Born from audio-industry research and development that began in the 1970s, Pulse Code Modulation (PCM) technology dramatically impacted our everyday musical landscape through the digital reproduction of soundwaves from analog sources like physical instruments and the human voice.

But while such advances have enabled PCM-based tone generation to provide faithful recreations of a huge range of instrumental sounds, it continues to struggle with the most fundamental and historically important instrument of all: the human voice. Reproductions of sung vocal lines have to contend with a range of challenges. Not only do different vocal techniques produce wildly complex variations in tone, but lyrical content also presents an overwhelming number of variables to process. From the diversity of vocabulary to transitions between syllables and the way a different melody or phrasing can completely transform the necessary waveform for a given word. And while PCM-based approaches have made progress in recent years, along with vocoders and other technologies, significant shortcomings have continued to hamper widespread adoption.


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Probably too silly for this group, but I bent and added one of those cheap 'voice changer' modules inside. Hard to play for me as i'm more a keyboard guy and trying to blow and hum at the same time is a little mind-bending for me. It also gets too wet after 15-20 minutes of playing and has to dry out! Also added the lips from the voice changer. Thought you might enjoy the crazy...

Electric piano tone used by a Swedish rock band in 1987. The tone is made up of multiple EP sounds stacked together that pushes the voice limit of the keyboard for a huge tone with shimmering high frequencies.

Alex, thanks for your input. FYI I have many single voice files for more expensive and less expensive Yamaha keyboards (which use different file formats), saved on a flash drive. I downloaded these years ago from a Yamaha user group, not affiliated with Yamaha.

The CT-S1000V's innovative vocal synthesis functionality lets you give your lyrics a voice. Using the free Lyric Creator mobile app, enter lyrics or audio of your voice and transfer them to the keyboard. Then, play the keys to hear your words sung or spoken, and adjust the vocalist's age, vibrato, portamento and other qualities. Create choirs, robotic sounds or vocoder-like effects. You can even build a custom vocalist from an audio recording.

However, in Envelope mode, the noise voice becomes tied to the Snare percussion voice, and will be triggered every time the Snare is triggered, along with the rhythm track. This allows you to create your own noise snare sound, adding some spice to a rhythm, or giving you rhythmic noise patterns if you keep the other volume sliders down.

DESCRIPTION: The Casio DJ-1 is asuper unique Casio keyboard. Hasscratch disk and pitch disk for pitch bending. 30 patterns of beats, 25 tonesfor keyboard, voice changer for mic input and tape section where you can recordor listen samples and music and play together! The sounds of the presetsare so many and incredibly unique! One of the best vintage Casio keyboards! Don't expect this to functionlike your high class synthesizers, but it can create super cool unique soundsandyou can also use it together with a multitracker tape recorder!

The CZ-101 and CZ-1000 have eight digital oscillators, each with a dedicated 8-stage pitch envelope. For patches using one oscillator per voice, this allows 8-note polyphony, If two oscillators per voice are used, the polyphony is limited to four voices. The CZ-3000, CZ-5000, and CZ-1 had sixteen digital oscillators, making them sixteen- or eight-voice synthesizers. Each of the oscillators in a two-oscillator patch could be independently programmed.

It was possible to modulate the two voices in a two-voice patch in two different ways. Ring modulation had the output of one of the oscillators affect the volume of the other oscillator, resulting in a controlled distortion. Noise modulation caused the second voice in a two-voice patch to sound like digital noise, roughly simulating the effect of an analog synthesizer's noise source.

The CZ-1 synthesizer is most advanced in the CZ series. It doubled the memory, was multitimbral, also stored splits and layers as "Operation Memories", and added velocity and aftertouch sensitivity to the keyboard, along with programming parameters to control how velocity and aftertouch pressure would affect the sound. It features three modes 'normal' (1 tone 16 voice), 'tone mix' and 'key split' (2 tones with 8 voices each). In the 2 tone modes the chorus setting controls which tone goes to which of the left and right output channels. With external effects the lack of negative velocity volume control can be circumvented and velocity crossfades between tones can be achieved using the separate output channels. Page 12 of the CZ-1 operation manual explains the tone output channel settings.[8] The CZ-1 also featured a backlit display which is lacking on the rest of the series. The only features that the CZ-1 lacked in comparison to some other models was the basic sequencer or drum machine sometimes furnished.

