and walking the length of the boardwalk twice, I learned the Atlantic City Chamber of Commerce had provided outdated information. By the time I returned to Caesars, I barely had time to eat before lining up for the show.

As I waited in line, I was still hopeful. I assumed I would be seated near other fans, and I was just excited to see Whitney again. When we were finally ushered in, we kept walking down level after level until we reached the fourth level on the far left side. Our table was second to last. I could not believe it. These were not assigned seats in any meaningful way, and they certainly were not excellent. Fans who paid less were seated nearby, and many closer seats were reserved for complimentary guests.

Looking around, I noticed many tables marked reserved that stayed empty for quite some time. Eventually I found Alan and Lopez, other fan club members, and quickly realized all of us had been placed similarly. Every fan club member had poor seats. Disappointed does not even begin to describe how I felt.

The only positive was being near an entrance. I saw Gary Houston walk by with a garment bag, and later Cissy Houston passed through as well. Ironically, people sitting closer to the stage did not even recognize them. Later, when Whitney pointed her mother out during the show, those same people craned their necks, unaware she had walked right past them earlier.

The show opened with a stand up comedian at nine, and Whitney took the stage around nine thirty.

From where I sat, part of the stage was obstructed, but when the opening of “Get It Back” began, I knew she was coming. Whitney appeared wearing a black dress with a mock turtleneck cutout that exposed her shoulders. The skirt had multiple slits, with flowing black material near the shoulders, accented by silver bands at the neck and waist. Her hair was in a flip similar to the Greatest Hits photos.

She followed “Get It Back” with “If I Told You That,” delivering it with a softer tone and remarkable control. She then went into “Heartbreak Hotel,” adding a touch of Michael Jackson’s version at the end. She danced more confidently than I had ever seen her, moving with ease and rhythm.

“Saving All My Love For You” was next, and when she hit the line about no other man, it felt like the roof could lift off the building. Her full voice completely dominated the room.

“Until You Come Back” was a highlight. She poured emotion into every word, and when she changed the lyrics to reference Thursday at 12:01, the crowd erupted. She smiled and sang about Bobby coming home, placing her hand on her chest. It was a powerful and personal moment.

“I Learned From The Best” followed. It was stronger than the Grammy performance, though not quite at the Mannheim level. Still, her ad libs were unpredictable and thrilling. She closed the first set with “Step By Step.”

Gary Houston came out to sing “Change The World” while Whitney changed. When she returned, the band transitioned into a funky version of “I Wanna Dance With Somebody.” Unfortunately, some of the complimentary guests made rude remarks during her absence, highlighting the lack of genuine fan energy in the room.

Whitney returned wearing a stunning blue and black floor length dress with a flowing sheer black coat. She danced effortlessly despite the long train and altered lyrics to reference God. “How Will I Know” followed, and even the disengaged crowd responded.

She then performed her movie and love medley, including “I Believe In You And Me,” which she sang directly to her mother. She used her voice in a crying, aching tone that was deeply moving. “I Will Always Love You” followed, with the saxophone replaced by guitar. She pointed to the audience and the ceiling, referencing God once again.

Before the climax, she paused as usual, asked for the chair to be removed, dropped her handkerchief, and delivered the final notes flawlessly. As she waved goodbye, many of the complimentary guests rushed for the exits, while the real fans stayed put, knowing there would be more.

Whitney returned with Bobbi Kristina for “My Love Is Your Love.” She introduced her daughter as her ultimate duet partner. Bobbi Kris encouraged her mother, and Whitney restarted the song so she could be heard clearly. Whitney sang crouched in front of her daughter, their eyes locked. It was one of the most intimate moments I have ever witnessed on stage. They jumped together during the bridge, and Bobbi Kristina urged the crowd to clap. Whitney closed the song herself and exited wrapped in a towel.

The show lasted just under ninety minutes. I missed the gospel set deeply, but the emotional intensity of “Until You Come Back” and “My Love Is Your Love” set this performance apart. Whitney wore her heart openly.

She briefly acknowledged Deborah Cox and David Gest but did not promote the Greatest Hits beyond referencing the duet. Whitney was in excellent form, vocally about ninety percent, with only slight rough edges likely due to performing the night before. Her energy, control, and ad libs were outstanding.

Despite the seating disappointment, it was worth every bit of trouble to see her live. After the show, I met other fans at Planet Hollywood before heading back to New York. Many said they would not renew their fan club memberships. I had incredible seats the year before, but this experience was a major letdown.

Still, Whitney herself was unforgettable.

(Written by Lisa D.)

