"Welcome to My Hood" is a song by American record producer DJ Khaled featuring American rappers Rick Ross, Plies, Lil Wayne, and T-Pain from the former's fifth studio album We the Best Forever. The album also contains the remix of the song featuring Ludacris, Busta Rhymes, Mavado, Twista, Birdman, Ace Hood, Fat Joe, The Game, Jadakiss, Bun B, and Waka Flocka Flame. The song is Khaled's first single to be produced with The Renegades, Cubic Z & DJ Nasty and LVM. It was released for digital download in the United States on January 18, 2011.[1]
Plans are already underway for a video to be shot for the remix, which is a staggering seven minutes long, but since Mavado is currently unable to travel to the US his part will be specially shot in Jamaica by a local director and slotted in.
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"Welcome to My Hood (Remix)" is a song about the pride and loyalty one feels towards their hometown and the community within it. The lyrics emphasize the connections and support that exist within neighborhoods, with mentions of people knowing and helping each other out. The song also acknowledges the harsh realities of life in certain neighborhoods, with references to drugs and violence. The various rappers in the song represent different cities and regions, showing that this sense of community and pride exists beyond just one specific place. Additionally, the song implies a sense of strength in numbers and a warning to outsiders to not mess with the people and neighborhoods represented in the lyrics. Overall, "Welcome to My Hood (Remix)" celebrates the bonds and culture of urban communities while acknowledging the challenges that come with them.
Nel marzo 2011 il brano stato distribuito in formato digitale nella versione remix realizzata con Ludacris, T-Pain, Mavado, Busta Rhymes, Twista, Birdman, Fat Joe, Jadakiss, Ace Hood, Bun B, Game e Waka Flocka Flame.
Everyone is welcome at the Hood Museum of Art, Dartmouth. We are committed to facilitating the accessibility and usability of our spaces. Please do not hesitate to reach out to us in advance of, or during, your visit so we can assist. Our visitor services staff can be reached by phone at 603-646-2900, by email at hood.museum@dartmouth.edu, or in person at the welcome desk in Russo Atrium.
Assistive-Listening Devices
A limited number of assistive-listening devices are available free of charge during programs in the galleries and in Gilman Auditorium. Please contact our visitor services staff at 603-646-2900 or inquire at the welcome desk for more information.
Wheelchairs
The Hood Museum of Art is accessible for visitors using wheelchairs and other mobility devices. The north entrance on East Wheelock Street is accessible and there is an elevator available inside the galleries. A limited number of wheelchairs are available for loan free of charge. Please inquire at the welcome desk. Wheelchair-accessible seating is available in Gilman Auditorium.
Seating
Chairs and couches are available in Russo Atrium. Some galleries contain benches. If you wish to use a portable stool during your visit, please inquire at the welcome desk or ask one of the visitor services guides stationed in the galleries.
[Chorus:]
Welcome to my hood, everybody know everybody and if I got it everybody got it, ugh
Welcome to my hood, look at all these old school Chevys, 24's so you know we roll heavy (YMCMB)
Welcome to my hood, where they gettin fly like a G6, and everybody know this is the remix
Welcome to my hood, them boys will put you down on yo knees (woop, woop) that's the sound of the police in my hood
[T-Pain:]
Teddy pain, teddy pain, bad man, bad man
Mixed shots, boom boom boom boom boom bang
Man we the best never the less, you know we get it hot
Fire flame flame, fire fire flame
Put me on the track and I'm a really let a muthafucka feel it, when I do it, how I do it, what I do
If a nigga really wanna test (come and test), you can bet that I'm a eat em all day (fuck food)
850 what I represent, Tallahome Florida president
Me & DJ Khaled got these haters lookin hesitant
So keep all that wackness out my ear, (phew phew) that's the sound of your career in my hood
[Busta Rhymes:]
I hope you niggas got your ringside seats, cause it's whoopass season
Comin to a hood near you, everybody know what happen when you see me comin (BLACKA!)
I be hurdlin & gotcha reguritatin & murderin everything gun shots bah bah bah bah bah bah bah
Ya'll know what it is, I'm comin to get it & others are blockin
I'm runnin the hood and nothin can top it
You can google it and you can search it
On how a nigga come and unlock it, impossible to stop it
More fire, thunder, pain, I go and heed the villian, he's adrenaline poppin
Need a medical situation because the way I'm fuckin everything until I'm peepin it
Why you tryna do what you already know that I'm the king with it
And, you don't wanna come behind me with it bro
Uggh, I killed this shit I ain't gotta rhyme no more
[Twista:]
Welcome to my hood where poor members of faculty backin me
If you ever try attackin me, that could be when I eat em
Especially when I beat em, when they see a bunch of killas and hustlas on the side of me
I'm an anomoly to em, put em on crutches
We'll sock ya lip first for you touch us, he one that's kickin our brothas
Much as I smoke the duchess and model chicks that cut us
And muthafuckas that love us, their enemies wanna touch us
I'm a spit a flow as if it was a sin, then the gangstas are restin forever
See a solid 4, then I'm a put it on the fin
Then you know to never test, it'll be a category F5
Handle military with automatic weapon so let's ride
Love to the honeys, and everybody that runnin the north
And they whole city from the westside
[DJ Khaled:]
Never slippin, I'm ballin, Puff keep on callin
I don't see none of you p-ssies, f-ck that shit you be talkin
Rep Miami the ghettos (Dade County), every hood and the projects
And when I drop off my singles, I'm droppin one of my targets
Lord forgive me for my sins, I gave you hits
I gave you "All I Do Is Win", I live this shit
And, we the best, it's no pretend
I touch a million, throwin hundreds in this bitch
[Bun B:]
Welcome to the land of the trill, where everybody walkin with they hand on they steel
And, a model is a supply & demand any will
You went outta line with the wrong man then get killed
When ya damned if you will & damned if you won't
Lotta dudes sayin that they can but they don't
Lotta boys sayin that they g's and they ain't
Mess around, get layed down in the paint
Better do what you say, and say what you do
For I come around ya hood, broad day with the crew
They got them fists, AR's, AK's and them twos
And they will gladiate all day, what it do
R.I.P. to the trillest that did it, to my g's on lockdown
Stick with it, think I'm a stop reppin PAT, forget it
[Waka Flocka Flame:]
Welcome to Clayton county, my house got surrounded
Enemies tryna drown me, but my hood still around me
Rookie of the year, no freshman cover
Shawty 16 years old, with 4 baby mothas
First rapper ever to jump off the stage on BET
And, since Pac go to Hollywood to keep it street
First rule to put T watches on the TV
Everyday it's a party on Grove street
To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood."
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