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In 1955, three versions of the song (by Les Baxter, Al Hibbler, and Roy Hamilton) charted in the Billboard top 10 in the United States,[5] and four versions (by Al Hibbler, Les Baxter, Jimmy Young, and Liberace) appeared in the top 20 in the United Kingdom simultaneously, a record for any song.[6][7] The song continued to chart in the 21st century, and it was the only song to reach number one with four different recordings in the United Kingdom until it was joined by Band Aid 30's "Do They Know It's Christmas?" in 2014.[8][9]

Of the hundreds of recordings made, the Righteous Brothers' version, with a solo by Bobby Hatfield, became the jukebox standard after its release. Hatfield changed the melody in the final verse and many subsequent covers of the song are based on his version. The Righteous Brothers recording achieved a second round of great popularity when featured in the film Ghost in 1990. In 2004, it was number 27 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.

In 1954, Alex North was contracted to compose the score for the prison film Unchained (released in 1955). North had a melody he had written in the 1930s and composed and recorded the score when he was asked to write a song based upon the movie's theme.[10] North asked Hy Zaret to write the lyrics. After first refusing, Zaret and North together wrote "Unchained Melody."[11][12] Zaret refused the producer's request to include the word "unchained" in his lyrics.[13] The song eventually became known as the "Unchained Melody" even though the song does not actually include the word "unchained". Instead, Zaret chose to focus on someone who pines for a lover he has not seen in a "long, lonely time".[14] The film centered on a man who contemplates either escaping from prison to live life on the run or completing his sentence and returning to his wife and family.[14] The song has an unusual harmonic device as the bridge ends on the tonic chord rather than the more usual dominant chord.

Following the movie, there were several charting covers that were released in 1955. Bandleader Les Baxter released a choral version (Capitol Records catalog number 3055) which reached number 1 on the US charts and number 10 in the UK.[17] The words "unchain me" are sung repeatedly at the beginning and the lyrics are sung by a choir. Billboard ranked this version as the No. 5 song of 1955.[18] Al Hibbler followed close behind with a vocal version (Decca Records catalog number 29441),[19] that reached number 3 on the Billboard charts and number 2 in the UK chart listings. Jimmy Young's release (on Decca Records UK catalog number F10502) stayed at number 1 on the British charts for 3 weeks and remained on the UK charts for 19 weeks.[20] Young re-recorded the song in early 1964 and it hit number 43 in the UK. Two weeks after Young's version entered the top 10 of the British charts in June 1955, Liberace scored a number 20 hit (Philips PB 430). Roy Hamilton's version (Epic Records catalog number 9102) reached number 1 on the R&B Best Sellers list and number 6 on the pop chart.[21] June Valli recorded the song on March 15, 1955 (RCA Victor Records as catalog number 20-6078) with the flip side "Tomorrow",[22] and took it to number 29 on the Top Pop Records list.[23] Harry Belafonte recorded the song,[24] and sang his version at the 1956 Academy Awards after it was nominated for the Academy Award for Best Original Song of 1955.[25]

While the sheet music business was losing its prominence to sound recordings,[26] a sheet music release of the song peaked at number 1 on its tenth week on the Billboard Best Selling Sheet Music chart on the week ending June 18, 1955.[27] It stayed at its peak position for nine weeks[28] until it dropped to number 4 on its twentieth week on the week ending August 27.[29]

Hatfield made a change to the song during the recording sessions. The first two takes of the song he performed it in the same style as Roy Hamilton.[10] For a third take, he decided to change the melody for the "I need your love" line in the final verse, and sang it much higher instead.[10] After this recording, Hatfield said he could do another take better, to which Medley replied: "No, you can't."[48] Medley played the Wurlitzer piano on the song and he noted that "if I knew that it was gonna be a hit I certainly would have brought in a better piano player."[45][50]

The 1965 original Righteous Brothers recording was reissued in 1990 by oldies-reissue label Verve Forecast[57][43] under licensing from Polygram Records[58] (which had acquired the rights years earlier). The original version received a lot of airplay, and topped the U.S. adult contemporary chart for two weeks in 1990. However, sales for this version were minimal in the US since it was available as only a 45 RPM single and the song peaked at No. 13 based largely on airplay. For eight weeks, both versions were on the Billboard Hot 100 simultaneously and the Righteous Brothers became the first act to have two versions of the same song in the Top 20 at the same time.[59] This re-released song reached number 1 in the UK where it stayed for four weeks, becoming the UK's top selling single of 1990. As of 2017, it had sold 1.17 million copies in the UK.[60] The 1990 reissue also reached number 1 in Australia, Austria, Ireland, the Netherlands, and New Zealand.

Their recording immediately reached number 1 in the UK, selling 314,000 copies in its first week, at that time the fastest-selling debut single in UK chart history.[119] It stayed at the top of the chart for seven weeks.[118] It became the best selling single of 1995, and one of the country's all-time biggest-selling singles (No. 9 in November 2012),[124] with 1.87 million copies sold.[60] The self-titled album they released later in the year also became the best-selling album of 1995.[125] Although the duo decided to quit the following year, they would eventually sell 7 million copies of albums and 5 million copies of the 3 singles released.[126] Simon Cowell, who before this was known largely as a creator of novelty records with television characters such as the puppets Zig and Zag and action characters Power Rangers,[127] then came to the attention of the media for his ability to create hit records.[126] be457b7860