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And a capability thats just made for the latent promise of streamed music. Using the recently arrived Wadax Reference Server, feeding files to the Wadax Reference DAC via the proprietary Akasa interface (an optical lead the thickness of your thumb, with connectors that are each the size and shape of a small pear and that keep the fragile data away from your noisy network), trawling the annals of Qobuz and Tidal finally began to deliver on a musical level. Starting out with a Hilary Hahn recording of the Elgar Violin Concerto (a Deutsche Grammophon 88.2kHz/24-bit download), there was an unmistakable Englishness to both the LSO and Colin Daviss direction. But while the rich tonality and fluid ensemble playing were as impressive as they were recognizable, Hahns poise and precision were completely over-faced by the concentrated orchestral performance, an eclipse that was as total as her "Lark Ascending" was fragile and breathtakingly beautiful. It was hard to believe that this was not just the same performers but the same recording. This underlines just how important program choices are for some performers, with Hahn and Vilde Frang being obvious examples of superb players with flawless technique but whose voices are just too small to translate to the larger works. No speaker system that I have used has made that choice as starkly apparent as this from Avantgarde, speakers that make it just as critical and just as obvious as it is live.

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