A rhetorical analysis of the PSA titled 'House Hippos'
(Written and composed by Tuna Castillo)
The original 'House Hippos' PSA (published by the 'Concerned Children's Advertisers'); May 1999
To answer what ‘house hippos’ are, they are fictional creatures that supposedly dwell in many Canadian and Eastern United States homes, preferring to hide in the nooks and crannies of things such as slippers and only coming out at night. In the public service announcement that it featured them in, in addition to being made-up creatures, the PSA serves as a message to spread awareness about media literacy skills, and to question the things seen on TV and in the media as either true or false. The PSA was created by the ‘Concerned Children Advertisers,’ (or, the aptly renamed to ‘Companies Committed to Kids’ company before they dissolved in 2017).
The Canadian-based company made other PSAs in the year that they were still active, such as PSAs on the dangers of drug usage, bullying, and other important topics (that were especially relevant to children). With this rhetorical analysis being focused on specifically the 'House Hippos' PSA, the main purpose of the PSA (along with being the main topic of focus of the analysis) is on the subject matter of 'media literacy,' which is having the ability to thoughtfully analyze media (either online or on TV). In this blog, this rhetorical analysis of the 'House Hippos' PSA covers the aspects of who created the PSA, why it was created in the first place, and what circumstances led to the conception and creation of the all fantastical creatures of 'house hippos.'
· The creators behind the ‘House Hippos’ PSA were a company called ‘Concerned Children’s Advertisers,’(which was established back in 1990) or ‘Companies Committed to Kids’ before the company went defunct in 2017 (Chretien, Advertising concerns: a retrospective look at Canadian public service announcements).
The aim of the company, according to an interview published by Emerald Publishing Limited under the magazine Young Consumers, the then President and COO of the company, Cathy Loblaw states the aim of the company: “‘In 1990 a number of companies came together that were involved in advertising or marketing products or services to children and decided if they wanted to be perceived as being responsible and caring in their interactions with children they should do something about it. CCA is unique as it is the first such organisation which is entirely child-focused and was started with a single-minded aim of contributing to the health and well-being of Canadian children. There were twenty companies involved initially – these are all still member companies with four more as well.’ These include food, media and toy companies…” (Clarke and Gardener).
From the same interview, other areas of focus that the company focused on: 1) The Broadcast Code for Advertising to Children (Television), 2) Canadian Code of Advertising Standards (All media), 3) Media Literacy Education, and 4) Social Messaging. From their overall cause, the ‘Concerned Children’s Advertisers’ company was dedicated to the well-being of children, and to teaching children the importance of media literacy, as well as other important things that children should be aware of.
"As past Chief Executive Officer of Ronald McDonald House Charities Canada, I will always be committed to fulfilling the organization’s vision of ‘keeping families close’ by helping families with sick children stay close - close to each other, and close to the health care they need.
I am a values based leader, and lifelong champion and advocate of social solutions to support the many issues affecting children, their families, and our communities, in collaboration with Canada's largest corporations.
My years as President of Concerned Children's Advertisers, allowed me the privilege of building a consortium of 26 leading media and packaged goods companies, government partners, researchers and non-profit organizations, to make a difference on a broad range of social issues from substance abuse prevention, to self esteem for boys and girls, bullying prevention, child abuse prevention, and media literacy.
Building, advancing and advising collaborations across sectors - governments - industries - charitable organizations - to achieve sustainable social impact for our communities and the issues facing us today, is at the heart of all I do. I look forward to continuing to find new ways to contribute and make a difference."
· The purpose of the PSA was to bring awareness to ‘media literacy’ and how children need to develop skills in media literacy to use them in the media that they view on TV. According to Media Literacy now, the company defines media literacy as being able to “Decode media messages (including the systems in which they exist); Assess the influence of those messages on thoughts, feelings, and behaviors; and create media thoughtfully and conscientiously…” (Media Literacy now). Considering how the PSA is presented at the beginning as a fake documentary on the supposed existence and habits of the titular house-dwelling hippos, this is how the PSA is able to utilize its message of developing skills in media literacy. The presentation of the fake documentary is meant to make those who are viewing it question whether what they saw was real or fake (as even stated by the PSA itself at the end, when it asks 'You know it couldn't be true, don't you?').
But how successful was the PSA in bringing awareness to this particular topic of media literacy? According to Research to Action, apparently, the original version of the PSA was not as effective, “The jury may still be out on how effective the original PSA was among their target audience; the launch was nostalgically celebrated on social media, but with quite a lot of people admitting that as children they thought the house hippo was real… The new ad makes the point more explicitly…” (Clarke “Return of the House Hippo: Literacy Week”).
