What Is Love Songs Download [REPACK]

Quincy Jones almost nabbed this slice of loved-up electrofunk for Michael Jackson, but it ended up becoming a signature tune for R&B diva Khan when she sang it with her old band Rufus in 1983. When Frankie Knuckles gave it a piano house remix in 1989, a new generation went crazy for the song: now artists ranging from Mary J. Blige to KT Tunstall have recorded versions, but none of them reach the thrilling heights of Chaka as she hits the final chorus.

Everybody's got one, or maybe dozens. A cherished love song, the one they slow-danced to in the arms of their crush around the school gym, the first dance at the wedding, the breakup song, the one for unrequited love or for the one who got away.

What Is Love Songs Download

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There's a playlist for every human emotion when it comes to l'amour-an anthem for every romantic relationship that lasts until death do us part, or at least until it goes on the rocks. No one seems sure of how many love songs there actually are (one offering on answers.com numbers them in the millions), but one thing is for sure: we love to love our love songs.

"Love songs are very relatable," says Brian Fauteux, an assistant professor in the U of A's Department of Music, who studies popular music. "We all have an idea of what love is, and could be, and it's comforting to experience a sense of ourselves in popular culture. Music is an important way of relating to others, to express our feelings and emotions when we can't find the right words for ourselves.

Among his personal favourites is Have One on Me, by Joanna Newsom. The album was released in 2010, the same year Fauteux was living in Montreal as a PhD student and shopping for an engagement ring for his fiancee. Fauteux was listening to it at the time, and while not explicitly about love, the album is forever associated with one of the happiest times of his life.

There are more romantic tunes than stars in the sky, and that's probably because they keep us company when we hit life's milestones, especially as teens, Fauteux says. "There's something about love songs being quite strong when we are coming of age or forming our identity, and that's part of the reason love songs appeal so much to youth. They give us feelings and emotions to aspire to, and songs are there for us when we go through difficult times."

Love songs also move with the times, Fauteux adds. "The love story is very common and adapts to cultural shifts. So you have the sexuality of love songs of the '80s with artists like Madonna, which is more liberal than the love songs of the '50s." They easily cross genres, flitting from Motown and jazz, to rock and symphonies, "so we end up with many of them."

Leonard Ratzlaff, a longtime professor of choral music at the U of A, has a soft spot for a pair of classical songs about love. The language is formal, even archaic by today's slick synthesized standards, but utterly pure in its devotion.

One of them is Widmung, a German art song (set to poetry and written for recital) created by the 19th-century composer Robert Schumann. As sung by German baritone Dietrich Fischer-Dieskau, its tender lyrics "describe both the passion and complete dedication to another in one song," says Ratzlaff, who especially treasures the line, "Thou art my repose, my peaceful living," and the last lines of the song, "Thy love lifts me above myself, my loving soul, my better self."

"The last line is a such a great summary of what true love does for a person-it makes that person better," Ratzlaff says. "I think this song captures beautifully the emotions of a love that shows total dedication to the beloved, and appreciation for what that person does enhances every aspect of the poet's or singer's life."

His other favourite, Believe Me if All Those Endearing Young Charms, is a wistful, lilting ballad about love and loss, penned almost 200 years ago by the Irish poet and composer Thomas Moore. He and his wife had five children, all of whom preceded their parents to the grave.

"On the positive side, a love song is a good way to connect emotionally with collective experiences. At the same time, if you're a fan of the latest hits, it's good to think about the commercial motives behind popular music. Many of them are prescriptive in their idea of what love is, as in TV and film, so it can produce a warped sense of love, and we need to be wary of that."

So says Thomas Scheff, professor emeritus of sociology at UC Santa Barbara, in his new book, "What's Love Got to Do With It? Emotions and Relationships in Pop Songs" (Paradigm Publishers, 2011). Scheff has studied popular lyrics from 80 years of American song, and concludes that, in many ways, they actually do more emotional harm than good. Popular love songs, he said, generally steer listeners away from a healthy connection to the emotions surrounding love.

"Music informs our ideas about emotions, and love in particular," Scheff said. "But most love songs are terrible models." As he writes in the book, "Lyrics maintain the mystery of love, but they reveal next to nothing about the look and feel of actual love."

Songs about requited love, for example, idealize love, Scheff continued. "You hit the jackpot when you find the right person, and you'll never have to deal with grief or shame or anger. But that's not the case." He noted the high divorce rate in the United States, and cited society's general misconception about love as one likely cause. "I don't think it's entirely the fault of the love songs, but they play their part. They keep regenerating that false idea, which makes people ill-prepared for real relationships."

