What 39;s Happening Theme Song Mp3 ~UPD~ Download

"The Happening" is a 1967 song recorded by Motown artists The Supremes. It served as the theme song of the 1967 Columbia Pictures film The Happening, and was released as a single by Motown at the time of the film's release that spring. While the movie flopped, the song peaked at number 1 on the Billboard Hot 100 pop singles chart in May,[1] becoming The Supremes' tenth number 1 single in the United States,[2] peaking in the top 10 on the UK Singles Chart at number 6, and in the top 5 in the Australian Pop Chart and in the Dutch Pop Chart.

Ballard's final of the 17 appearances The Supremes made on the hit CBS variety television program The Ed Sullivan Show[7] was on an episode where she performed this song live from Expo 67 in Montral on Sunday, May 7, 1967,[8] going to number 1 the same week.

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Billboard described the single as being "in the good-time rhythm music bag" as "the trio changes pace with thisclassy performance of the new film theme."[9] Cash Box called the single a "light, bouncy, up-tempo, romp" that is a "sure fire chart topper."[10] Record World described it as "a bright, bouncy, lively number about the fickle finger of fate and love."[11]

The selection's lyrics do not specify exactly what "the happening" is, although the implication is the singer has been abandoned in a love relationship. The singer says she was "sure, I felt secure" and "I was riding high on top of the world". But something happens that is negative and it leaves the individual narrating the selection in worse shape, than before it "just happened".

I'm not sure if I am in the minority here or not, but I just really do not like the theme song at all. I just got into One Shot in the past month or so (just finished listening to episode 35) and the song was... bearable at first, but it has just become so insanely grating I really wish that they would just get rid of it or only limit it to the first 30 seconds where it's easily skipable. The problem for me really arises when they randomly start playing it again at some point during the introductory period, because I have no reliable way to avoid it. I know this is probably a pretty stupid post, but I just wanted to vent and talk to other people who might share similar sentiments about the song. And I really like a lot of female fronted punk music too. Lene Lovich, Ok?, The Slits, A.C. Temple, Slothrust, ect. I just can't stand the theme song for the podcast. I dread the inevitable sonic punch in the head every time I want to listen to some good roleplaying.

After hearing people rant and rave about Run the Jewels, I decided to check them out. I turned on the first song from their first album, Run the Jewels. I started listening to it and immediately recognized it from somewhere, but I cannot figure it out for the life of me.

It's the repetitive bass line in that song that I have heard somewhere. I want to say it was possibly a Bud Light commercial that I know it from? I'm not positive on that though. I have been looking all over YouTube for a commercial that has that song in it, but the only thing I am coming up with is a 2016 NFL playoff commercial. That's not where I've heard it though, because it's a completely different part of the song that they use in that commercial (towards the end).

The central theme of "What's Going On" and the album of the same name came from Marvin Gaye's own life. When his brother Frankie returned from Vietnam, Gaye noticed that his outlook had changed. He put himself in his brother's shoes and wrote a song that stands among the most tuneful works of consciousness-raising in American music.

When Motown called to see how his new songs were coming, he'd reply with something from the headlines. He'd say, "Have you read about those kids who were killed at Kent State?" he told biographer David Ritz. His world view was expanding and the prospect of singing bright three-minute love songs seemed less appealing.

His song helped change the national conversation. And his success forced Motown to give others, notably Stevie Wonder, artistic freedom. Gaye relished the visibility, but hr knew that the real triumph was the way he transformed vexing social problems into an imploring emotional appeal. The song started as a party but became something else, something much closer to a prayer.

Black sitcoms have given pop culture some of the best theme songs in the history of TV. Whether they are original songs, covers, or instrumentals, classic theme songs have stood the test of time, connecting with audiences across generations.

Even when the theme song is absent of words, the melodies have stuck with us, eventually becoming fixtures in Black culture. If the opening credits are designed to hold the attention of the viewers, then these Black TV theme songs have done that and more. Here are the 25 best Black TV show theme songs of all time.

