"We Three Kings", original title "Three Kings of Orient", also known as "We Three Kings of Orient Are" or "The Quest of the Magi", is a Christmas carol that was written by John Henry Hopkins Jr. in 1857. At the time of composing the carol, Hopkins served as the rector of Christ Episcopal Church in Williamsport, Pennsylvania, and he wrote the carol for a Christmas pageant in New York City. It was the first widely popular Christmas carol written in America.[1]
John Henry Hopkins Jr. organized the carol in such a way that three male voices would each sing a solo verse in order to correspond with the three kings.[3] The first and last verses of the carol are sung together by all three as "verses of praise", while the intermediate verses are sung individually with each king describing the gift he was bringing.[4] The refrain proceeds to praise the beauty of the Star of Bethlehem.[5] The Magi's solos are typically not observed during contemporary performances of the carol.[3]
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The carol's melody has been described as "sad" and "shifting" in nature.[6] Because of this, it highly resembles a song from the Middle Ages and Middle Eastern music, both of which it has been frequently compared to.[6]
At the time he was writing "We Three Kings" in 1857, John Henry Hopkins Jr. was serving as the rector of Christ Episcopal Church in Williamsport, Pennsylvania.[5][10] Although he originally worked as a journalist for a New York newspaper and studied to become a lawyer,[6][11] he chose to join the clergy upon graduating from the University of Vermont.[12] Hopkins studied at the General Theological Seminary in New York City and after graduating and being ordained a deacon in 1850, he became its first music teacher five years later, holding the post until 1857 alongside his ministry in the Episcopal Church.[9][12]
During his final year of teaching at the seminary,[12] Hopkins wrote "We Three Kings" for a Christmas pageant held at the college.[13] It was noteworthy that Hopkins composed both the lyrics and music; contemporary carol composers usually wrote either the lyrics or music but not both.[10][14] Originally titled "Three Kings of Orient", it was sung within his circle of family and friends. Because of the popularity it achieved among them, Hopkins decided to publish the carol in 1863 in his book Carols, Hymns, and Songs.[15] It was the first Christmas carol originating from the United States to achieve widespread popularity,[1] as well as the first to be featured in Christmas Carols Old and New,[clarification needed] a collection of carols that was published in the United Kingdom.[14] In 1916, the carol was printed in the hymnal for the Episcopal Church; that year's edition was the first to have a separate section for Christmas songs.[6] "We Three Kings" was also included in The Oxford Book of Carols published in 1928, which praised the song as "one of the most successful of modern composed carols".[8]
Since the 1950s, the carol has been frequently parodied by children. The subject of the lyrics vary widely depending upon the region, with references to smoking explosive rubber cigars, selling counterfeit lingerie, or travelling to an Irish bar by taxi, car, and scooter.[21][22][23]
Does that sound familiar? I once, many years ago, found myself in a situation that I did not know how to get out of (I was a sinner) and was in a dangerous place (on my way to hell!). Jesus came to me there, willingly and eagerly, to help me.
My observation from being in a Hillsong church for many years is that the extreme fervour exhibited on Sundays does little to motivate the congregants to impact their world. We had 6000 seats filled every Sunday, home groups pulled maybe 800 on a good day, yet we managed to get only 8 doing outreach in a homeless shelter on Wednesdays. Talking it over with folk I found there to be no understanding that we are saved to offer that same hope to others, and do this outside of Sundays.
Sorry, one more thing. This conversation was initiated by a friend of mine that goes to the same church I do with the though provoking comment on stated on the second paragraph i wrote above, which has led to great conversations with other friends. Again, thanks for taking the time to write your thoughts.
6 What shall we say then? Are we to continue in sin so that grace may increase? 2 May it never be! How shall we who died to sin still live in it? 3 Or do you not know that all of us who have been baptized into Christ Jesus have been baptized into His death? 4 Therefore we have been buried with Him through baptism into death, so that as Christ was raised from the dead through the glory of the Father, so we too might walk in newness of life. 5 For if we have become united with Him in the likeness of His death, certainly we shall also be in the likeness of His resurrection, 6 knowing this, that our old self was crucified with Him, in order that our body of sin might be done away with, so that we would no longer be slaves to sin; 7 for he who has died is freed from sin.