"The human voice is the most beautiful instrument of all time, but it is the most difficult to play." -Richard Strauss


Boldly defying convention, the CT-S1000V does what no other keyboard can do: Speak or type your lyrics into the free Lyric Creator app for iOS/Android, transfer them to the CT- S1000V, and play the keys to hear your words come alive. Choose from multiple vocalist models, and adjust age, vibrato, portamento and other parameters in real time. It can produce choirs, robotic sounds, vocoder-like textures, and more. You can even create a custom vocalist based on an audio recording.


Click here to learn more about Vocal Synthesis with the CT-S1000V

I picked up a CT-300 a while back as a cheap battery operated (I bought a stack of re-chargeables to go with it) for ultra light carry. Good enough to work out some lines, changes, feed a singer their notes. The action is good (for a casiotone level instrument). No problem triggering notes all the way to the back of the keys. Texture is better than expected. But, I should have waited just one more season as the very next release was the CTS1 and now all these entry level keyboards have much better sounds. $379 for the CTS500 is a very fair price!

What I like is that all those buttons could invoke Program Changes in all sorts of ways (and again, they can be labeled, as I labeled the buttons on the Casio itself)... it looks like you could have buttons that would allow you to use the board to trigger your CT-S500 sound(s) of choice from the Alesis keys (the Alesis itself can split to two MIDI channels), as well as buttons that change which CT-S500 sound(s) would be playing from the Casio's keys. (As a bonus, the board has aftertouch, and the Casio manual says it recognizes aftertouch... but there's no indication as to what it does when it receives it. Maybe duplicates the Knob3 function?) So besides letting you access more simultaneous Casio sounds over more than 61 keys, these Alesis boards would also give you a way to quickly and directly call up the sounds you most frequently needed, without even having to bother with the iPhone/iPad approach discussed earlier. One fly in this ointment... since the CT-S500 lacks a 5-pin MIDI In, you'd need a host device in-between, and if your hope is not to bother with the iPhone/iPad, you'll need to add a box for that, of the type discussed at -team-test-casio-ct-s1000v-arranger-keyboard-with-aix-vocal-synthesis/?do=findComment&comment=2930014 though of course, if you do use an iPad in the rig, you also have the option of having the Alesis trigger all kinds of other sounds from there (which can definitely make good use of the aftertouch, knobs, and trigger pads).

I'm not going to spring for CT-S1000V, but maybe in 20 or so years that could be the collector's item. Maybe some future modder figures out how to turn the voice function into something useful, like they did the sampler on SK-1 or SK-5. Somehow I don't imagine this would happen but who knows.

I'm no expert, but I have now had 3 casio exilim cameras; currently working with an EX-S10. I guess my first question would be is the lens extending all the way? That tended to be where I saw those kinds of problems.

Vocal Synthesis produces a singing voice through a combination of lyrics and voice tone. The CT-S1000V comes with 100 pre-built lyrics to get you started, but the real fun happens when you create and save your own lyrics on the dedicated app. There are 22 preset vocal tones (vocalists), each with its own distinctive character. Each vocalist can be further manipulated with front panel controls for age, gender, vibrato and more. A range of other settings are also available to personalize your vocals. Parameters such as attack time, modulation, effects, an arpeggiator, and a retrigger function that produces a rapid series of keystrokes when a key is held down. Using the Lyric Creator app, you can input your own lyrics, provide detailed pronunciation information (for English and Japanese), and create sequences that can be strung together to form songs. You can even create your very own vocalist from any audio data. e24fc04721

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