Many of Neil Carter's contributions have been tragically ignored. She was the leading actress in her own sitcom and she sang the theme song. The song served as an anthem for women who were turning societal norms upside down and staking their claim in the world. Composed byBob Christianson, and written by Bob Garrett and Marley Sim, Nell Carter absolutely owns the song as only she could. With her larger than life personality and impeccable vocal range, Carter belted out the song with undeniable authenticity.

There are some occasions when both the theme song and the sitcom are forgotten about. This seems to be the case with Hang With Mr. Cooper. While the show was good, the theme song may have been better. The opening song featured the incomparable En Vogue, who were at the peak of their powers, who slayed the background vocals while co-stars Dawn Lewis and Holly Robinson-Pete sang the leads. Without question, they all nailed the theme song.

Following the course of many sitcoms, the theme song of Martin, one of the most beloved sitcoms of all-time,went through various incarnations. But the first season is by far the best of all the seasons. With Martin Lawrence ad-libbing over a hot instrumental, with DJ sketching, the opening song was the perfect match for the hilarious sitcom. From the theme song alone, you know that the show was gonna be crazy. The remix and the digital versions pale in comparison to the original adaptation

Within the pantheon of great Black TV theme shows, the Good Times theme song is still one of the best. Written and performed by Jim Gilstrap and Blinky Williams, the song captures the singular premise of the show, a poor Black family struggling in the projects of Chicago. While some of the lyrics are still up for debate, the theme song of Good Times is as relevant as ever.

It's not just another music video with big stars, fast edits and a catchy tune: Good Morning America's new \"Good Things Are Happening\" video is a showcase for some of the biggest stars of morning television and for an up-and-coming singer/song-writer.

Musician Bill Deasy wrote \"Good Things Are Happening\" with songwriter Larry Gottlieb on his first trip to Nashville after going solo last year. To listen to an instrumental version of the song, Click here. For the lyrical version, Click here.GMA has adopted it as a theme song, complete with an entertaining montage of the show's anchors and correspondents and guests.About the ArtistBefore Deasy was a solo artist, he spent seven years with a band he helped formed in 1994 called Gathering Field. Today Deasy also writes songs for other artists and travels to Nashville regularly to collaborate.

As a boy, Deasy was fascinated with Elvis Presley, and his family had an impact on his musical development as well.\"My brother was really into Neil Young and James Taylor and Springsteen, and they've had a lasting impact on the way I write songs,\" Deasy said. \"But Van Morrison is my all-time hero. I don't think I sound or write like him, but I have every record he's ever made,\" Deasy said.

Deasy loves reading novels and finds inspiration in books. \"I approach songwriting almost like a novelist as far as the discipline of it, and I take what I do seriously from a literary point of view,\" Deasy said.

On Soundful, users can create songs for free, and have some limited use rights. But to own the copyright and have unlimited use for monetization you need an account ($89 per year) and a purchase fee that starts at $50.

And consider even more trivial uses of song, far beyond the experience of software, no matter how smartly designed. Will an AI ever need a shanty to help it hoist the sails on a ship? Will an AI ever embarrass itself at karaoke? Will an AI ever sing in the shower, or along with the radio during a daily commute?

That might change in the future. I wouldn\u2019t be surprised if the massive re-use of the same backing songs on TikTok will make everybody more receptive to stock music. Youngsters are not only getting accustomed to hearing identical tracks on different videos, but find the repetition comforting. So don\u2019t be surprised if that trend spreads elsewhere.

Soundraw allows video creators to buy AI-composed music easily and cheaply. Here\u2019s the pitch on the website: \u201CSelect the type of music you want\u2014genre, instruments, mood, length, etc.\u2014and let our AI generate beautiful songs for you.\u201D The company is located in Tokyo and has raised at least 65 million yen. Soundraw is at the forefront of a new movement which I describe as \u201Cmusic without those irritating musicians.\u201D

But can a machine ever even begin to understand such matters? Will AI ever have a broken heart? Will AI ever grieve the death of a loved one? Will AI ever know about the music that helps Alzheimer\u2019s patients or Parkinson\u2019s sufferers or war veterans with post-traumatic stress disorder? Will an AI ever sing a lullaby to its child? Will an AI ever need to pick a song for the first dance at its wedding reception? ff782bc1db