8 Now if we have died with Christ, we believe that we shall also live with Him, 9 knowing that Christ, having been raised from the dead, is never to die again; death no longer is master over Him. 10 For the death that He died, He died to sin once for all; but the life that He lives, He lives to God. 11 Even so consider yourselves to be dead to sin, but alive to God in Christ Jesus.
When I read or hear the lyrics above I am reading and hearing it in a UPC Oneness Church and NOT in a church that believes in the Trinity. It is a beautiful song do not be mistaken. But I have had the song sung in a Trinity church and for the new Christians that do not have a concreted Trinity base foundation May Not know what they are reading/singing a oneness theology song.
Steve does present a compelling argument that angels might have not known. Steve also mentions that the angels realized the significance of the prophesies and put it all together right before the women came to the tomb. Maybe this was the case.
I was more concerned with understanding what the song writer meant with that phrase. Certainly, this is an awesome platform to discuss these things and see the different perspectives people might hold and how the same lyric might be interpreted differently by different folks. Kyle and I were a bit perturbed by that lyric. Juli, Steve and Val were not and I understand their perspective better because of this opportunity to share and discuss.
When coupled with the fact that, in the chorus, all three members of the Trinity are given praise for our salvation, it is fairly obvious that is was not the intention of the songwriter to portray that the Godhead was in suspense.
I am a Biblical literalist. I believe that the Bible means exactly what it says. However, to properly interpret it, you must take into account everything it says about a given subject and do so in the context of each passage, each book and the Bible as a whole.
The Bible is an amazing collection of 66 books and, in the original languages, it is the inspired, infallible Word of God!! However, not every concept, phrase, question, situation, or explanation is contained in exquisite, exhaustive detail in the 783,137 words of the King James Bible.
In summary of your first point and my commentary, if we exclude God and the Holy Spirit, then heaven is no longer heaven. But, if we include God, then God is no longer omniscient. This leads to a contradiction, which takes 1 Peter 1:12 off the table.
"Weasley is Our King" was a song composed by Slytherin students at Hogwarts School of Witchcraft and Wizardry in 1995 to mock Gryffindor Keeper Ron Weasley's abilities and thus undermine his confidence, claiming him as their "King" because his allegedly poor Keeping skills would supposedly win the game for them. It was later modified by the Gryffindor Quidditch team to successfully increase Ron's confidence, and he started to let in less goals during the final match. This made the Gryffindor team claim Ron as their "King" to thank him for helping them win the cup.
Though it is unknown who actually composed the song, it is likely that it was composed by Draco Malfoy and possibly Pansy Parkinson, as they directed their fellow Slytherins in singing it in a choir at Quidditch matches. As part of the campaign, the song was created with an accompanying badge, which was worn by nearly all Slytherins.[1]
Every time the Slytherins would sing this song, Ron would become humiliated by the taunting, lose his confidence, and let in the goals and help the other team win (hence, the Slytherins were saying that he is their "king" by making sure they would win). The first time the Slytherins sang this song, Malfoy taunted fellow Seeker Harry Potter about it, eventually insulting Ron's parents and family and Harry's mother, as well, starting a fight which resulted in Harry and Fred and George Weasley being kicked off the Quidditch team by Dolores Umbridge, who also took away their brooms and gave them even more detentions[1] (although their bans were all lifted once Umbridge was removed from Hogwarts).
Ginny Weasley and Luna Lovegood used it on 18 June 1996 to alert Harry Potter, Hermione Granger, and Ron Weasley when Dolores Umbridge was coming, as they were using her fireplace to attempt to contact Sirius Black, although Umbridge caught them regardless.[5]
The Gryffindors sang their version of the song again during the match between Gryffindor and Slytherin in the 1996-1997 school year when Ron did not let the Slytherin team score a single goal. Ron even pretended to conduct the crowd from his broom.[6]
The Gryffindor team eventually revised the lyrics and reversed their meaning to be more complimentary after they won the Quidditch Cup. In this, the "Weasley is our King" part was not cruel sarcasm but genuinely thanking Ron for helping them win the Cup. 152ee80cbc
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