1. I'm Every Woman

2. Queen of the Nigh

3. I Wanna Dance With Somebody (Who Loves Me)

4. I Learned From the Best

5. You Give Good Love

6. Saving All My Love for You

7. The Greatest Love of All

8. I'm Coming Out / Endless Love (with Gary Houston) / Ain't No Mountain High Enough / The Boss

9. How Will I Know

10. All the Man That I Need

11. My Love Is Your Love

12. If I Told You That

13. Exhale (Shoop Shoop)

14. I Believe in You and Me

15. I Love the Lord

16. I Will Always Love You

17. I Was Made to Love Her (With Stevie Wonder)

18. Step by Step

(Setlist may be incorrect)

The concert was awesome. No words can describe it. Whitney was wonderful, and it was really nice to see Bobbi Kristina, she is so shy. Whitney looked great and sounded even better.

About an hour into the show, her voice started to go. She was not able to hit the high notes, and even though she tried, nothing came out. Her backup singers had to hit the high notes for her during "I Will Always Love You" and other songs at the end. She blamed it on recording 13 songs in six weeks.

But she was full of energy and sang wonderfully. I love the songs from her new album, except for that Stevie Wonder song. I was a bit upset that Whitney did not sing "The Greatest Love of All," which is my favorite song.

I hope her voice is okay for everyone attending the Saturday show. Have fun!

(Written by Dan L.)

1. I Will Always Love You

2. I Know Him So Well (With Cissy Houston)

3. Walk On By / A House Is Not a Home / I Say a Little Prayer / Alfie

4. Baby I Love You / Since You've Been Gone (Sweet Sweet Baby) / Ain't No Way

5. Mr. Bojangles

6. Abraham, Martin and John

7. God Bless the Child

8. Endless Love / Ain't No Mountain High Enough / The Boss

9. Exhale (Shoop Shoop)

10. I Go to the Rock

11. The Greatest Love of All

12. Amazing Grace (Saxophone solo by Kirk Whalum)

13. Step by Step

14. I'm Every Woman

When Whitney Houston emerged on stage in a white-sequined outfit, at 8.40 pm on Saturday at the Singapore Indoor Stadium, she was armed with a matching handkerchief.

She was prepared for something that her audience was not. For throughout her 1¾ hour show, the air-conditioning was not turned on for anyone — and that included those who had forked out $375 for a ticket to watch her perform.

An audience that toe-tapped obligingly to the opening "Love's in Need of Love Today" and "So Emotional" turned restless from the heat and humidity, as she patted her forehead through "Saving All My Love for You."

Halfway into her third number, many had reduced their concert programmes into makeshift fans and reacted coolly to her spine-wrenching delivery of the "no other man's gonna doo-oo-oo" refrain.

Houston's vocal acrobatics on groovable numbers such as "I Wanna Dance With Somebody" and "How Will I Know" were lost on a crowd distracted by the heat.

They could have abandoned polite chair-jigging for wholehearted dancing had they not diverted their energies into vigorous paper wagging.

Even the characteristically boisterous pockets in the crowd seemed sedate, coming to life only to screech "aair coorn" during the diva's 10-minute costume change.

But there were some who were determined not to be beaten by the heat, among them a small band of Cuban fans in front of the stage.

They gyrated and screamed as Houston's "All At Once," "Didn't We Almost Have It All" and "Where Do Broken Hearts Go" ballads soared through the stadium. They reacted the same way whether she sang, stood or smiled at them.

For the rest of the crowd, her seven-piece backing band, quartet of hip-hop steppers and three back-up singers helped.

Commandeering the ensemble was music director Rickey Minor (bass), whose snazzy arrangements on "Freeway Of Love" injected new soul into the Aretha Franklin number.

When Houston herself was in her element — during her delivery of the gospel number "Amazing Grace," for instance — her spacious vox cannot be overrated. Somehow, she poured Hershey's chocolate sauce over each phrase of the familiar hymn. If for nothing else, that breath-catching rendition was worth, say, about $200.

The rest of the time, her interpretations came pretty close to perfection.

How did she do it?

After the concert, a spokesman for Sunvic Productions revealed that her voice maintenance regime included singing with the air-conditioning turned down low during her concerts.

Sharing the experience with her were the over 7,000 people at the Indoor Stadium, who barely caught cool air until the last 45 minutes of her 16-song set.

"We found out from her management that she needed the air-conditioning turned down by a consider able level at about 7 pm, just before her show," the Sunvic's spokesman said.

"This was done to facilitate the sensitivity of the artist's throat, and we apologize for any inconvenience caused to concert-goers."