Although, the PSA was able to bring up a good topic on how children should develop good media literacy skills to question the things they see online, the vintage PSA (as there is a 2.0 version that has been updated from the original to fit with more modern times) never explicitly states that what was presented in the PSA was all just made up. Not only was the original not as explicit, as it is in the 2.0 ver. that directly shows the greenscreen effects and editing at the end of the PSA as to how they were able to implement the footage of the hippos, but this is not shown in the original.
With the message not being explicitly stated in the original, this is most likely the reason why the message was lost in most children back in 1999. Even if the original PSA was not as effective in sending the message out in media literacy (especially to children) in 1999, the message has stayed relevant since then; considering how children are more adapted to using social media in today's climate, and so, would now require media literacy skills more than ever.
The updated 2.0 ver. of 'House Hippos' recreated by MediaSmarts; Sep 30, 2019
Viewing media has always been an issue amongst children, mainly concerning the type of media children view. Considering that children are also more adaptive to technology nowadays, it's no surprise that children should be just as thoughtful and critical of the media they view (whether online, on television, or in any environment). This message is lost through how the PSA is presented; as was stated before, many children growing up during the 1990s (and of those who initially viewed the PSA) ended up believing the fake 'house hippos' creatures, instead, rather than taking into account the actual message of the PSA, which is to think about and question the media they view critically.
Considering how immersive the original PSA was, it was no surprise that children ended up believing the fake 'house hippo' creatures (unlike in the 2.0 version, where the PSA explicitly states at the end that 'house hippos' were not real). If the PSA wanted to get children to see the importance about 'media literacy,' then perhaps near the end of the PSA, there could have been a much more explicit way of explaining what 'media literacy' is to children, and how it rounds back to the 'house hippos' creatures not being real.
An example as to why children who viewed the original 'House Hippos' PSA should have been made more aware of it's message of developing 'media literacy' skills is from an article in Scientific American written by Melinda Wenner Moyer titled 'Schoolkids are Falling Victim to Disinformation and Conspiracy Fantasies:' "Age 14 is when kids often start believing in unproven conspiratorial ideas, according to a study published in September 2021 in the British Journal of Developmental Psychology. Many teens also have trouble assessing the credibility of online information. In a 2016 study involving nearly 8,000 U.S. students, Stanford University researchers found that more than 80 percent of middle schoolers believed that an advertisement labeled as sponsored content was actually a news story. The researchers also found that less than 20 percent of high schoolers seriously questioned spurious claims in social media, such as a Facebook post that said images of strange-looking flowers, supposedly near the site of a nuclear power plant accident in Japan, proved that dangerous radiation levels persisted in the area. When college students in the survery looked at a Twitter post touting a poll favoring gun control, more than two thirds failed to note that the liberal antigun groups behind the poll could have influenced the data..." (Moyer, "Schoolkids are Falling Victim to Disinformation and Conspiracy Fantasies"). Children, even at the age of 14, are unable to analyze critically the media that they consume. So it makes sense that, without these critical skills in media literacy, older people are just as susceptible to falling for fake news and media.
The 'House Hippos' PSA's message was important and holds much more relevancy in today's ever-rapidly changing internet atmosphere. Considering that today's generation is more involved in online spaces than ever, it's an important skill to have with 'media literacy' for anyone that constantly uses the internet, or just in general where media is presented, especially with children that, nowadays, have a lot more screentime. Just as it was shown in the example, children, teens, and even adults are more likely to believe in fake news (such as 20 percent, out of a sample of 8,000 U.S. students, of high school students fully believing in a Facebook post that supposedly showed dangerous radiation levels persisted in that specific area of Japan). Without these crucial skills in 'media literacy,' anyone can fall victim to fake news online, and if never brought up on how these skills should be developed, this harmful cycle filled with the spreading of misinformation and fake news will only continue.
With the CCA being a Canadian based company, the audience that this PSA, along with many other PSAs from the CCA, would be Canadians. Further expanding upon that, the CCA targets the 'House Hippos' PSA at any child or person who watches content on TV or online. According to the Young Consumers interview with Cathy Loblaw, with one of the focuses of the CCA being dedicated to media literacy: “Media can be seen as a ‘fifth language’ and the CCA aims to teach children how to construct and deconstruct media messages, think critically and watch television safely.
This learning is partly through PSAs, and then the learning is extended through free education packs for parents, communities and schools (Grade K to 8). The CCA Educator also makes visits around the country to provide free workshops for parents and schools…” (Clarke and Gardener). Just beyond media literacy, many of their PSAs were made with other messages that the CCA focused on bringing awareness to children (such as avoiding drug abuse, or preventing bullying in schools).
