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Welcome to the 31st season of summer movies in Bryant Park! Bring a blanket and a friend, and snag your spot on the lawn to watch a feature film on the big screen under the stars. The lawn opens 5pm; film begins 8pm.


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To be young and carefree amid the blue waters and idyllic landscape of sun-drenched Italy in the late 1950s? That's la dolce vita Tom Ripley (Matt Damon) craves and Dickie Greenleaf (Jude Law) leads. When Dickie's father asks Tom to bring his errant playboy son back home to America, Dickie and his beautiful expatriate girlfriend, Marge Sherwood (Gwyneth Paltrow), never suspect the dangerous extremes to which Ripley will go to make their lifestyle his own.

A cocky ad executive, Marcus (Eddie Murphy) has a reputation as a ladies' man. Marcus, however, gets a taste of his own medicine when a merger finds him working under the beautiful Jacqueline (Robin Givens), who has a similarly cavalier attitude about romance. Marcus and Jacqueline become involved, but he is put off by her noncommittal approach to their relationship. Meanwhile, Marcus also begins to develop feelings for the pretty Angela (Halle Berry), who is more thoughtful than Jacqueline.

The Roman emperor's son, Commodus (Joaquin Phoenix), is enraged when he is passed over as heir in favor of his father's favorite general, Maximus (Russell Crowe). Commodus kills his own father (Richard Harris), then arranges the murder of the Maximus and his family. Maximus narrowly escapes, only to be sold as a slave and trained as a gladiator, but his subsequent popularity in the arena threatens the throne.

After discovering his girlfriend (Juliette Lewis) has been participating in illicit affairs, attorney Mitch (Luke Wilson) feels his world come undone. He moves into a new place, which happens to be near a college campus, and tries to get his life back together. Two of his best friends, Frank (Will Ferrell) and Beanie (Vince Vaughn), start hanging out at Mitch's house, eventually turning the place into a wild party pad, much to the ire of the college's dean, Gordon "Cheese" Pritchard (Jeremy Piven), who aims to make their lives difficult.

Dispatched on an assignment, New York City-based fashion photographer Dick Avery (Fred Astaire) is struck by the beauty of Jo Stockton (Audrey Hepburn), a shy bookstore employee he photographed by accident, who he believes has the potential to become a successful model. He gets Jo to go with him to France, where he snaps more pictures of her against iconic Parisian backdrops. In the process, they fall for one another, only to find hurdles in their way.

Young Salvatore Di Vita (Salvatore Cascio) discovers the perfect escape from life in his war-torn Sicilian village: the Cinema Paradiso movie house, where projectionist Alfredo (Philippe Noiret) instills in the boy a deep love of films. When Salvatore grows up, falls in love with a beautiful local girl (Agnese Nano), and takes over as the Paradiso's projectionist, Alfredo must convince Salvatore to leave his small town and pursue his passion for filmmaking.

When gigantic spacecraft touch down in 12 locations around the world, linguistics professor Louise Banks (Amy Adams) leads an elite team of investigators. As nations teeter on the verge of global war, Banks and her crew must race against time to find a way to communicate with the extraterrestrial visitors. Hoping to unravel the mystery, she takes a chance that could threaten her life, and quite possibly all of mankind.

Rose (Kate Winslet) is a young aristocrat who boards the ill-fated maiden voyage of the RMS Titanic, the most luxurious liner of her era, with her arrogant and condescending fianc. She then meets Jack (Leonardo di Caprio), a drifter and artist, and they fall in love on the legendary journey, which ultimately carried over 1,500 people to their death in the ice cold waters of the North Atlantic in the early hours of April 15, 1912.

Play It Again, Sam is a 1972 American comedy film written by and starring Woody Allen, based on his 1969 Broadway play of the same title. The film was directed by Herbert Ross, instead of Allen, who usually directs his own written work.

The film is about a recently divorced film critic, Allan Felix, who is urged to begin dating again by his best friend and his best friend's wife. Allan identifies with the 1942 film Casablanca and the character Rick Blaine as played by Humphrey Bogart. The film is liberally sprinkled with clips from the movie and ghost-like appearances of Bogart (Jerry Lacy) giving advice on how to treat women.