The representative said that artists such as Janet Jackson, Sting and Neil Sedaka had also made similar requests in the past, because air-conditioning supposedly had detrimental effects on their voices. But at least, their shows were not as uncomfortable for the audience as Houston's.

None currently available :(

1. The Greatest Love of All (Intro)

2. Love Will Save the Day

3. Saving All My Love for You

(Setlist incomplete)

1. Saving All My Love for You

2. I Will Always Love You

(Setlist incomplete)

1. Saving All My Love for You

2. I Wanna Dance With Somebody (Who Loves Me)

3. The Greatest Love of All

(Setlist incomplete)

Whitney Houston is burdened with bliss these days. She's in love. (You don't have to ask. She'll tell you.) She's pregant. (She'll tell you all about it, too.) She's become something of a joyous chatterbox. Though sometimes, she even sings.

Saturday night Houston squeezed in some songs for the several thousand fans at Camp Pendleton's Ace Bowen and Rodeo Ground—nine songs in an 80 minute show, a portion of which she spent offstage.

Whitney Houston at a rodeo grounds? It just doesn't register, even as you are watching the tall, model-gorgeous woman perform. She should fire the lacky who booked her into this place.

"This is a real image killer for her," said a man from Mission Viejo as his nose grasped the essence of horse manure in the air.

When she actually sang, Houston did her best to help fans forget that they were sitting on aluminum benches on a dusty canyon hillside out in the middle of—sorry Pendleton—nowhere. Unfortunately her periodic departures from the stage and rambling "chats" with the audience kept the show from ever taking flight.

Her absences were filled in by ersatz rappers, a modest solo tune by her brother Gary Houston, and a tepid pop-jazz instrumental by the otherwise outstanding seven-piece band.

Houston inexplicably kept up an inane dialogue with a front row fan who wanted to sing with her. (So inane, it sounded like an outtake from Bill Cosby's new talk show, "You Bet Your Life.")

A big chunk of time was spent introducing the four backup singers and seven-piece band led by bassist Ricky Minor. Deservedly so; this unit is tight.

The show started an hour after the advertised 8 p.m. showtime. Houston burst on stage with "I Wanna Dance With Somebody (Who Loves Me)," one of her mega-hits from 1987. It was a great start and she came right back with "So Emotional."

After only two songs, Houston announced that she was going to "slow it down for you." What? For whom? "Saving All My Love for You" did slow things down. But "How Will I Know" cranked them right back up again.

From then on it was sudden departures, long chats, fill-in performers and the odd song by Whitney—including a brief medley of love songs.

It is old news that she and spouse Bobby Brown are expecting a child. "I have to take short breaks," she said. "When you are pregnant, you have to do these things. You ladies know what I'm talking about." Appreciative shrieks rang out from the audience at this one.

Still, Houston could have won more shrieks with less talk, more music.

Even after she lit the place up with her closing tune, "I'm Your Baby Tonight," she disappeared. There was no encore.

1. The Star-Spangled Banner

2. I Wanna Dance With Somebody (Who Loves Me)

3. Saving All My Love for You

4. How Will I Know

5. Didn't We Almost Have It All / Where Do Broken Hearts Go / Say You Love Me (Contains elements of "A House Is Not A Home" and "Anyone Who Had a Heart")

6. All the Man That I Need

7. My Name Is Not Susan

8. Anymore

9. A Song for You

10. Revelation

11. Who Do You Love

12. I'm Your Baby Tonight

13. The Greatest Love of All

14. Battle Hymn of the Republic

1. I Wanna Dance With Somebody (Who Loves Me)

2. So Emotional

3. Saving All My Love for You

4. How Will I Know

5. All at Once / Didn't We Almost Have It All / Where Do Broken Hearts Go / Say You Love Me (Contains elements of "A House Is Not A Home" and "Anyone Who Had a Heart")

6. All the Man That I Need

7. My Name Is Not Susan

8. Anymore

9. Revelation

10. In Return

11. Mercy Mercy Me (The Ecology) / What's Going On (Performed by Gary Houston)

12. Who Do You Love

13. I'm Your Baby Tonight

14. The Greatest Love of All

1. Saving All My Love for You

2. How Will I Know

(Setlist incomplete)

1. Didn't We Almost Have It All

2. Love Will Save the Day

3. So Emotional

4. Where Do Broken Hearts Go

5. How Will I Know

6. He/I Believe (With Cissy Houston)

7. I Wanna Dance With Somebody (Who Loves Me)

8. The Greatest Love of All

1. How Will I Know

(Setlist incomplete)

1. When I First Saw You (With Cissy & Gary Houston)

(Setlist incomplete)

None currently available :(

There wasn't much of a chill in the night air at Humphrey's on Shelter Island, but if there had been, Whitney Houston would have taken it right away. Houston, accompanied by three back-up singers that included her brother and a cousin, started her Aug. 28 concert with a performance of "The Greatest Love of All," the theme from the movie of the same name. She showed that the song is not for men only and the hit tune, which was originally sung by George Benson, can be beautifully done by a female voice. But when your voice is as versatile and far-reaching as Houston's, any song is fair game.