"A compelling commercial that empowers bully bystanders or the peer audience that stands and watches with tools to start doing their part to reduce the instances of bullying."
"An emotional story that encourages young people to support friends who may be using drugs and to assist them in getting the help they need to stop using drugs. "
When it comes to viewing content online, the PSA brought up a good question to consider, that being, “Is what you just saw real or fake?” With how prominent most of today’s generation is becoming with social media and seeing content online, this is an especially important question to have in mind when viewing content online.
A particularly good example as to why having media literacy should be a good skill for many children to have would be if there was information online being spread about health care, which was an especially prevalent issue during the years of the COVID-19 pandemic. According to the World Health Organization: “The increased spread of health-related misinformation in a health emergency is accelerated by easy to access to online content, especially on smartphones. “During crises such as infectious disease outbreaks and disasters, the overproduction of data from multiple sources, the quality of the information and the speed at which new information is disseminated create social and health-related impacts…” (World Health Organization). Especially during such cases as the Covid-19 Pandemic, information on the disease and vaccines were prevalent on the internet at an all time-high.
Some information online, in regards to getting treatment for Covid, could have been fake or truthful, which made searching up information online much more dangerous. Cases such as the Covid-19 pandemic being one of the many reasons why the ‘House Hippos’ PSA was created in the first place, to prevent children taking fake information online as factual or ‘real.’
The PSA was made around the time when media on TV was becoming more regulated, as the CCA also focused on regulating what children viewed on TV. Media (whether on TV or online) was already an issue in the viewing experience of children and has become even more prominent in today’s societal changes, with everything shifting more onto online spaces. According to the National Library of Medicine: “Television has the potential to generate both positive and negative effects, and many studies have looked at the impact of television on society, particularly on children and adolescents. An individual's child’s developmental level is a critical factor in determining whether the medium will have positive or negative effects. Not all television programs are bad, but data showing the negative effects of exposure to violence, inappropriate sexuality, and offensive language are convincing. Still, physicians need to advocate continued research into the negative and positive effects of media on children and adolescents..” (National Library of Medicine).
This is relevant to the time period that the ‘house hippos’ PSA was made in, which was in the 1990s. Even with this focus on what children view on TV being emphasized in the PSA, this type of message can now be also made relevant to online spaces as well. Considering that television and the internet are both similar in being able to spread messages across media, the message of media literacy is just as relevant as it was when the ‘House Hippos’ PSA was first released back in the 1990s. According to According to Psychology Today, four particular aspects were prominent with social media usage amongst adolescents: 1) Connections, 2) Identity, 3) Learning, and 4) Emotions. Just like with television, children, and adolescents on social media can both learn and also be harmed by the usage of social media; for example, whilst social media helped many youths build connections with others, and even being able to keep up with family members who live far away, there can also be downsides in these online connections. It was reported that these online connections also made youth feel disconnected, along with other factors that harmed the mental health of many youth, such as bullying being a prominent issue (with how anonymity is utilized commonly online) (Psychology Today).
Despite only focusing on the media that was relevant and prominently shown on television, the message of ‘house hippos’ on media literacy is just as relevant to the media on social media as well.
Conclusion
In Conclusion, this is what the 'House Hippos' PSA was created for: Being created by the 'Concerned Children's Advertisers' company, the PSA aimed to teach a Canadian based audience on the topic of 'media literacy' skills, which involve thoughtful analysis of the media that is present in television (and to take into account if said media is true or not).
This PSA brings up the important question of questioning the things that you see online as either real or fake, which is a question that can also be utilized when using media literacy skills. In the context of the PSA being made, it was made when places when media, whether on television or on the internet, was becoming an issue amongst the children that viewed it (media that was either dangerous or fake in the information it presented); as one of the aims of the CCA was to teach 'media literacy' to children, its message in the 'House Hippos' PSA is made relevant more than ever.
As the next generations become more adept to using technology and online spaces, media literacy is important to have as a skill in being able to distinguish media online as being true or false. For both children and older people, being able to evaluate the media that is taken in through television or on the internet, it can make viewing and user experiences of these spaces more safe and enjoyable, all whilst avoiding certain types of media that can harm and misinform.
Muhammed , Sadiq T, and Saji K. Mathew. “The Disaster of Misinformation: A Review of Research in Social Media.” International Journal of Data Science and Analytics, vol. 13, no. 4, 15 Feb. 2022, www.ncbi.nlm.nih.gov/pmc/articles/PMC8853081/, https://doi.org/10.1007/s41060-022-00311-6.
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