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Home
Cinematographers
Cinematography Concepts
Look Books
Coverage and scenes
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Camera Info
Composition
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Exposure Measuring
Aspect Ratios
Film
Documentary
Short Docs
DIT
Pre-production/Storyboards
HDR
Shutters_Exposure Time_Frame Rate
On Set Etiquette
VFX
Sensors and Resolution
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Grading and Post
ISO
Lighting
White Balance
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Lenses
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Home
Cinematographers
Cinematography Concepts
Look Books
Coverage and scenes
Filters
Camera Info
Composition
Camera Assistant Info
Exposure Measuring
Aspect Ratios
Film
Documentary
Short Docs
DIT
Pre-production/Storyboards
HDR
Shutters_Exposure Time_Frame Rate
On Set Etiquette
VFX
Sensors and Resolution
Camera Movement/Operating
Camera Support / Grip
Grading and Post
ISO
Lighting
White Balance
Codecs
Lenses
Sound
Camera Support / Grip
On Set: How to Operate the Fisher Model 10 Dolly
The Fisher Model 10 dolly is an industry standard for good reason, but you can't buy one — you can only rent it. So what can it do, and how do you work it?
Ari Robbins on ARRI's TRINITY & MAXIMA Stabilizers | AbelCine
Megan talks to Ari Robbins, a well-known Steadicam operator, and he shares insights about his career, incorporating new tools, and how ARRI’s TRINITY and MAXIMA inspire him to innovate and grow in his craft.
The Importance of Camera Movement in "The Irishman"
"The Irishman" follows the "heighten naturalism" aesthetic from "The Wolf of Wall Street," injecting a darker, more conspiratorial tone.
What Is a Grip? The Few Women Doing the Job in Hollywood Explain
On a movie set “we control anything over people’s heads,” one female key grip explains. But when you’re the exception on an all-male crew, other factors come into play.
A Closer Look at Stabileye, One of the Stabilizers Roger Deakins Used on '1917'
A versatile stabilizer filmmakers can use for nearly any situation.
r/videography - A guide to every essential camera rig
41 votes and 2 comments so far on Reddit
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