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A reader recently sent me an e-mail asking for help with his home recording studio setup. He was using Reaper recording software (excellent choice!) on his computer, along with a mixer, a drum machine and a keyboard synthesizer, along with some mics plugged into the mixer as well.

He had an audio interface, but a very limited one, called the Behringer UCA 222, which is not designed for multi-track recording, but rather for you to plug in line-level signals from things like tape decks, mixers, and other consumer audio devices, as well as electronic instruments like keyboards, drum machines, etc.

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The trouble with that is the preamps in a mixer like the 1202, though decent, are pretty cheap by necessity. There are 4 of them on a 1202, and if they used top-notch recording quality preamps, it would drive up the cost of the mixer by a lot.

So my question is would an external mixer help with doing remote live recordings with clients instead of using a virtual mixer to route everything? The virtual mixer works pretty well but lately, it sometimes gets static noise so I am trying to find a remedy to my solution. Like I said it works flawlessly when I am just doing the recording to adobe audition and the like. The problem is when I want to do remote recording on the browser-based IPDTL alternative platforms online.

I have actually got it to work using the virtual mixer program free program called voicemeeter as that routes everything to get it to work when I do remote recording but it is a hit or miss. And I need this problem resolved. As you are aware clients want to do remote recording and not just get the file by e-mail.

Ok thanks for your help on that. So when you say plug the monitoring output into the mixer use another trs to trs balanced cable that I would have to buy and put it into an external mixer then? And I would be able to rout things like that?

With a small analog mixer, your advice is well-taken. A full-size analog mixer, however, will likely provide an insert jack on each input channel. With this you can route an individual preamplified (and pre-eq as well) signal from each channel to a multi-track computer interface, while st the same time using the mixer as usual to provide a control-room stereo mixdown. An even better choice these days is a compact digital mixer, most of which can handle up to 16 input channels. The advantage here is that a digital mixer can act as a multichannel interface with your laptop networked directly to the mixer. The individually digitized channels are transmitted over ethernet, directly to your laptop, eliminating the need for a separate multi-track digital interface.

It is not audacity, but the trial-version of virtual-cable that is responsible for the problem.

Just uninstall the trail version of virtual audio cable & install the Lite version (see link below)

Virtual Audio Cable - Downloads (muzychenko.net)

The VR-4HD is a complete HD studio in a compact and portable package that replaces several different pieces of complex A/ V equipment.

Designed with single-person operation in mind, the VR-4HD enables easy switching and mixing of sound and video using advanced video and audio Digital Signal Processing (DSP) along with dedicated hardware controls faders, buttons and touch screen interface. It beautifully integrates a digital audio mixer, video switcher, multi-viewer touch screen and USB video/audio streaming interface into a stand-alone device. This portable live HD production solution is ideal for schools, churches, council meetings, corporate events, sports, training sessions, or any other live event.

You can purchase an audio mixer or a digital recorder that lets you plug multiple XLR mics and record individual audio tracks. This setup is excellent for recording both in podcast studios or at home, but it is incredibly versatile in its applications. For example, you can go to a specific location and record high-quality audio without carrying lots of additional equipment. Digital recorders like Zoom H6 and PodTrack P4 have XLR microphone inputs and let you record on separate tracks.

Of course, the first two options are quite costly and don't give you the flexibility of recording remotely. Finally, an even simpler low-budget solution to record a podcast with multiple guests is to use a web-based recording software like Riverside. This way, you won't have to purchase any additional podcast gear like mixers, converters, dynamic microphones, or USB interfaces. You'll also be able to invite guests for remote podcasting from anywhere around the world.

Apps like GarageBand, Logic, and Ableton Live are limited to recording from just one audio device at a time. Thanks to Loopback, you can combine multiple input devices into a single virtual device, to record all your audio.

Note: the button "Install recorder devices" adds "screen-capture-recorder" and "virtual-audio-capturer" to the "Video Source" and "Audio source" fields respectively, in case you can't see them as available options.