Like doughnuts and soda pop, however, love songs may not be good for us, but we consume them anyway. According to Scheff, love songs have comprised the largest category of music on Top 40 lists since the lists began in the 1940's. Within the love song category, the largest segment is made up of those devoted to heartbreak and unrequited love. Following, in order, are infatuation and requited love.

"Infatuation means you're totally in love with someone you don't know, which, in reality, is impossible." Scheff said. "And with requited love you're happy as a clam because you've found the right one and you'll be together forever." Until you aren't, he added, in which case you will find yourself in the heartbreak category.

Among the love songs that are most meaningful to him are George and Ira Gershwin's "They Can't Take That Away From Me." Said Scheff, "It's a love song that doesn't fit any of the formulas. We loved, and now you're gone, but it was worth it. That's an extremely unusual thought in a love song."

A group show conceived as a mixtape of songs gifted to a lover, Love Songs features photographic projects about love and intimacy from 16 contemporary photographers, including Nobuyoshi Araki, Ergin avuolu, Motoyuki Daifu, Fouad Elkoury, Aikaterini Gegisian, Nan Goldin, Ren Groebli, Herv Guibert, Sheree Hovsepian, Clifford Prince King, Leigh Ledare, Lin Zhipeng (No. 223), Sally Mann, RongRong&inri, Collier Schorr, and Karla Hiraldo Voleau.

Through the myriad lens of intimate relationships, Love Songs brings together series dating from 1952 to 2022 by some of the leading photographers of our time that explore love, desire and intimacy in all their most complex and contradictory ways. The exhibition is the U.S. museum debut for work by Aikaterini Gegisian and Lin Zhipeng (aka no. 223), the first New York City museum presentation of the work of Sheree Hovsepian and Motoyuki Daifu, and the U.S. debut of the work of Karla Hiraldo Voleau.

Celebrate the joy of being in love, as a generation of superstars help set the mood for romance. Barry Manilow, Whitney Houston, The Carpenters, Lionel Richie, Celine Dion, Air Supply, Barbra Streisand and so much more.

Adam Bradley is a Professor of English at UCLA and Planet Word advisory board member. He was instrumental in developing our karaoke-style Unlock the Music gallery, where you learn about the songwriting techniques used in songs as you sing along.

A love song is a song about romantic love, falling in love, heartbreak after a breakup, and the feelings that these experiences bring. A comprehensive list of even the best known performers and composers of love songs would be a large order.

The oldest known love song is the love song of Shu-Sin, which was discovered in the library of Ashurbanipal in Mesopotamia.[1] It was about both romantic and erotic love. Prior to the discovery of the love song of Shu-Sin, Solomon's Song of Songs from the Bible was considered the oldest love song.

There are several theories about the origin of music in a general sense. According to Charles Darwin, it has to do with the choice of partner between woman and man (women choose male partners based on musical performances), and so the first music would be love music. However, Herbert Spencer saw music develop from a passionate eloquence, and music arise as an expression of emotions.[2]

In Ancient Greece civilization music was certainly made at weddings, and there were certainly love songs, as Erato as a muse was the protector of the love song, but our knowledge is written on myths and on pictures (as on vases) and not on written music based. It was not until the ninth century that a musical notation was developed in the Eastern Roman Empire, the neume notation, and after the addition of lines the staff was created around the 11th century, with which music is only well documented from this period.

A highly controversial and startling explanation of the genesis of love songs can be found in Denis de Rougemont's "Love in the Western World".[3] De Rougemont's thesis is that the love song grew out of the courtly love songs of the troubadours, and that those songs represented a rejection of the historical Christian notion of love.

Mediaeval love songs are called "Minnelied" in Middle High German, chant d'amour courtois by troubadour (Langues d'oc) or trouvre (Langues d'ol). The (unfulfilled, unattainable) courtly love in a noble environment is therefore central. The worship of the lady is a recurring theme. A number of personae also constantly return, such as the lover who regrets being rejected by his lady, the lady who regrets the absence of her lord who is on a crusade. Generosity, nobility of character, receptivity to new experiences and attention to beauty and appearance are also common themes. The 14th century Codex Manesse includes love songs by dukes as John I, Duke of Brabant and William IX, Duke of Aquitaine. 006ab0faaa