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Uday Shankar did not have any formal training in any of the Indian classical dance forms. Nevertheless, his presentations were creative.[11] From a young age, he had been exposed to both Indian classical dance and folk dance, as well as to ballet during his stay in Europe. He decided to bring elements of both styles together to create a new dance, which he called Hi-dance. He went on to translate classical Indian dance forms and their iconography to dance movements, after studying the Rajput painting and Mughal painting styles at the British Museum. Further, during his stay in Britain, he came across several performing artists, subsequently when he left for Rome on the 'Prix de Rome' scholarship of the French Government, for advanced studies in art.

Soon his interaction with such artists grew and so did the idea to transform Indian dance into a contemporary form. The turning point came with his first meetings with legendary Russian ballerina Anna Pavlova. She was looking for artists to collaborate on India-based themes. This led to the creation of ballets based on Hindu themes, 'Radha-Krishna', a duet with Anna, and 'Hindu Wedding', for inclusion in her production, 'Oriental Impressions'. The ballet was presented at the Royal Opera House, Covent Garden, in London. Later he continued to conceive and choreograph ballets, including one based on the Ajanta Caves frescoes, which was performed across the United States.[12] In time his style of dance came to be known as 'Hi-dance', though later he called it 'Creative dance'.[13]

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It was 1993, and Sultan took his cassette of songs to the state television channel hoping it would play his music. Instead, they referred him to a new channel called Shabab TV that Uday Hussein had started to cater to Iraqi youths hungry for popular culture, as international sanctions isolated Iraq from the world.

So with little ceremony, Sultan left Baghdad on July 1, 2003, and headed to the emirates to play several months at a Dubai hotel. His battle song followed him; Saudi sheiks would come to Dubai to see him perform and call out for the anthem.

Updates to Messages make it possible to edit, undo send, and mark conversations as unread, making it even easier to stay connected.1 With iOS 16, users can now invite friends and family to SharePlay via Messages, offering another way to enjoy synced content like movies or songs and shared playback controls. In addition, new collaboration features in Messages make working with others quick and seamless. When users choose to share files for collaboration through Messages, everyone in a thread will be automatically added, and when someone makes an edit to the shared document, activity updates appear at the top of the thread.

Companies that organise tamashas are known as phads, and each phad is akin to a close knit family, and the artists are called kalavanths, and this form of performing art has been going on from the time of the Peshwas. Previously, men played the roles of both male and female, but with changing times women joined the Tamasha, and this art soon became famous for bringing out the glamorous side of their women actors who danced sensuously attired in bold and expensive zari lined saris. Traditionally tamasha had dancers known as Nachya, a poet known as Shahir who was also the Sutradhar, and a Vidushaka or jester.

Besides financial difficulties and dwindling audiences, currently another damaging impact on this dying Maharashtrian folk art is the public insistence on the nachyas to dance to Hindi film music instead of the old songs written specifically for the tamasha. e24fc04721