Set in San Francisco, Play It Again, Sam begins with the closing scenes of Casablanca, with Humphrey Bogart and Ingrid Bergman. The main character, Allan Felix, is seen watching the film in a cinema, mouth agape. He leaves the cinema regretting that he will never be like Rick.

Apart from apparitions of Bogart, Allan also has frequent flashbacks of conversations with his ex-wife, Nancy, who constantly ridiculed his sexual inadequacy. Allan has just been through a messy divorce. His best friend, Dick Christie, and Dick's wife, Linda, try to convince him to go out with women again, setting him up on a series of blind dates, all of which turn out badly. Throughout the film, he is seen receiving dating advice from the ghost of Bogart, who is visible and audible only to Allan. Allan's ex-wife Nancy also makes fantasy appearances, as he imagines conversations with her about the breakdown of their marriage. On one occasion, the fantasy seems to run out of control, with both Bogart and Nancy appearing.

When it comes to women, he attempts to become sexy and sophisticated, in particular he tries to be like his idol, Bogart, only to end up ruining his chances by being too clumsy. Eventually, he develops feelings for Linda, around whom he feels relatively at ease and does not feel the need to put on the mask. At the point where he finally makes his move on Linda (aided by comments from Bogart), a vision of his ex-wife appears and shoots Bogart, leaving him without advice. He then makes an awkward move. Linda runs off but returns, realizing that Allan loves her. The song "As Time Goes By" and flashes from Casablanca accompany their kiss.

However, their relationship is doomed, just as it was for Rick and Ilsa in Casablanca. Dick returns early from Cleveland and confides to Allan that he thinks Linda is having an affair, not realizing that her affair is with Allan. Dick expresses to Allan his love for Linda.

The ending is an allusion to Casablanca's famous ending. Dick is catching a flight to Cleveland, Linda is after him, and Allan is chasing Linda. The fog, the aircraft engine start-ups, the trenchcoats, and the dialogue are all reminiscent of the film, as Allan nobly explains to Linda why she has to go with her husband, rather than stay behind with him.

Allan quotes a closing line from Casablanca, saying, "If that plane leaves the ground and you're not on it, you'll regret it; maybe not today, maybe not tomorrow, but soon, and for the rest of your life." "That is beautiful", Linda says, causing Allan to admit, "It's from Casablanca. ... I've waited my whole life to say it!" His journey is complete. Bogart praises him, saying that since he has learned how to be himself now, he doesn't need him for advice anymore. The music from the scene in Casablanca resumes the theme "As Time Goes By", and the film ends.

Roger Ebert of the Chicago Sun-Times praised the film, giving it three out of four stars and saying, "as comedies go, this is a very funny one." He elaborated, concluding, "Maybe the movie has too much coherence, and the plot is too predictable; that's a weakness of films based on well-made Broadway plays. Still, that's hardly a serious complaint about something as funny as Play It Again, Sam."[2] Gene Siskel of the Chicago Tribune also gave it three out of four stars, writing, "For those who prefer their films with a beginning, middle and an end, and, consequently, were unsettled by the hellzapoppin' plots of 'Bananas' or 'Take the Money and Run,' 'Play It Again Sam' will provide warmth, sanity, and an unconventional story with laughs."[3] Vincent Canby of The New York Times called it "a very funny film" although he felt that "the shape of the ordinary Broadway comedy, with three acts and a beginning, middle and end, inhibit the Woody Allen that I, at least, appreciate most."[4] Charles Champlin of the Los Angeles Times wrote that the film was "in the tradition of the best bright comedies of the past, full of funny lines and situations but supported and enriched by an accurately perceived and recognizable character whose own consistency provides the logic for mad events and a lasting power for the laughter."[5] David McGillivray of The Monthly Film Bulletin called it "a treat for Woody Allen fans and a quite amusing, unobjectionable comedy for everyone else," though he thought it "hardly improves" on the original play.[6]

Quentin Tarantino said on his commentary track for True Romance (1993) that the character of Elvis Presley as portrayed by Val Kilmer, who appears to Christian Slater's character and gives advice and assurance, was based on the Bogart character in this film.

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