Dressed to keep cool on a muggy summer night and also to please the male fans in her audience, it was easy to see why Houston is also a successful fashion model. She floated across the stage in a slinky dress with a very low cut back and continued to warm things up with "Love Will Find a Way," and "How Will I Know," both fast, peppy songs unlike her two latest hit tunes, giving the audience a chance to see just what Houston is really capable of doing. Next the sultry songstress slowed things down with her current chart climbing tune, "Saving All My Love For You." This slow, easy-going song is the kind Houston has belted out to rocket herself to stardom and achieve a gold album entitled "Whitney Houston" very quickly after its Houston informed the audience of her duets with Jermaine Jackson and Teddy Pendergrass and then teased that neither of those two were present. Substituting adequately for Houston's absent duet partners was Houston's brother, Gary Garland. A singer in his own right, he vocalized with his sister to perform a trio of duets which included "Hold Me," which Houston recorded with Teddy Pendergrass and "Take Good Care of My Heart," which she recorded with Jermaine Jackson.

A gospel song called "Tomorrow" had some members of the audience waving their hands as the daughter 01 gospel singer Cissy Houston (also Dionne Warwick's cousin) showed her roots with this spirit-filled tune. Houston let it be known just how long she can hold a note and how high she can carry one also. "You Give Good Love," Houston's biggest solo recording of her fastmoving singing career, marked the end of her concert. Using this slow-paced tune to top off a brilliant show she paraded from side to side of the stage asking the audience if they, too, wanted "good loving" and received a resounding "yeah" as her answer. As does any good performer, she left the audience yelling for more.

Houston's versatile voice combined with her sexy good looks almost insure that she will go far in the music business if she so desires. Both her 7 p.m. and 9 p.m. shows at Humphrey's were sellout performances proving that, in San Diego anyway; Houston is a very popular songstress.

(North County Times)

1. The Greatest Love of All (Intro)

2. Love Will Find a Way

3. How Will I Know

4. Saving All My Love for You

5. Someone for Me

6. Hold Me (With Gary Garland)

7. Take Good Care of My Heart (With Gary Garland)

8. Nobody Loves Me Like You Do (With Gary Garland)

9. Thinking About You

10. All at Once

11. You Give Good Love

(Setlist may be incomplete)

1. The Greatest Love of All (Intro)

2. Love Will Find a Way

3. How Will I Know

4. Saving All My Love for You

5. Someone for Me

6. Hold Me (With Gary Garland)

7. Take Good Care of My Heart (With Gary Garland)

8. Nobody Loves Me Like You Do (With Gary Garland)

9. Thinking About You

10. All at Once

11. You Give Good Love

(Setlist may be incomplete)

1. The Greatest Love of All (Intro)

2. Love Will Find a Way

3. How Will I Know

4. Saving All My Love for You

5. Someone for Me

6. Hold Me (With Gary Garland)

7. Take Good Care of My Heart (With Gary Garland)

8. Nobody Loves Me Like You Do (With Gary Garland)

9. Thinking About You

10. All at Once

11. You Give Good Love

(Setlist may be incomplete)

1. The Greatest Love of All (Intro)

2. Love Will Find a Way

3. How Will I Know

4. Saving All My Love for You

5. Someone for Me

6. Hold Me (With Gary Garland)

7. Take Good Care of My Heart (With Gary Garland)

8. Nobody Loves Me Like You Do (With Gary Garland)

9. Thinking About You

10. All at Once

11. You Give Good Love

(Setlist may be incomplete)

1. The Greatest Love of All (Intro)

2. Love Will Find a Way

3. How Will I Know

4. Saving All My Love for You

5. Someone for Me

6. Hold Me (With Gary Garland)

7. Take Good Care of My Heart (With Gary Garland)

8. Nobody Loves Me Like You Do (With Gary Garland)

9. Thinking About You

10. All at Once

11. You Give Good Love

(Setlist may be incomplete)

1. The Greatest Love of All (Intro)

2. Solid

3. How Will I Know

4. Hold Me (With Gary Garland)

5. Take Good Care of My Heart (With Gary Garland)

6. Nobody Loves Me Like You Do (With Gary Garland)

7. All at Once

8. I Am Changing

9. You Give Good Love