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Parents need to know that The Croods: A New Age is the sequel to 2013's The Croods and follows the family after they leave their cave and set off in search of a new home. They end up meeting the Betterman family, who live in an isolated but succulent and more evolved world, and feel their own way of life is challenged. But when teenage girls Eep Crood (voiced by Emma Stone) and Dawn Betterman (Kelly Marie Tran) run away together on their sabre-toothed cat, fathers Grug Crood (Nicolas Cage) and Phil Betterman (Peter Dinklage) need to reconcile their views to get their daughters back safely. Ryan Reynolds, Leslie Mann, Catherine Keener, and Cloris Leachman also lend their voices to the cast. It seems safe to expect some peril, rude humor, and slapstick animated violence.
The Croods have survived their fair share of dangers and disasters, from fanged prehistoric beasts to surviving the end of the world, but now they will face their biggest challenge of all: another family
The Croods need a new place to live. So, the first prehistoric family sets off into the world in search of a safer place to call home. When they discover an idyllic walled-in paradise that meets all their needs, they think their problems are solved … except for one thing. Another family already lives there: the Bettermans.
The Bettermans (emphasis on the “better”)—with their elaborate tree house, amazing inventions and irrigated acres of fresh produce—are a couple of steps above the Croods on the evolutionary ladder. When they take the Croods in as the world’s first houseguests, it isn’t long before tensions escalate between the cave family and the modern family.
Just when all seems lost, a new threat will propel both families on an epic adventure outside the safety of the wall, one that will force them to embrace their differences, draw strength from each other and forge a future together.
The Croods: A New Age features the voice talent of returning stars Nicolas Cage as Grug Crood, Catherine Keener as Ugga Crood, Emma Stone as their daughter, Eep; Ryan Reynolds as Eep’s boyfriend, Guy; Clark Duke (Hot Tub Time Machine) as Thunk and Cloris Leachman as Gran. They’re joined by new stars Peter Dinklage (HBO’s Game of Thrones) as Phil Betterman, Leslie Mann (Blockers) as Hope Betterman, and Kelly Marie Tran (Star Wars: Episode VIII-The Last Jedi) as their daughter, Dawn.
The film is directed by Joel Crawford, who has worked on multiple DreamWorks Animation films, including Trolls and the Kung Fu Panda franchise, and is produced by Mark Swift (Captain Underpants: The First Epic Movie, Madagascar 3: Europe’s Most Wanted).
“Never not be afraid” is the motto of the family of dysfunctional cavemen in Fox’s new animated film, but for a film that’s ostensibly about the fear of the unknown, The Croods sure feels familiar. Much like Fox’s Ice Age films, actually, and this new film similarly has fun juxtaposing prehistoric reality with modern gags.* Along the way, it also presents a skin-deep meditation on the age-old conflict between brute force and brainpower and between terrified ignorance and rational thought. Lest you mistake any of it for social satire, however, the opening set piece gives us an extended game of caveman rugby involving the family stealing, and playing keep-away with, a giant egg while a variety of fantastical prehistoric creatures tries to take it from them — or, as they call it, “breakfast.”
The Croods, it turns out, aren’t exactly at the top of this particular food chain. Nor are they any great shakes in the brain department, either, as Eep, their rebellious daughter (voiced by Emma Stone), informs us in voice-over. This is a family that hunkers down in a dark cave at night and listens to dad Grug (Nicolas Cage) tell them the same story over and over again, about a girl who got curious and went out exploring one night: “She saw something new … and DIED!” is how the story ends, every time.
One day, however, Eep meets Guy (Ryan Reynolds), a young, enterprising dreamer with delicate features who looks down on cavemen and shies away from brute force and ignorance. Challenging Grug’s status as alpha male, Guy wows the family with fire and a variety of other newfangled creations, footwear among them. He also informs them that “the world is ending” — that is to say, earthquakes are peeling away the ground right beneath their feet, and lava is slowly consuming everything. Guy wants to head to higher ground — specifically, two very tall, Mormon temple–like mountains in the distance. Grug is reluctant, as this requires abandoning the terrifying comfort of their cave for the terrifying uncertainty of distant lands — quite a task for a family that instantly gathers into a kill circle at the first sign of trouble.
The Croods isn’t particularly smart, but it has just enough wit to keep us engaged and just enough speed to keep us from feeling restless. (Along with that opening rugbylike extravaganza, there’s also an elaborate climactic set piece involving a giant animal skeleton, a swarm of meat-eating piranha birds, and the world’s most adorable saber-toothed tiger.) Some of the visual gags are cute: At one point, a mishap in a field of giant corn leads to the world’s first fireworks display, not to mention a mountain of oversize popcorn. But there’s a surprisingly borscht belt tinge to much of the humor as well: One of the main reasons Grug finally agrees to their long trip into the unknown is because grandma (Cloris Leachman) says she’ll die if she has to leave, and the one-liners are oddly old-fashioned. (“I was in love. He was a hunter; I was a gatherer. We were quite the scandal.”)
These are easy-pickings humor-wise, and to its credit, The Croods picks them clean. The vocal talent is well cast, too: Cage in particular turns out to be quite perfect as the bewildered, adorably brutish Grug. But for a movie that’s all about using one’s mind, The Croods doesn’t exactly try too hard to impress us with its own brainpower. This is, after all, also a movie in which someone invents the hug.