What I want to do is create another audio device within Windows and redirect (pipe) ONLY the audio input from that game and not the input reveived from Skype. I would then tell XFire to use that newly created "virtual" audio device to broadcast and therefore my partners won't hear themselves back.

Recording a mix normally uses extra cables and equipment. With a virtual cable and the Midi settings on Mac, you can create a Multi-Output Device to send the sound signal to the speakers and the recording software. Easy(ish) when you know how. A pain when you forget how.

Studio One combines the best of traditional scoring and modern sequencing. You get advanced notation features from our award-winning Notion notation software. Sound Variations make it easy to manage and control articulations in complex virtual instruments and orchestral libraries.

StudioLive 16.0.2 mixers provide plenty of DSP power, with no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander, and 3-band semi-parametric EQ on every channel and bus; a highpass filter on each channel; phase reverse for the channel mic preamps; a library of professionally crafted presets; and the ability to save and selectively recall processor settings. A stereo, 31-band graphic EQ sits on the main bus. To top it off, you get two 32-bit delay/reverb effects processors, each with its own dedicated mix bus and a library of useful effects presets.

When you need a mixer with comprehensive connections and a compact footprint, Ui24R provides the perfect, streamlined solution. The Ui24R allows you to mix from multiple sources including 10 combo 1/4"-TRS/XLR, 10 XLR, 2 line level inputs, and 2 channels of digital USB playback for a total of 24 channels. With its flexible and high-quality I/O, Ui24R gives venues, bands and engineers room to grow, with expanded creative options.

The Ableton Live 10 Lite software is an included download with all Ui Series mixers. Feed your creativity with this fast, flexible and sequencing workstation. From built-in instruments, sounds and effects to recording and mixing features, Live 10 Lite gives you everything you need to create, produce and perform.

Traditional mixers offer lots of functionality, but can only be controlled from the mix console position. The Ui24R surfaceless mixer combines the power and versatility of a large-format console with a compact design and complete Wi-Fi control. With Ui24R, you can finally have the features you need, plus the freedom to control your mixer from anywhere in the venue.

Cascading enables you to connect two Ui24R systems via Ethernet to expand your mixing capability with a new 32x32 bi-directional audio bus. Add a second Ui24R to double your mic inputs or connect two Ui24R mixers and control two fully independent mixes, such as FOH and monitors, or FOH and streaming mixes.

Now the routing is setup so your channel pre-amps are routed to both the inputs of the mixer as main channels, and the USB card output. When you record you will get unprocessed audio off of the preamps direct-out to the recording program you are using. All you have to do to change over to playback/mixdown/virtual soundcheck is switch the Source from MAIN to ALT, shown in the above picture.

Efficient, fast to load, and tightly coded. Can be installed and run from a portable or network drive. Powerful audio and MIDI routing with multichannel support throughout. 64-bit internal audio processing. Import, record to, and render to many media formats, at almost any bit depth and sample rate. Thorough MIDI hardware and software support. Support for thousands of third-party plug-in effects and virtual instruments, including VST, VST3, LV2, AU, CLAP, DX, and JS. Hundreds of studio-quality effects for processing audio and MIDI, and built-in tools for creating new effects. Automation, modulation, grouping, VCA, surround, macros, OSC, scripting, control surfaces, custom skins and layouts. A whole lot more.

Made with built-in capability for remote contribution and monitoring, Altus allows broadcasters like you to control the mix, while simultaneously monitoring audio and contributing content from any browser, anywhere. Altus brings audio production into the virtual age.

Nearly 20 years ago, broadcasters began to experience the benefits of Axia AoIP consoles, known to deliver a powerful and flexible mixing experience. Now, the power of our virtual solutions are providing broadcasters with the best of what IT technology has to offer which allows even more flexibility in how stations create their content and enable their talent.

Create infrastructure anywhere because you have choices that never existed before through virtualization. For the first time ever, you are free to decide on the correct balance of on-premises, private cloud and public cloud for best balance of flexibility, cost and resilience. ff782bc1db