FaceDub is a free trial software published in the Editors list of programs, part of Graphic Apps.
This Editors program is available in English. It was last updated on 27 November, 2023. FaceDub is compatible with the following operating systems: Windows.
The company that develops FaceDub is FaceDub LLC. The latest version released by its developer is 2.30. This version was rated by 3 users of our site and has an average rating of 2.8.
The download we have available for FaceDub has a file size of 4.19 MB. Just click the green Download button above to start the downloading process. The program is listed on our website since 2009-02-20 and was downloaded 2922 times. We have already checked if the download link is safe, however for your own protection we recommend that you scan the downloaded software with your antivirus. Your antivirus may detect the FaceDub as malware if the download link is broken.
How to install FaceDub on your Windows device:Click on the Download button on our website. This will start the download from the website of the developer.Once the FaceDub is downloaded click on it to start the setup process (assuming you are on a desktop computer).When the installation is finished you should be able to see and run the program.
FaceDub is a great application, which allows one to swap any face for any body or body template from the wide range of options. There are many features to make the face swap look realistic like an airbrush tool to take away awkward lines and a Face targeting feature to alter the position of the head. Have fun today with this great software.
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Our website provides a free download of FaceDub 2.3. The program belongs to Photo & Graphics Tools. The common filename for the program's installer is facedub.exe. The actual developer of the software is MaxSlag. This PC program can be installed on 32-bit versions of Windows XP/XP Professional/Vista/7/8/10/11. The following versions: 2.3, 2.2 and 2.0 are the most frequently downloaded ones by the program users.
FaceDub is the definitive headswapping and blending tool that brings fun to your photos. FaceDub makes bodyswaps fast and easy without all of the drudgery of digging through repetative tasks in other photo editors. FaceDub also allows you to upload to FaceDub.com, the premier headswapping sharing site, where you can organize your Dubs and use anywhere. FaceDub is perfect for whatever you do on the internet including MySpace, blogs, ecards, message boards, slideshows, layouts and instant messaging. FaceDub includes Real Skin Blending, Erase/Paint Magic and PhotoSmarts to make really great headswapped photos. You've seen headswaps all over the net, they're usually hilarious and eye-catching, that's why FaceDub is the must-have tool for the web. You never know when you'll be using it next. FaceDub allows you to email, print, save, share, make MySpace code, upload to your cell phone and you can even make your own FaceDub gear (like a t-shirt or photo mug). There truly is nothing else quite like this suprisingly powerful application. It was designed from the ground up with ease of use and the internet in mind. A must-have application for anyone with a page, profile,slideshow or blog.
You can change and edit one face or swap faces with another person in the photo. The ease of use is an essential aspect of this product because anyone can learn to use it in a limited time. To use the app, you will first upload a photo that you want to use and then highlight a face on that photo. Remember, if there are several faces in a photo that you upload, you can switch and swap, imagine the larks that can provide. When working on an individual Facedub, you can select specific features, such as a mouth, nose, or eyes, or you can change the whole face. There is no drag and drop tool, but there is an inbuilt library of images to choose from. The many templates available within the app will help make using this feature a snap.
Disclaimer: The product is discontinued and the publisher is no longer active. Thus, the software may no longer work on your computer, or run with recurring error messages. This article was updated for informational purposes.
It is part from graphic editors category and is licensed as shareware for Windows 32-bit and 64-bit platform and can be used as a free trial until the trial period will end. The FaceDub demo is available to all software users as a free download with potential restrictions compared with the full version.
In the United States, an edited and dubbed version of the film, titled The Horror Chamber of Dr. Faustus, was released by Lopert Pictures in 1962 as a double feature with The Manster. The film's initial critical reception was not overtly positive, but subsequent theatrical and home video re-releases improved its reputation.[2] Modern critics praise Eyes Without a Face for its poetic nature as well as for being an influence on other filmmakers.
At night just outside Paris, a woman drives along a riverbank and dumps a corpse in the river. After the body is recovered, Dr. Gnessier identifies the remains as those of his missing daughter, Christiane, whose face was horribly disfigured in an automobile accident that occurred before her disappearance, for which he was responsible. Dr. Gnessier lives in a large mansion, which is adjacent to his clinic, with numerous caged German Shepherds and other large dogs.
Following Christiane's funeral, Dr. Gnessier and his assistant Louise, the woman who had disposed of the dead body earlier, return home where the real Christiane is hidden (it is explained that Louise is deathlessly loyal to Gnessier because he repaired her own badly damaged face, leaving only a barely noticeable scar she covers with a pearl choker). The body belonged to a young woman who died following Dr. Gnessier's unsuccessful attempt to graft her face onto his daughter's. Dr. Gnessier promises to restore Christiane's face and insists that she wear a mask to cover her disfigurement. After her father leaves the room, Christiane calls her fianc Jacques Vernon, who works with Dr. Gnessier at his clinic, but hangs up without saying a word.
Dr. Gnessier performs heterograft surgery, removing Edna's face. The doctor successfully grafts the skin onto his daughter's face and holds the heavily bandaged and faceless Edna against her will. Edna escapes, but falls to her death from an upstairs window. After disposing of Edna's corpse, Gnessier notices flaws on Christiane's face. Her face grows worse within days; the new tissue is being rejected and she must resort to wearing her mask again. Christiane again phones Jacques and this time says his name, but the phone call is interrupted by Louise.
Jacques reports the call to the police, who have been investigating the disappearance of several young women with blue eyes and similar facial characteristics. The police have gained a lead concerning a woman who wears a pearl choker, whom Jacques recognizes as Louise. Inspector Parot, an officer investigating Edna's disappearance, hires a young woman named Paulette Mrodon (recently arrested for shoplifting) to help investigate by checking herself into Gnessier's clinic. After being declared healthy, Paulette leaves for Paris and is promptly picked up by Louise, who delivers her to Dr. Gnessier. Gnessier is about to begin surgery on Paulette when Louise informs him that the police want to see him.
To avoid problems with European censors, Borkon cautioned Franju not to include too much blood (which would upset French censors), refrain from showing animals getting tortured (which would upset English censors) and leave out mad-scientist characters (which would upset German censors). All three of these were part of the novel, presenting a challenge to find the right tone for presenting these story elements in the film. First, working with Claude Sautet who was also serving as first assistant director and who laid out the preliminary screenplay, Franju hired the writing team of Boileau-Narcejac (Pierre Boileau and Thomas Narcejac) who had written novels adapted as Henri-Georges Clouzot's Les Diaboliques (1955) and Alfred Hitchcock's Vertigo (1958).[6] The writers shifted the novel's focus from Doctor Gnessier's character to that of his daughter, Christiane; this shift revealed the doctor's character in a more positive and understandable light and helped to avoid the censorship restrictions.[5]
For his production staff, Franju enlisted people with whom he had previously worked on earlier projects. Cinematographer Eugen Schfftan, best remembered for developing the Schfftan process, was chosen to render the visuals of the film. Schfftan had worked with Franju on La Tte Contre les Murs (1958).[7] Film historian David Kalat called Shfftan "the ideal choice to illustrate Franju's nightmares".[5] French composer Maurice Jarre created the haunting score for the film.[6] Jarre had also previously worked with Franju on his film La Tte Contre les Murs (1958).[7] Modern critics have observed the film's two imposing musical themes, a jaunty carnival-esque waltz (featured while Louise picks up young women for Doctor Gnessier) and a lighter, sadder piece for Christiane.[8][9][10]
In February 2005, the French soundtrack record label Play Time released the soundtrack on compact disc along with other soundtracks performed by Jarre. This also includes soundtracks from other Franju films including La Tte contre les Murs and Thrse Desqueyroux.[11]
For the American release in 1962, the film was edited, dubbed into English, and re-titled The Horror Chamber of Dr. Faustus; distributor Lopert Pictures, a division of United Artists that specialized in arthouse and foreign releases, released the film on a double bill with The Manster (1959).[15][16] Edits in the Dr. Faustus version removed parts of the heterografting scene as well as scenes showing Doctor Gnessier's more human side, such as his loving care for a small child at his clinic.[5] Lopert Pictures recognized the artistic merit of the film, and played up that element in promotion with an advertisement quoting the London Observer's positive statements about the film and mentioned its showing at the Edinburgh Film Festival.[5] This was in contrast to their presentation of The Manster, which mainly focused on its carny show qualities with its "two-headed monster" and "Invasion from outer space by two-headed creature killer".[17] Eyes Without a Face had a very limited initial run and there was little commentary from the American mainstream press.[18] be457b7860
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